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I wish to clarify that I have absolutely not made a decision regarding my participation in the next Olympics. On a personal level, playing in the Olympics would be a huge honour. However, the Games in Rio are still four years away and I certainly won't be making any decisions with regards to participating any time soon.
Early on, I had to structure my ideas of success around things like, 'Can I go back and listen to the record months or years after I made it and still get some enjoyment out of it?' Or 'Have I said what I wanted to say on this album? Did it connect with people on a personal level, even if it's a small number of people?'
I think it's to do what's important to you, and having a lot of people - hopefully - listening to your work. It also involves being a credible artist, and being able to reach out to those who will buy into it for some other reason. But on a more personal level, success comes from having many close and strong relationships.
I find that I relate to most of the characters that I play on a really personal level, just because we're the same age, we're girls, and we're growing. I can find myself in those roles, so it makes it easy to connect to. But all of them are their own person - they're all hard to understand and hard to figure out, just like I am.
At a personal level, it's just the day-to-day: I'm a mum that needs to meet all of the responsibilities that come with being a mum, making sure that Neve has the basics, that she's fed, that she's loved, that she sleeps as much as we're able to get her to sleep, and we will do that together. That's a practical reality of my new role.
I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script. And that means that I need to do it, because the things that scare you only make you better and stronger.