Quotes of All Topics . Occasions . Authors
I never work with a screen. Other photographers have this black thing around, and they go back and look at it. I'd rather spend the time with the subject, photographing or discussing or talking, than staring at this thing. I'd rather look at what's going on.
I have had the privilege of working with the best in the business, from photographers to designers to magazines. There's not much more to ask for but I'm still looking forward to one day working with photographers Mert and Marcus, Tim Walker and Nick Knight.
I think the whole movement of #MeToo is not just calling out the sexual harassers, which is really important, but also crying out that we want equal pay, equal representation, equal opportunities, and that we want to see more female directors and photographers.
Young photographers must experiment all the time and not be frightened of using light - freely-shooting straight into the light if need be - making an effort to get new angles on much photographed subjects, and also discovering chemical properties of film itself.
I think there are two types of photographers, those who want to document the world and those who want to create their own world. I am more interested in documenting the world and presenting it to people with the question attached, 'Does this make any sense to you?'
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.
Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
Being a celebrity you always get really good seats to sporting events but you never get as good seats as the photographers get. And I really love sports. So one of the scams I have going now is I want to learn sports photography so I can get better seats at a sporting event.
There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
Tanushree taught me how to do make-up when I didn't even know how to hold a brush, She encouraged me to go to acting school when I was not confident about my personality and acting. She even got my pictures done by the best photographers in town. She motivated me to do my best.
I have always said that it is completely about the music, and I have never been interested in anything else. I think I've been able to maintain that. I'm a totally normal person, I don't get followed or have photographers waiting outside my door. So yes I have a very ordinary life.
It's true that sometimes we have paparazzi or some kind of photographers following us, but you have to live normal. I mean, if you try to not go to the supermarket or not go to the cinema, you won't live properly, and you won't enjoy living. We are trying to be as normal as we can.
After the fall of the Soviet Union, if you start the clock, then 47 journalists, reporters, cameramen, photographers have been killed in Russia since the fall of communism. That makes it the third most deadly country on Earth to practice journalism. That's not a record to be proud of.
I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On film, that's a massive contribution.
A lot of mainstream photographers seem not to think about what they're doing or feel any responsibility toward anything. By the time they're done, the models don't have any trace of themselves left. This thing about looking young with no wrinkles or expression is all so boring, really.
I'm not against digital photography. It's great for newspapers. And there are photographers doing great work digitally. When they use Photoshop as a darkroom tool, that's fine, too. But at this point of my life, after so many years, I don't really want to change, and I still love film.
I used to not be confident. My father certainly didn't add to my confidence. When I was 17 or 18, I was voted the most beautiful girl in England by the association of press photographers. When they called Daddy for a comment, he said, 'I'm amazed. She's a nice looking girl, but nothing special.'
If somebody were to feel the necessity to reduce themselves to a desperate state to achieve what they perceive to be their goals in life, people who work in fashion, who are models or photographers, shouldn't be judged because of untoward acts of others. As the saying goes, it takes two to tango.
I've grown up around people who love photography, and I think from being photographed for so long, I always wanted to understand how it worked, and I've been fortunate enough to be photographed by some really wonderful photographers, and so I learnt a lot from them, and I always ask them questions.
My parents were very calm about the photographers, the fans, and all that. But I understood right away that I hadn't done anything to deserve that attention. No matter what happens, it will be there. I didn't choose it. You just can't take that too seriously. You need to live your life. And stay calm.
'Instagram' doesn't exist in a vacuum. We're not a bunch of siloed individuals. It's a bunch of people coming together on topics, fashion, you know, youthful teens, creatives, photographers, foodies, everyone coming together and building a community around the things they love, communicating visually.
Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
If you travel 11 months a year - from one dangerous or isolated situation to the next - if you live in hotels, and every relationship with another human being is a two-week relationship, the only other people who have any idea what you're going through or how strung out you are are other photographers.
Having an agent who had been through the process a million times and who could walk me through the process freed up a lot of mental space for me to just focus on the creative. I also worked with recipe testers, photographers, and assistants who were invaluable in creating a book that I'm truly proud of.
Conflict photographers grapple with two worlds that are themselves often in conflict - the one where bombs fall and bullets fly, where adrenaline runs high, and the other, back home, which is comparatively secure, and where the big event of the day may involve selecting swatches of fabric for a new sofa.
What's been important with Flickr is the community that's been there from the beginning and the serious photographers that are there creating and sharing great content. If we lose that at some point then I think we have potential issues, but so far we've been able to do a really good job of maintaining that.
I admire a lot of photographers, but I feel very disconnected from them at the same time. I don't feel I employ any technique like these people in my work. I guess if there's any influence from any of these photographers, it's this: They were concerned only with beauty. Not with 'cool.' I hope I'm doing the same.
I wanted to create Rouje to bring together my talented friends - photographers, stylists, graphic designers - in a project to create my universe and perfect dressing. I did not want to call the brand my name, because I have other projects, and this brand is the result of the work of several people and not just me.
At the beginning, we didn't have the money to pay big names, which is how looking for new faces began a tradition that still continues 30 years into the Guess history. It's been interesting to follow their careers after a Guess shoot, for both photographers and models, because the exposure around the world becomes so huge.
I feed on other people's creativity, photographers, artists of every kind. Sometimes a feeling that you get listening to a song can be so powerful. I've wanted to write whole scripts around what I felt just listening to a piece of music. I think music is important, and surrounding your visual field with stimulating things.
I can't stand when girls come to me and say they want to be a model, but they can't tell me who the top three photographers are in the world. They can't tell me who the top five biggest models are or name three cosmetics companies. They can't even name the top fashion magazines! You have to get it together and know your stuff.
A close friend of mine, Annie Leibovitz, who I've known for forty years, photographs celebrities every single day of the week but they all seem to look the same even though she's one of the most creative photographers alive. They all just look the same. Brad Pitt is a great actor but all the pictures of Brad Pitt look the same.
I was raised around a lot of artists, musicians, photographers, painters and people that were in theater. Just having the art-communal hippie experience as a child, there wasn't a clear line that was drawn. We celebrated creative experience and creative expression. We didn't try and curtail it and stunt any of that kind of growth.
If photographers are responsible for creating or reflecting an image of women in society, then, I must say, there is only one way for the future, and this is to define women as strong and independent. This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.
Camera lies all the time. It's all it does is lie, because when you choose this moment instead of this moment, when you... the moment you've made a choice, you're lying about something larger. 'Lying' is an ugly word. I don't mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.
I grew up with the media circus. My whole life. My parents were very calm about the photographers, the fans, and all that. But I understood right away that I hadn't done anything to deserve that attention. No matter what happens, it will be there. I didn't choose it. You just can't take that too seriously. You need to live your life. And stay calm.