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At noon, on the Fourth of July, 1826, while the Liberty Bell was again sounding its old message to the people of Philadelphia, the soul of Thomas Jefferson passed on; and a few hours later John Adams entered into rest, with the name of his old friend upon his lips.
I grew up outside Philadelphia, Pennsylvania, in a little town, and went to a regular high school. I was a... very average student in that high school. Then I joined the Navy, and while I was in the Navy, I was in a motorcycle accident and woke up deaf in a hospital.
I've never been incarcerated; I don't deal with these things on a day-to-day basis in my own personal life, but I have family members that do. I have friends that do. I have people in the city that I live in, Philadelphia, that are dealing with this on a daily basis.
Throughout the '60s and '70s, I saw many operas in New York and Philadelphia. When people found out about that, they were always shocked, because I was a professional wrestler. Why are athletes any different than any other profession? People have many other interests.
Wayne, Jon, and the SeventySix Capital team are best in class and committed to building successful companies. Together, by leveraging the full weight of our knowledge, expertise and relationships, we can make a huge impact at home in Philadelphia and around the world.
As a child, I was tortured because my mother was a brilliant seamstress who made most of my clothes. I was despised by the children at school because I looked like I was going to an opening every day. We weren't wealthy at all; we lived in a row house in Philadelphia.
When I was at the 'Philadelphia Inquirer,' I was promoted nine times in my first 13 years. I ultimately went from general assignment to beats on St. Joe's and Temple, to backup writer, to NBA writer, to NBA columnist, to, ultimately, in 2003, to general sports columns.
Being around a couple good tight ends in my history, both in Philadelphia and Carolina, namely in Chad Lewis and then in Greg Olsen, you see how that helps a young quarterback whether he becomes a security blanket, he can turn a five-yard completion into a 15-yard gain.
You look at the inner cities,I just left Detroit, and I just left Philadelphia.nd I've met some of the greatest people I'll ever meet within these communities. And they are very, very upset with what their politicians have told them and what their politicians have done.
With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame.
Outside Independence Hall when the Constitutional Convention of 1787 ended, Mrs. Powel of Philadelphia asked Benjamin Franklin, "Well, Doctor, what have we got, a republic or a monarchy?" With no hesitation whatsoever, Franklin responded, "A republic, if you can keep it."
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
We were in Philadelphia when Manager Pat shifted me from third to short, and right off the bat, I knew I had found my dish. Footwork was more a part of the new position than it had been at third. I suddenly felt I had sprouted wings. A world of new possibilities opened for me.
I went to the William Penn Charter School in Philadelphia, where I had a teacher really named Edward Shakespeare. He was a very influential figure in my childhood - I acted in high school a few times, but Mr. Shakespeare got me to lead in 'The Crucible.' I played John Proctor.
My father was into fame and leaving his mark. He was a city planner, sort of a genius in that world, the Robert Moses of Philadelphia. He was on the cover of 'Time' once, and I remember going to his office and seeing, like, two hundred copies, which he would hand out to people.
There's a lot of haters in Philly, but it's a lot of people that give you support - but way more haters. It's definitely a great city to be from. But it's not really a lot of people that come out of there. So when you, like, make it out of Philadelphia, everywhere else is easy.
If I wrote in Jacob Riis' time, I'd be writing about teeming slums in our cities and kids dying of tuberculosis or outhouses in Philadelphia or kids losing their toes because they were living in homes without heat. He took on a battle in 'The Battle with the Slums' - and we won.
What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.
I cannot accept this invitation [to celebrate the bicentenial of the Constitution], for I do not believe that the meaning of the Constitution was forever 'fixed' at the Philadelphia Convention... To the contrary, the government they devised was defective from the start. [Progressive]
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
The African American's relationship to Africa has long been ambivalent, at least since the early nineteenth century, when 3,000 black men crowded into Bishop Richard Allen's African Methodist Episcopal Church in Philadelphia to protest noisily a plan to recolonize free blacks in Africa.
In Philadelphia, there's no delineation, they address me as Rocky, for real. They'll say things like: "Rocky, do you like this coat?" Or: "Rock, say hi to my sister." Or: "Yo Rock, I know a great restaurant." There's no Sylvester. Even the Mayor goes: "It's good to have Rocky here today."
My mom is a nurse; my dad is a pediatrician. They were born in the 1940s, and they were both inspired to fight against injustice, whether it was the injustices of the Vietnam War or Watergate or children in poverty or oppression of African Americans in Philadelphia where I was growing up.
I didn't leave home until 27. I was an only child raised in Philadelphia by my mother and grandmother. My grandmother controlled the stove. She made a lot of potato meals - mashed potato, potato souffle, potato pancakes. When we didn't have electricity, we ate romantically by candlelight.
St. Louis sprawls where mighty rivers meet - as broad as Philadelphia, but three stories high instead of two, with wider streets and dirtier atmosphere, over the dull-brown of wide, calm rivers. The city overflows into the valleys of Illinois and lies there, writhing under its grimy cloud.
In Belgium, we know the U.S. culture through the television, but it's not the truth. It's interesting to see that Philadelphia is really industrial. I love industrial cities. Everybody hates them, but I think they're the best places to be creative. The more gritty it is, the more I love it.
