I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way, and making the reader reconsider the documentary facts which he or she may have known before.

I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?

Generally, it's a great exercise to not get stuck in one medium too long because you begin to lose perspective on the peculiar drawbacks and strengths of the medium. For example, if I'm in the back of the stage and I want you to see my emotional change by a flicker of my eyelid, we're all going to be in for a long boring evening.

If there is anything good about exile, it is that it teaches one humility. It accelerates one’s drift into isolation, an absolute perspective. Into the condition at which all one is left with is oneself and one’s language, with nobody or nothing in between. Exile brings you overnight where it would normally take a lifetime to go.

There were some types of sanctions that happen in the public world that made my work acceptable, where someone looks at the paintings and they don't - they may go, "okay," and then look at it in a different sort of way. Instead of just looking at it as some type of wild art, they look at it in a historical perspective or context.

My priority as a father should always remain first. My kids look to me as their example. Every decision I make and everything that I do always has to come back to the question, "Does this make me a better father?" "Will my kids benefit from this?" It's no longer just about me…but about my kids. My perspective in life has changed.

I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me.

Invest in the "process" rather than the product. Process living neutralizes the depleting and impoverishing effects of chronically living in anticipation. Even when impossible goals occasionally are reached, satisfactions derived from them are invariably disappointing unless the process has given ample satisfaction along the way.

Nothing's new since Genesis. And so everybody in their life thinks history began when they were born. Most people's historical perspective happened when they were born in the sense that nothing has ever been this bad. "We've never gone before this before," and of course we have. Things have been worse in many ways in the country.

I was in the doldrums for a while after my athletics career ended in 1992. I spent six to eight hours a day training, for 18 years, and it took a long time to get over the regret that I wasn't competing in major championships any more. All I ever wanted to be was the best. But I find new projects and I keep things in perspective.

I believe that if we would carefully apply the distinction between transparency and opacity to the different layers of the human self-model, looking at self-consciousness in a much more careful and fine-grained manner, then we might also arrive at a new answer to your original question: What a "first-person perspective" really is.

If you want, you can try and get a broader perspective, or you can find people who are absolutely out of their minds, or find people that are doing incredibly complex and interesting and urgent journalism. And the same goes for our show. It's a prism into people's own ideologies, when they watch our program. This is just our take.

I talk all the time about how much I read growing up and how much I love Stephen King and how he impacted my work from a genre perspective, but Pat Conroy wrote some of the most magnificent stories about characters who had to deal with dysfunctional families and try to find a place of honor in their own world and the pain of loss.

When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.

I think as men begin to see things that address them, they will feel that they can relate. They can't relate to 'Basketball Wives,' 'Housewives of Atlanta.' I am not judging or criticizing those shows at all; what I am saying is the perspective is not necessarily the male perspective. 'Iyanla: Fix My Life' is inclusive of everyone.

Viewing Israelis and Palestinians from a psychological perspective, they would both be seen as victims of abuse; that is how they both understandably feel, and it's how they both understandably behave. The Jewish psyche is in victimized reaction to the Holocaust, and the Palestinian psyche is in victimized reaction to the Israelis.

Embedded in 'The New York Times' institutional perspective and reporting methodologies are all sorts of quite debatable and subjective political and cultural assumptions about the world. And with some noble exceptions, 'The Times,' by design or otherwise, has long served the interests of the same set of elite and powerful factions.

That's why we have appellate judges that are more than one judge because each of us, from our life experiences, will more easily see different perspectives argued by parties. But judges do consider all of the arguments of litigants. I have. Most of my opinions, if not all of them, explain to parties by the law requires what it does.

When you and I hurt deeply, what we really need is not an explanation from God but a revelation of God. We need to see how great God is; we need to recover our lost perspective on life. Things get out of proportion when we are suffering, and it takes a vision of something bigger than ourselves to get life's dimensions adjusted again

I've been in real estate for a long time and I always try to stay on the edge. I'm really excited about the partnership with Trulia because it's centered around technology and the various social engagements it lends itself to. This is real estate going forward with a mobile and social application. It fits my profile and perspective.

The mathematical tilt remains basic to my epistemological perspective, my howling plea in the still of night for epistemic humility. Mathematics gave me that as, also, did the difficulty I had in talking to my parents. How proofs are conceived is unfathomable. Clearly, there are certain conditions in which the revelation takes place.

They're mounting a campaign right now with the ACLU and a lot of different organizations advocating for [Edward Snoden] pardoning before [Barack] Obama leaves office. Wouldn't it be incredible to see something like that happen? I don't know what we can expect. I am interested in the different points and perspectives that people have.

There are many, many nouns for the act of looking - a glance, a glimpse, a peep - but there's no noun for the act of listening. In general, we don't think primarily about sound. So I have a different perspective on the world; I can construct soundscapes that have an effect on people, but they don't know why. It's a sort of subterfuge.

I've always written songs to use music as a form of therapy or as a way to look at my obstacles or my memories from a different perspective. It's always helped me realize the grass isn't always greener and how I need to live more in the moment. My songwriting is a documentation of whatever's happening in my life at that point in time.

Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.

