I honestly think that with our generation - Alex Wang, Prabal Gurung, Jason Wu, Christian Cota, Robert Geller - there's a different expectation of what our behavior should be. People expect designers to be good businesspeople and PR people, and I don't think partying is a part of that persona the way it used to be.

I think basically, there are some bands and acts who feel the need to cultivate a persona or act a certain way or get quotes or whatever, because they feel like that helps them get promotion, and I feel like we're a band who have always just made music that we love and kept ourselves to ourselves and got on with it.

I love Stephen Colbert and Jon Stewart because they're bringing irony back into American humor, which is a delicious treat. The entire Colbert persona of being extreme right-wing when he's not at all is highly amusing. He does it so well, but sometimes a little too well. My wife is convinced he's completely that way.

There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.

Don't try to be somebody you're not because it doesn't work. If you try to be this perfect person or perfect persona of what you think that somebody should be when they're involved in public office, it's just not going to work. Just be yourself, stay true to your core values, and really just stay abreast of the issues.

With the stand-up comic on TV, whether it's Seinfeld or Cosby or Roseanne, more important than their knowledge of how to tell a joke is their knowledge of themselves, or the persona they've created as themselves. So that when you're in a room with writers, you can say, 'Guys, that's a funny line, but I wouldn't say it.'

The hard part for me was being an Olympic gold medalist and having that persona; you don't see too many Olympic gold medalists go into acting. It's actually even more difficult. You're not taken very seriously, and you're looked at in a different light, so it was kind of hard for me to go straight from Olympics into acting.

Ultimate Warrior was a character who made an impression on people. It was his intensity, his colorfulness, but also, Warrior as an identity means something to everyone. Even through all of the grumbling and haphazard approach at the beginning to developing the character's persona, there was something that people connected to.

In the classic 70s episodes, Columbo is rarely seen on his own. We typically do not see Columbo 'for himself,' only for the criminal, leaving the possibility that the entire Columbo persona - his shambling manner, his absent mindedness, even his references to his wife - may all be a performance designed to disarm the murderer.

I started when Chris Rock did 'Bigger & Blacker.' I used to watch that before I went onstage as inspiration to get hype, but I noticed I started taking on his cadence and talking like him. I was also doing the New York-style comedy thing, which was angry and annoyed. I was creating a persona instead of trying to embrace my own.

I've been working as an actress since I was very young, and I know a lot of people who are actors who don't have to deal with having a persona... You know, if you look up the word persona, it isn't even real. The whole meaning of the word is that it's made up, and it's like I didn't even get to make up my own. It can be annoying.

You can always spot a 'television personality', even when they aren't actually on television, because they carry their 'made-up' persona in front of them, like some sort of baffler, or Ready Brek force field. Their reach for notoriety predicated on that fulsome mediocrity of talent detailed above has become frozen in their faces.

My adrenaline is definitely going, but it's mostly my real, laid-back persona carrying over on stage. When I first started, I was nervous, I'd be really high energy, and I'd be sweating. Now it's just my job. It's like a machinist who goes to work every day and uses the same drill bits. He's not worried about taking his finger off.

When first starting to work with someone you try to get them in the same mindset that you were in when you were successful, and I realized the best thing you can ever do is realize that they are not you. They have a different persona and mindset, and you have to figure out what works best within your communication with that athlete.

There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.

I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing.

Most of us fall in love with someone's persona and spend the next three to five years discovering who that person really is. If you can stay connected through that process of raw vulnerability, I think you have a shot at the prize of knowing and accepting another human being for who and what they really are after years of highs and lows.

I'm a New York person. I've never gone out of the way to speak to the press to change my persona - I probably should have. It's too late now. But when I first started I was like, "I'm gonna stay this way. I'm gonna be this way," and I continued to. I probably should have sugarcoated it like, "This is not really the way I am - I'm an actor."

He presented himself as the friend to Main Street America, and yet that aw-shucks persona ended up packaging policies and programs that were at times deeply injurious to the very people he swore to serve. After all, Reaganomics set in motion one of the largest wealth redistributions in American history, away from the poor and toward the rich.

I definitely do have a persona onstage. I definitely am a completely different person, but I'm still having a lot of fun and there's a lot of acting that goes into it. But I haven't been playing many shows when I'm working on acting as much because it's tiring, number one. And number two, it's hard for your mind to makeup what it wants to do.

There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.

A girl's social networking profile is a persona she constructs, a photoshopped billboard on the information superhighway. It also offers a salve for the anxiety so many girls feel about relationships, providing the answers to burning social questions like, What do other people think of me? Do people like me? Am I normal? Am I popular? Am I cool?

Whether I'm pursuing a story or conducting an interview or I'm at the bakery implementing policy and procedure, I have a team who is looking to me. I think my persona is the same for both jobs - perhaps a little bit more in command with the bakery. I say that only because we have so many more employees, and ultimately I make every single decision.

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