I should care about the education a child in Philadelphia, or Pittsburgh, or Erie, or Scranton received because if they didn't get a good education my life is diminished and all of our lives are enhanced if they get that good education. It is a shared enterprise and we need to recognize that.
My first CD that I had was the Ying Yang Twinz, and my grandma bought it for me. Honestly, I think my grandma got it from a thrift store or something. She just got it for me. It was in downtown Philadelphia. And I would listen to it. I liked it. None of my friends did, though, but I liked it.
We had a bond creatively that came out of 'Lady Marmalade.' It was our link. And people don't know this, but P!nk and I actually met when we were both 16 years old in Philadelphia. I was recording my first album, and we were working with the same producers, so I originally knew her as Alecia.
When I was 5 years old, I moved with my mother and brother from Philadelphia to a small town in Florida. People talked more slowly there and said words I had never heard before, like 'ain't' and 'y'all' and 'ma'am.' Everybody knew everybody else. Even if they didn't, they acted like they did.
I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
Pennsylvania is one of the worst states in country when it comes to the condition of its infrastructure, and Philadelphia isn't any better off than Pittsburgh. Nine million people a day travel over 900 bridges classified as structurally deficient, some of them on a heavily traveled section of I-95.
When I decided to run for Congress, I saw it as an opportunity to serve the South Jersey community that had become my home after signing to play for the Philadelphia Eagles. I didn't choose public service out of political ambition or a desire for power, and never once thought of making a career of it.
It's been rough for me trying to find my position in the struggle and where my voice is needed and helpful. You know, I grew up in Philadelphia, and Philadelphia has a really rough police-brutality history. I grew up in a neighborhood where it was very clear that the police were "them" and we were "us".
Nobody aspires to be a backup. And although I take great pride in the supporting roles I've played in both Philadelphia and Kansas City, part of me still cringes every time I hear myself described that way. Not only is it limiting and one-dimensional, it doesn't come close to describing who I really am.
What the altar-bound of today end up buying from their numberless vendors is a dog's breakfast of bridal excess - part society wedding of the twenties, part Long Island Italian wedding of the fifties. It's The Philadelphia Story and The Wedding Singer served up together in one curious and costly buffet.
What's been largely forgotten is that Washington was highly passionate and aggressive, and it was only after losing Philadelphia to the British after a string of disastrous battlefield performances that he finally resigned himself to the more conservative approach with which he has since become associated.
I mean, Philadelphia, if the Eagles were to win the Super Bowl, you kind of wonder how it'd change the city in some way. At the end of the day, as intense as Eagles fans are or as Philadelphia fans are, they really just love their team and they'll be happy either way. The Eagles have made Philadelphia proud.
I descend from both Philadelphia Quakers and Carolina colonists whose families were separated by the Revolutionary War. That helped give me insight into the agony of Patriots who, until the British government denied their claims, had always, like Ben Franklin himself, thought of themselves as free-born Englishmen.
The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.
My father's father wrote for a Philadelphia newspaper and aspired to be a playwright. We had in our house a couple of crazy unproduced plays that he had written. For the one creative writing class I took in my life, I didn't do any writing - I decided that I would plagiarize his terrible play to not fail the class.
As one of the first African-Americans to be out on a reality program, MTV's 'The Real World: Philadelphia,' I understand the courage it takes to live your truth on a national platform, the importance it holds to LGBT communities of color, and the power it has to create a greater conversation within American culture.
I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'
I really love Philadelphia and all of the fans, my teammates, the front office, the organization, everybody. I know I'm going to miss them. I really appreciate everything we did together. On the other side, I am happy because I have a chance to go to the playoffs. Another opportunity, maybe, to go to the World Series.
Showrunner I admire: Weiss: "All friendship bias duly acknowledged: Rob McElhenney and the guys at 'It's Always Sunny in Philadelphia' have been doing their show for longer than any live action comedy. To make something that consistently great for that long, and to keep it fresh ... I think that's a tremendous accomplishment.
I moved to Philadelphia to go to school at Eastern partly because I wanted to study the Bible and I also went to study sociology. I like how Karl Barth said we have to read the Bible in one hand and the newspaper in the other so that our faith doesn't just become a ticket into heaven and a license to ignore the world around us.
I was born in North Carolina but moved to a suburb just outside of Philadelphia when I was 5, so mostly grew up there. I decided I wanted to become an actor when I was 8 years old. I literally heard a friend on the playground bragging about how he was taking acting classes and thought, 'Oh! That's what I'm supposed to be doing!'
Our fans should know that the Phillies organization is committed to restoring the Phillies to its recent dominant past. We will approach the 2017 season and the years to follow with even greater intensity and determination, knowing our fans are eager to bring a championship back to Philadelphia. We intend to accomplish that goal.
I've always been intellectually restless, but it is the building part of it that most interests me. It is the constructing of the team that is my favorite part. Anyone who is familiar with the history of the A's franchise, even dating back to Philadelphia, knows that every five or 10 years, you have to tear it apart and rebuild it.
You should see what our Founding Fathers used to say to each other and in the early part of our nation. But what they were able to do, especially in Philadelphia in 1787, four months, they argued about what a House should be, what a Senate should be, the power of the president, the Congress, the Supreme Court. And they had to deal with slavery.