Film is always a fight because you're the person, as the director, with a clear picture in your head of what you think is really exciting, and you're just trying to convince a bunch of other people to buy into that.

An actor would be foolish to do something that might hold up the picture, or more importantly incapacitate him. If an actor does do a stunt he needs to make sure a stunt man stands by to see that it's done correctly.

We have this very clean picture of science, you know, these well-established rules with which we make predictions. But when you're really doing science, when you're doing research, you're at the edge of what we know.

At the same time, new concepts and abstractions flow into the picture, taking up the task of describing the universe without reference to such time or space - abstractions for which our language lacks adequate terms.

After formulating and communicating the right strategy and optimizing operations to execute that strategy, CEOs and other top leaders then must be able to build management teams that truly understand the big picture.

I go eat a sandwich for lunch and have a milk shake and miss going to the gym for 10 days, and somebody snaps a picture of me on the beach, and all of a sudden, I've lost it. Why do I need to be perfect all the time?

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

I had to go to a mirror and look at it. I couldn't picture myself in my own head. I had no image beyond a stick figure. I wasn't a mean person as a kid, or dumb, and something has to be said to justify excluding you.

I looked long and carefully at the picture of a stag painted by Landseer - the style was good, and the brush was handled with fine effect; but he fails in copying Nature, without which the best work will be a failure.

People are generally forced to change. We don't want to change, and then something absolutely forces us to realize that what we are doing isn't working or that our picture of the world is wrong. We fail. So we change.

When in doubt, wear a suit. Look at male politicians: you see them in a suit, and they look fine. But if you see a picture of them on the weekend or on vacation, there's a good chance they look terrible and unstylish.

You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.

'Man is an endangered species,' announces one of the titles at the beginning of the sci-fi lump 'Battlefield Earth.' And after about 20 minutes of this amateurish picture, extinction doesn't seem like such a bad idea.

I really think the mind of someone who hasn't been welded into place by their work or studios or actors or this whole society is a wonderful mind to work with, so I'd like to do a big picture with an unknown director.

You could have the biggest screen, you could have the clearest screen. But if there is not great content on this thing, that big-screen TV is not a huge value to you, even though it has the best picture on the planet.

For me, every photograph is a portrait; the clothes are just a vehicle for what I want to say. You're photographing a relationship with the person you're shooting; there's an exchange, and that's what that picture is.

To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul, to give it its final blow the coup de grace for the painter as well as for the picture.

The Academy Awards ceremony is designed to be without irony, but Chris Rock supplied it anyway with filmed movie-theater interviews with black men and women who had never heard of the movies nominated for Best Picture.

Every time I find a picture of him with other women, or read in magazines that he's involved with 'groupies,' I don't go and show up where he is making a huge scene and getting our faces put all over the TV and papers.

What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.

I enjoy the mental gymnastics that go along with matching voice to picture and vice versa and trying to accent the action as opposed to provide all of the action through my words. And that's really what play-by-play is.

I think my wife saw a picture of the rock group Journey, and they're kind of aging, and the one guy had dyed blonde hair with black roots, and... my idea was to get a little earring, I wanted to have a dangling earring.

Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!

It's a question of not so much pushing the boys out of the picture, but making the whole frame bigger so that both men and women access the labor market, contribute to the economy, generate growth, have jobs, and so on.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.

But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.

I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.

A brain hemorrhage puts it all in a deeper perspective. I'm one of those guys hit by lightning. I see the big picture. Everything is in perspective now. Let's just say I'm the kind of guy who knows how to enjoy the moment.

Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later.

I put the storyboard down and came back to it like two weeks later and saw that I had written 'Butt-Head' next to the picture, and it kind of made me laugh and I thought, Well, might as well go for every laugh you can get.

And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.

A complete autobiography would indeed be a picture of the outer and inner universe photographed upon one little life's consciousness. For does not the whole world, seen and unseen, go to the making up of every human being?

When I do see a picture of myself that has been touched up too much, I do get a bit sad... it makes me look like a hypocrite. It breaks my heart. I would rather shoot a magazine and shoot my flaws, but that's not up to me.

Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.

Jesus lived a life that was full of joy and contradictions and fights, you know? If they were to paint a picture of Jesus without contradictions, the gospels would be fake, but the contradictions are a sign of authenticity.

The spirit of Christmas is the spirit of love and of generosity and of goodness. It illuminates the picture window of the soul, and we look out upon the world's busy life and become more interested in people than in things.

The reason why I've been keeping private for the longest time ever here, I've always wanted to protect my wife's privacy. I don't like - I didn't want to put her picture all over the news. I just wanted to keep her private.

Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or 'outsideness' without laying stress on the emotion of fear.

We show people that anybody can paint a picture that they're proud of. It may never hang in the Smithsonian, but it will certainly be something that they'll hang in their home and be proud of. And that's what it's all about.

We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.

It's not an epitaph. I felt I could look back at my life and get a good story out of it. It's a picture of somebody trying to figure things out. I'm not trying to create some impression about myself. That doesn't interest me.

When I did 'Shaft', I was so happy to be working and to have been a star of a major motion picture, I had no idea or concept of where it was going to go, and it turned out to be this huge film. That was the icing on the cake.

The picture is all he feels about it, all he thinks worth preserving of it, all he invests it with. If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.

The 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of Dorian Gray' and 'The Time Machine,' not to mention 'Heart of Darkness' and 'The Interpretation of Dreams,' were all written between 1890 and 1899.

I think I look for a muse in women. Someone I can just picture in my mind. Someone who respects herself and others. It isn't so much the things she says, it's mainly what she does. That's what make her all the more beautiful.

Without a clear picture of where the military's covert forces are operating and what they are doing, Americans may not even recognize the consequences of and blowback from our expanding secret wars as they wash over the world.

If you ever see The Rock working out in the gym, don't think you can just go up and disturb his workout and expect him to take a picture. He's there to work, so kindly just pass the silverback on by or he'll rip your face off.

The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.

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