Quotes of All Topics . Occasions . Authors
A complete autobiography would indeed be a picture of the outer and inner universe photographed upon one little life's consciousness. For does not the whole world, seen and unseen, go to the making up of every human being?
I thought it would be good not to hide the fact that you're taking a photograph, and have people react and come in close and also make a commentary on what's being photographed: 'This is a photo, this is my point of view.'
I started out on photography accidentally. A policeman came to a stop at the end of my street, and a guy knifed him at the end of my street. That's how I became a photographer. I photographed the gangs that I went to school with.
I have a no-kids policy on my website, meaning I won't publish paparazzi photos of celebrity children. I'll only post photos that celebrities themselves share on social media, or if the kids are photographed at a red carpet event.
I have photographed sharks in waters around the globe, and I always want more and yearn to peer deeper into their world. To feed my passion and to raise awareness, I developed a story about sharks for 'National Geographic' magazine.
Having photographed the landscape for a number of years and specifically working with trees and in the forest I found, without consciously thinking about it, that it was a great learning experience for me in terms of organizing elements.
When you are 18, 19, 20, you're used to being photographed all the time, in a certain way. So, the narcissism becomes almost out of control. And the way that young women are photographed, they become addicted to this feedback of the image.
The more I photographed Muslim women, the more I was able to metaphorically strip away the burqas and hijabs, and start chipping away at the profound misconceptions that existed in other parts of the world about these women and their culture.
The active and abandoned tailings ponds I have photographed, for example, are strangely beautiful - yet they are also chock full of cyanide, which is used in the recovery of microscopic particles of gold from the waste tailings of copper mines.
A fan sent me a letter and a $10 bill. It's a short letter - all she said was, 'Hey, since it's harder for you to go out these days without getting photographed, here $10 for a pizza.' I was like, 'Aww, she sent me money for a pizza so I could eat at home!'
Haiti itself was also photographed, some of the streets, some of the mountains, rivers, streams, etc. were photographed before talking with me about how I felt about Haiti. Then the camera went to our voodoo temple and saw a serious ceremony, a real ceremony.
You can't control the paparazzi. But if you go to Coachella you're going to get photographed. Whereas if you're at home, walking down the street you probably won't. It's something I've learnt to navigate my way around but I try to keep my private life private.
I think the culture of the red carpet is too much like a modern-day coliseum. If you're being photographed all the time, and you don't like having a bad photograph taken, and if you're super, super thin, chances are you're never going to look fat in a picture.
Motherhood takes vanity completely out of the picture. Comfort is the key. When you are coming out of a plane after a 9-hour flight with drool all over your clothes, the last thing you are worried about is being photographed. You just want to take your kid home.
Young photographers must experiment all the time and not be frightened of using light - freely-shooting straight into the light if need be - making an effort to get new angles on much photographed subjects, and also discovering chemical properties of film itself.
I had an early taste of fame. I was 20, going out with TV presenter Dani Behr and we'd have paparazzi chasing us. I'm not comfortable being photographed, though I accept it is part of the job. I had to ask myself, 'What comes first, being a celebrity or footballer?'
Taking care of my skin so that it's healthy and glowing, especially with all the travelling and training, is important and makes me feel presentable. I don't wear makeup when I compete, and that's when I'm photographed the most, so I have to make sure it looks good!
I was extremely irritated being photographed for a long time, then I gave up caring. Photography is a nauseating cliche, but there is a lot to it. You can tell so much about a person from it. You are exaggerating the consciousness. It's life-thickening, photography.
I'd photographed musicians before but this was different. Syd was very charismatic, and he had the aura of a poete maudit, which made him the perfect subject for me - I realised that rock n' rollers were the modern equivalent of all the poets I was so enamoured with.
One of the Sunday newspapers asked me to make my favorite dish, and they photographed me holding it in the kitchen. It was roasted salmon with roasted vegetables. That's not cooking; that's putting things in a pan. It looked quite nice, but I'm not saying it was good.
Some actors don't mind it. Those who are pretty. They think it's nice to be looked at because they are nice to look at. I appreciate that. I'm very happy to salute that aspiration. But I don't like the way I look so I don't like being photographed. I become defensive.
I photographed with film for many years; now that I work in digital, the difference is enormous. The quality is unbelievable: I don't use flash, and with digital I can even work in very bad light. Also, it's a relief not to lose photographs to x-ray machines in airports.
In the Belgian air force a general supposedly saw a UFO, tracked it with his plane, photographed it with his wing cameras. And I believe it because I said to myself why would this person, not getting paid for this, do it unless it actually happened or he thought it happened.
I photographed all kinds of sports - Formula 1, Formula Atlantic. And anybody who knows me knows that, from the day they invented video cameras, I used to lug them around when you had to carry the pack here and the big camera here, plus the diaper bag and a baby and the purse or whatever.
Most people, when they lose their dads, they go through a period of mourning and grieving, and time begins to heal their sadness. But we don't have the opportunity to heal. I know my brother and sister feel the same. The man was probably one of the most photographed people who ever lived.
A fisherman, say, working on a beach doing his job, may be photographed by a tourist because it's photogenic to see him working, and the Caribbean is extremely photogenic, so poverty is photogenic, and a lot of people are photographed in their poverty, and sometimes it's kind of exploited.
I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
I've grown up around people who love photography, and I think from being photographed for so long, I always wanted to understand how it worked, and I've been fortunate enough to be photographed by some really wonderful photographers, and so I learnt a lot from them, and I always ask them questions.
Some of these actresses or public personas who are very public about their disciplined diets, more power to them. I just don't see the point. I'm just not going to be one of those people photographed in a bikini where people are like, 'OMG, look at Amy!' I mean, it might be OMG, but not for the reasons I want.
The stoic drama 'A Somewhat Gentle Man' is photographed in a palate of steel gray tones that match Stellan Skarsgard's complexion. It's a low-blood-pressure version of the kind of thing James M. Cain used to do in his sleep, and its filmmaking accomplishment is as minimalist as its narrative ambition is minimal.
There was a stage in my career when I started to have problems with the vanity aspect of the subject. I got frustrated and bored with it. Then I thought, actually, how does it feel to be photographed? That's when I started to photograph myself. That was an incredibly important moment, and it opened up my work tremendously.
The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
My father's rooms, as a child, were a very exciting place to be. Not only because of the beautiful models who were coming to be photographed for Vogue or The Sunday Times but also because of the very avant-garde furniture that he had made. He made designs for the investiture of the Prince of Wales in 1969 at Caernarfon Castle.
When I had photographed Prince William's mother, I brought along a CD of Dalida, a French singer, that we played on set all day to relax everyone. I decided to do the same thing for Catherine and William. The contrast of the contemporary informal music playing in the beautiful rooms with so much history caused a lot of laughter.
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
So many times I've photographed stories that show the degradation of the planet. I had one idea to go and photograph the factories that were polluting, and to see all the deposits of garbage. But, in the end, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence.
I think I've always been ambitious. It just looks different on me. You know, I have friends who are actresses who go to every party they possibly can to be photographed and really try to make every connection they can, and I admire that and sometimes I wish I had a little bit more of that. Sometimes I feel like I don't have enough ambition.
Sometimes, when you roll out of bed, you don't want to be photographed by the paparazzi. Usually you like to know when you're being photographed. I've learnt that, as a public figure, you have to up your game and be prepared. Ideally, you try not to roll out of bed without brushing your hair - just chuck a brush through it, make a little effort.