Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.

I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.

For better and for worse, I feel like sorrow and grief are really transformative personal experiences for me, and I question what I would be had I decided to take a different path and not embrace that kind of pain.

I think there's something in people where they often want to describe their personal experiences, but when it's regarding wealth, they're obviously very guarded. They're very worried about how people are going to react to what they say.

Seven of my novels take place in the Southwest, in the Four Corners area which has been my home since 1973. I know these mountains, rivers, mesas and canyons well, so it's been natural for me to draw on my own personal experiences here.

When I'm depressed is when I'm not interested in writing anything, whereas some people, I think, are spurred to creativity through their personal experiences and through depression. And for me, it's a very low place, and it's not fruitful.

My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.

I'm a mad thinker in general. I think about everything, all the time. Especially when I write music, a lot of the influences come from personal experiences or from being on the outside looking in, being that person who witnessed things that stuck with me throughout my life.

'If Our Love Is Wrong' is, quite simply, my coming out song, as I was trying to wrap my head around my sexuality and was starting to learn about songwriting, and that my honesty and my authenticity came from my personal experiences and writing about stuff that genuinely bugged me or upset me.

Adventure has to do with private, personal experiences. But, the possibilities, there are millions of unclimbed mountains - I have seen in the Eastern part of Tibet, mountains 6,000-6,500 meters high, vertical walls twice as tall as the Eiger... but nobody is going there, because they aren't 8,000-meter peaks.

My first series, the 'Inheritance' trilogy, in the first book, you were dealing with a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do, and that was obviously drawn from some personal experiences.

Certainly Christianity is an experience, but equally clearly the validity of ane experience has to be tested. There are people in lunatic asylums who have the experience of being the Emperor Napoleon or a poached egg. It is unquestionably an experience, and to them a real experience, but for all that it has no kind of universal validity. It is necessary to go far beyond simply saying that something comes from experience. Before any such thing can be evaluated at all, the source and character of the experience must clearly be investigated.

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