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When I was in college in Philly, there was a lot of post-punks... hardcore... like, rock. Sixties, retro, proto-Strokes kind of bands.
Thanks to all the fans from Detroit and Philly who are recognizing what type of player I am, and I hope they keep supporting the Sixers.
I learned Neil Young songs, Bob Dylan songs and older songs. It wasn't until I moved to Philly that I had aspirations to maybe forming a band.
When I left the penitentiary, I learned to stay away from the Philly cheesesteaks, the pizza, the junk that clogs your arteries and kills you.
In my Philly neighborhood, black and white kids hung together without even thinking about it. The spirit of Martin Luther King was alive and well.
I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.
I loved wrestling in Philly. It was such an exciting time in my life. That really helped me grow and think differently. It was also just a lot of fun.
I came to Philly not only because of the quality of the team and the organization, but also the fans, the passion - it's really palpable in that city.
But my parents picked Ft. Wayne, which was the best decision because if they had brought me to New York or Philly, I would have swam back to Trinidad!
But I love Chicago summers on Lake Michigan, Philly cheesesteaks on South Street, falling in love in Brooklyn, street fairs in Asheville, North Carolina.
There's no secret about it: Every team does things differently. Seattle runs their program one way. New England runs it another way. Philly runs it another way.
Shout out to Daryl Hall. He is the best. One of my true musical heroes. He comes from the Philly area so when it comes to true soul, the guy obviously is the expert.
I love a good Roy Rogers or Shirley Temple, and I had to give those up. And Philly cheesesteaks. I love Philly cheesesteaks, and now they really aren't around anymore.
As a youngster, I lived in Philly for 12 years, and I would go up to New York to do shows and make money - it was the dream to maybe be able to survive there and live there.
I'm not a DJ - I don't know how to scratch or mix records, but I know how to party, and I know music. I grew up in Philly; it's a very musical city. My house was full of music.
I've done a lot of plays before where I had to do a New York accent, but never a Philly one before. They do the rhotic 'r' - where you say the 'r' - where most New Yorkers don't.
A.I. didn't ask me to do a bunch of stuff for him. He just wanted me around. Usually we were at the Friday's in Philly, which he should have bought, because he was there so much.
There's a certain level of realness in Philly. You know, just - people are people. You know, it doesn't matter who you are or who you think you are, you're just a person in Philly.
Everybody really don't rock with each other in Philly - that's a problem. 'Cause me being in Atlanta now, I stay in Atlanta, and I get to see everybody work with everybody no matter what.
I don't know... Philly's a little different. It's a little bit more competitive. Everybody's got something to prove. In Atlanta, you see stars every day walking down the street; it's normal.
You look at my career, everywhere I went - Miami, Green Bay, Cleveland, Philly - they were always bringing in draft picks and former first-rounders and guys with free-agent deals to take my job.
Philly ain't a good environment for you when you headed in a different direction. Bad things happen left and right. You might walk up the street, make a wrong turn, and your whole life could flip.
I immediately felt welcomed, whereas in Massachusetts, I'd grown up there but I felt like such an outsider. Within a week or two of moving to Philly I felt there was something I could be a part of.
If I wasn't from Philly, I couldn't promise you that I would have the same drive and the same ambition because, as a little kid, I always saw myself as making it out, and I would escape with television.
When I was younger, growing up in Pittsburgh, they had a 'Golden Gloves' program through the Boys and Girls Club. In Pittsburgh, New York, Philly, Washington, those areas, I would go and spar at competitions.
Honestly, I've always loved cheesesteaks. They're kind of my go-to when there's nothing else to have at restaurants, but obviously it's a little different when you're out in Philly and have an authentic Philly cheesesteak.
Anybody that's from somewhere that's made it in music outside of New York or L.A., if it's a unique enough place, they'll always say, 'Dude's from Minnesota!' Or wherever, you know? So that's how I got the Philly connection.
Philly was a great opportunity because I met Pat Shurmur. I was very grateful for that. Unfortunately I wish I had more football memories there. I didn't play in any regular-season games, which sucks because I wanted to play.