Sometimes people who want to understand Haiti from a political perspective may be missing part of the picture. They also need to look at Haiti from a psychological perspective. Most of the elite suffer from psychogenic amnesia. That means it's not organic amnesia, such as damage caused by brain injury. It's just a matter of psychology.

The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus.

It changes your perspective to be able to look out the window and see the planet. One of the thoughts that I had when I first got up here was, 'We really do live on a planet, and we are in a solar system, and we are flying through space right now.' I mean, this is something that you know, obviously, but to see the planet - it's amazing.

Someone who takes the time to understand their relationship with source, who actively seeks alignment with their broader perspective, who deliberately seeks and finds alignment with who-they-really -are, is more charismatic, more attractive, more effective, and more powerful than a group of millions who have not achieved this alignment.

I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.

Many of the greatest works of philosophy seem to me to be valuable not because of their arguments, but because they offer us perspectives that open up new possibilities. They show us how we might start in different places, and not buy into the assumptions tacitly made on the first pages of the philosophical works that have influenced us.

The perspective that many today are beginning to see as fully realistic is that democracy in our country, and in our part of the world, will suffer the same fate as the Swedish monarchy did before. The democracy is beeing emptied of all power political content at the same time as the forms remain, treated with reverence and preservasion.

I expressed skepticism, in the first chapter, about the utility of time machines in historical research. I especially advised against graduate students relying on them, because of the limited perspective you tend to get from being plunked down in some particular part of the past, and the danger of not getting back in time for your orals.

I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."

The network was fantastic, but you get a lot of anxiety with any production. It was very helpful to have both of us because we could back each other up. As a creator, a director and a filmmaker, you often get assaulted and you lose perspective because you have all of this pressure. It was so nice to call him and say, "What do you think?"

The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.

Bringing the individual into it music only distracts from the universal and makes it trivial. And then it's easy to wash your hands of it because you might not be from their background, or you might disagree with their personal perspective. So you discount it and go back into your corner instead of coming out and engaging with everything.

I've seen terrorism close up, but I don't live in a state of terror at all. I'm comfortable going to the Manhattan Thanksgiving Day Parade, the tree lighting at Rockefeller Center, Times Square on New Years Eve. For perspective, the world today is a safer place than it was during the Cuban Missile Crisis, the Berlin Airlift, World War II.

Don´t be unnecessarily burdened by the past. Go on closing the chapters that you have read; there is no need to go back again and again. And never judge anything of the past from the new perspective that is arriving, because the new is new, incomparably new and the old was right in its own context, and the new is right in its own context.

Nietzsche seems sometimes to replace the "transcendence" which stands at the center of traditional accounts the existence of a transcendent God, or, failing that, a transcendental viewpoint with that of a continually transcending activity. ... There is no single, final perspective, but given any one perspective, we can always go beyond it.

Those who are in love with practice without knowledge are like the sailor who gets into a ship without rudder or compass and who never can be certain whether he is going. Practice must always be founded on sound theory, and to this Perspective is the guide and the gateway; and without this nothing can be done well in the matter of drawing.

If you represent the Earth's lifetime by a single year, say from January when it was made to December, the 21st-century would be a quarter of a second in June - a tiny fraction of the year. But even in this concertinaed cosmic perspective, our century is very, very special: the first when humans can change themselves and their home planet.

It's OK, by the way, that it takes 10 years for you to make "money." Since when was it that being in your mid-30s to make a few hundred thousand dollars or a million dollars was like egregiously unfair? I think we have to have a sense of perspective here. We're all going to live into our 80s or 90s. So what is everybody in such a rush for?

I'm happy to say that at 62, I think I've reached that point where stuff doesn't bother me as much, and my gratitude level has gone way up, especially having gone through the loss that I've had, and losing so many of the great artists that I was close to. They taught me how to see it with a grain of salt and a lot of humor and perspective.

I approach my interviews with the mindset of, exactly what are we selling? How can I sell it the hardest and the most effectively in the fewest words possible? And how can I make each word that I say mean as much as it possibly can? And I bring that perspective to the table because I used to focus a lot on the character that I had to play.

See, every thing in show business is a lie. It ain't all it's cracked up to be. You are in situations where you are forced to think that you are better than everybody else because of the pedestal the fans place you on. It's a lie. This is just a job, a high-profile job. You have to keep that in perspective and not get caught up in the hype.

It's difficult to choose between these art forms. Iconography is entirely different from the style of the 15th century masters, who were experts in foreshortening and perspective. The technical skill and visual effects of painters like Uccello have to be admired. They achieved a level of artistry that has never been surpassed, in my opinion.

That is who Barack Obama is - a person of admirable character - and that is who he has remained for me over these last four years. I have not agreed with his every decision, but never once have I seen him break his cool, lose his composure, or abandon his insightful perspective - even during the most serious and/or absurd national disasters.

As Asian-Americans, we just don't often get the chance to tell the story from a leading person's perspective. And so I took jobs where they came, and they were always in the ensemble, and if it required me to play multiple instruments I did that, and if it was as a puppeteer, I did that. That's just how I was cast; that's how I was employed.

You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.

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