I have a terrible, terrible fear of knives. I only buy food that I don't need to cut... I haven't cut my food in years! Like, I won't even touch a plastic knife or anything sharp. And if I'm in a kitchen and somebody picks up a knife, I leave.

On draft day, I wasn't really nervous at all. Then you turn on the draft, the first five picks go by, and then you still thinking, 'Oh man, I don't know where I'm going to go.' It's really just, by the time draft hits, that's when you get nervous.

My worry about the New York Times is that it's got the only position as a national elitist general-interest paper. So the network news picks up its cues from the Times. And local papers do too. It has a huge influence. And we'd love to challenge it.

A friend of mine has a big farm in the desert, and she picks up feathers and roadkill for me, then makes it into clothes. I think it's cool to wear roadkill. If I died and somebody wanted to wear my teeth around their neck to VMAs, I'd feel honored.

We live in a culture that celebrates determination and hard work, but understand, these are the qualities that keep you in the game after most everybody else has left - or until somebody bigger and stronger picks you up and hurls you back out to sea.

I love being a friend to my son. We go to the mall together. We shop. He picks out my clothes. We hang out. We go to different cities together. We like the same music. I think that's why he appreciates his mom and me so much - we treat him like a friend.

I went through a period in my life where I didn't have money to buy ramen noodles and peanut butter and jelly, but I also needed to go to the guitar store and buy strings and picks and polish and rags. I couldn't live with myself if I didn't play guitar.

The Idea enters the brain from the outside. It rearranges the furniture to make it more to its liking. It finds other Ideas already in residence, and picks fights or forms alliances. The alliances build new structures, to defend themselves against intruders.

I have four warehouses full of stuff. I have every boarding pass of every flight I've ever been on. I have all the old contracts that we had from all the clubs and concerts we played, every one of them, up from 1980. Guitar picks and amps - it goes on and on.

Growing up in New York has influenced my style so much, and I have an amazing relationship with my stylist, Estee Stanley. We have so much fun with the whole process. She picks out dresses, I try things on and play dress up, and we get creative to see what works.

Because it's one thing when you - oh, I love this tune. But then when you go to sing it, it's got to have something really personal. Then down to 25, and then to pick the final ones I just picked the ones that were more personal, that had something to do with my life.

There are a ton of A-list stars I'd love to dress - fashionistas like Keira Knightley and Scarlett Johansson. Also, Cate Blanchett would be fun and fabulous. My picks vary by the day and how I'm feeling. But, as a new, young designer, I'm open to working with everyone!

I don't know what I did to my main bass. I've poured makeup into it, I've bashed it around - and we've gone in the back and cleaned it up... It sounds amazing and one of a kind at this point, but it picks up a really decent radio signal if you're anywhere near an antenna.

Fiction writers have long turned to winter to advance bluer palettes, slicker surfaces, and sharper contrasts. The sky darkens, the wind picks up, and flakes start to fall. Horizons shrink. Couples bicker. Cars slide off roads. Obliteration tends to loiter between the sentences.

My dad taught me very early in life that whenever a child learns to walk, he falls a lot of times, but then he picks himself up and learns to walk like a man, and that is something which is a motto in life as well. You gotta pick yourself up, and you gotta walk, and you gotta walk strong.

Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.

As a story writer, you have work with sharp but relatively small tools, the picks of metaphor, the shovel blade of images, the trowel of point of view, and then you delicately lift and brush in the revision with love and care knowing that one slip, and you might damage an extremely delicate thing.

I don't feel comfortable talking about the specifics of how it all comes together, but the truth is, I don't ever know when Michelle Obama is going to wear my clothes! She, like everyone else, picks her outfits and wears them when she wants - sometimes two or three times. It's not ever calculated.

If I am a 35-year-old woman, and I hail a cab on a Friday evening, and a cab driver picks me up, there are two people in the world that know I am in that cab. Me and the cab driver. With an app like Sidecar, there is a electronic record. I know exactly who that person is because they are screened.

One of the most interesting things that I'm seeing of the Trump picks is such a heavy business and financial focus. I can't help but feel like this is going to throw a lot of policy weight and details back to Congress, because these are not people who have a lot of experience drafting legislation.

I used to tell my graduate students at Stanford, 'Don't worry about what job you have to pick because your job picks you. Let your job pick you. Find something you are passionate about. Then when you are passionate, be persistent. Just keep doing it for a while because progress is always hard work. It never rests in ideas.'

If somebody wants me to speak in, say, Chicago, a limousine picks me up at the door to brings me to the airport. I fly at the front of the plane, and a limousine meets me at the other end to take me to a grand hotel, and usually an envelope is left for me with a per diem, maybe $150-a-day walking around money, and then I go home.

Artists, writers and people in creative fields are entrepreneurs by necessity. Nobody gives them a paycheck or picks up their medical insurance. The ones who succeed learn to think and act like 'independent operators.' I think people who are technically 'employees' have to think this way as well. The company is not looking out for you.

When I went to Impact, it was me proving myself on a daily basis to a lot of different people. I mean, I had matches with Austin Aries, matches with Jeff Hardy, Bobby Roode, Drew McIntyre. I mean, I wrestled everyone. During that time, I wasn't just sitting back saying, 'Man, I hope WWE picks me up. I hope they see me. I hope to get back.'

Camera lies all the time. It's all it does is lie, because when you choose this moment instead of this moment, when you... the moment you've made a choice, you're lying about something larger. 'Lying' is an ugly word. I don't mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.

Share This Page