I think the big thing with Philly is I have such a great relationship with all the personnel decision makers that if there ever does come a day where I am traded or something does happen, it's going to be an open conversation.
Wherever you're from, you adapt to your environment. It definitely made my music a little bit more explicit. Because I really was in North Philly, I listened to State Property and stuff. Everything my dad listened to, I listened to.
I think the one commonality between the two Super Bowl teams I've been on is great, great teammates. I can honestly say that guys in Philly could definitely thrive in New England and vice versa - if you throw out the scheme differences.
In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
With messy food, or foods with a lot of sauce, you do 'The Hunch.' I learned it in Philly, watching the dudes in suits eat cheesesteaks. You keep your elbows above your hands because if you don't, the grease runs down your sleeve to your elbow.
Passyunk Productions is our film & tv production company. The name comes from a street in Philly, Passyunk Avenue, where the concept of The Roots was born, as Ahmir and I started out busking on the corner of 5th & Passyunk back in the early '90s.
Philly's busy enough. There are tons of record stores and record-head friends and plenty of D.I.Y. shows. It's a place where people pass through and bands don't usually skip on tour. There are lots of music resources, but it's not too over the top.
We're all in this together. I learned that lesson growing up in West Philly. When I shoveled the sidewalk my parents didn't let me stop with our house. They told me to keep shoveling all the way to the corner. I had a responsibility to my community.
I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of mind.
It's a city of its own and has its own sound. I think what makes it different is the drama; you know how they say everyone marches to their own beat? Well, I think Philly has its own beat as well, and it's distinctive. It sounds easy, but it's hard to play.
No offense to Boston, but I was glad to get out of there. I think it's just because I'm from Philly. Honestly, the blue collar side of each are pretty similar in ways, but something about the makeup of your brain, Philly versus Boston. It's a lot different, in weird ways.
We first started to rent old VFW halls in Philly or whatever; we rented kegs and did parties and played our own music. We had to find a way to do it because nobody else was helping us, and I think now it's important to keep those dialogues happening, those parties happening.
To research my book 'Me the People' - in which I have rewritten the entire Constitution of the United States - I flew to Greece, the birthplace of democracy. I bused to Philly, the home of independence. I even, if you can believe it, read the Constitution of the United States.
No matter what set she's been on over the last 12 years, my mother always finds a way to get in the way. Not in a bad way. Like, she once got caught on a law show I did called 'Philly' trying to take a picture - she was caught on-camera in the background. She does things like this.
I'm 61 now, and I'm comfortable in my lifestyle... I don't yearn for the limelight on a regular basis. I get a kick out of it every so often. I go to Philly and go to a game, and they make a big deal about me. That's fun for a couple of days, and I can go back to my own private life.
The more disgruntled the white people are, the happier they are to see me, that has to be it. I do really well in Boston, I do really well in Cleveland, I do really well in Philly, Jersey, certain parts of Florida. Places where there are really really aggressive white people tend to love me.
You can be in this league for 10-15 years and not win a championship. My boy, Nelson Agholor, been in the league for three years and got a ring with Philly. That's what we live for and dream for. That's why I think a lot of guys stay in Pittsburgh: because we always compete for championships.
I have some really cool memories here in Philly, and I thank you for the support. These are great fans, and I think when you play hard and when you do your best to win, they appreciate that. It was fun to be part of this organization and play for this city. I really enjoyed the time I was here.
This whole 8 for $8 tour, I handpicked every city, every market on this tour, I handpicked myself. I wanted to go to New York, I wanted to go to Baltimore, I wanted to go to Philly, I wanted to go to Chicago, I wanted to go to Atlanta, of course I wanted to go Memphis, I wanted to go to Oakland.
I think about growing up back in Philly. It was about friendship with the guys and having a distant crush on some gal. And when you finally got the nerve to take her out on a date, you went to her parents' house with a shine on your shoes, took her to the movies, and got her home nice and early.
I felt like people who had a lost mindset or who occasionally did stupid things were having a 'donkey' moment, or some of them are permanent donkeys, so I just started calling them donkeys. So when I went to Philly to do my own morning show, that's when I first started doing 'Donkey of the Day.'
I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.