When my brother and me got into performing in the late '40s and early '50s, it was a sensational opportunity to learn from our elders. Every show we played had a dancer, a comic, a juggler, a singer, an acrobat. I came to appreciate virtuosity in all forms of the business.

I love to dance. But I don't like being up in front of tons of people. I didn't have that in me to do it, the desire to be performing in front of a lot of people. If there's a lot of people on a set, I get nervous. So music just wasn't something I ever seriously considered.

I went to a lot of theatre. My parents were very involved with the performing arts. I went to nightclub shows when I was a little girl. We went to Florida and we would go to the Cocoanut Grove down there. We'd go see Lena Horne, Jimmy Durante, Sophie Tucker and Judy Garland.

I'm not one of these actresses like, 'Okay, where's the camera? Is it here? Is it here?' I don't even ask the questions because I don't really want to know. I like not performing for a camera but giving it my best every single time whether you're close or whether you're far.

What I find the challenge is with working with, say, digital machines - performing electronic music - is that when we play instruments there's a physical act that results in a physical vibration. There's a mapping between our exertions and resultant vibrations, or resonance.

I didn't know anything about Eliza when I first got the call about 'Hamilton.' Tommy Kail, the director, asked me if I wanted to be a part of it. I knew what he was talking about because I'd seen the video of Lin performing it at the White House for Barack and Michelle Obama.

I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.

I would have been a visual artist. When I was in high school, that was one of the things... I had to make a decision what I was going to go to college for, and at the time, I also painted and sculpted. I got more attention for my performing, so I thought that was a better idea.

With music, you're really showing someone a piece of your soul. You're saying, 'This is mine. I wrote this, I made this, I'm performing this. This is how I'm presenting it to you.' There's something really scary about that, but there's also something next-worldly about it, too.

The problem is that when Argentina doesn't play well - and the same is true of Barcelona - the press think it is easy to blame Messi. We have seen time and time again that he wins games on his own when the team is not performing - but the media expect him to always be the hero.

I'm a Buckeye at heart. I spend more time giving concerts in Ohio than I do in any other state - perhaps more time than I spend performing anywhere else in the world. I have a great relationship with the people of Ohio, and it's great to be near the OSU when I come to Columbus.

The NBA is the best league in the world. It's no way you're going to be able to fill the void that the energy of performing before 20,000 people every night gives you. That's just impossible. So, I just try and move on from that and let it be a moment in time and leave it alone.

Looking back, I'm surprised I had the nerve to do it, but I'm glad I did. Performing the songs and performing in film was just a part of my personality, just like football and boxing at one point in my life. I was able to lose myself in both of them, and that was a good feeling.

I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.

One of sports journalism's great ironies is that covering an Olympics can be wildly unhealthy. NBC shows athletes in peak health performing on the ice and snow, but not the haggard reporters subsisting for three weeks on stadium starches, cheap beer, deadlines, and little sleep.

I have zero interest in performing in films to try to convey any kind of message. My job is to be entertaining. There's a very different point of view about messages in films in Europe than there is in the States. Audiences rebel because they feel that they are being preached to.

I'd faced a lot of rejection from labels and the industry, and it was getting hard to keep believing in myself. But something wouldn't let me - inside - I had this voice that was relentlessly hopeful, and honestly, I just loved performing and writing too much to ever really quit.

If you can't stop singing as you walk through the halls of your house, or you love performing in your local talent show, YouTube is such a good platform to share that side of you. It's a place for people who have passions, and the audience is people who appreciate those passions.

When I'm not working, I'm on the road with my band. Or I'm performing in poetry houses doing spoken work. So I've got another passion and another outlet that allows me to be creatively fulfilled and not sitting at home pulling my hair out waiting for the right role to come along.

I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.

I think there's a very fine line between the type of performing that some actors do, and being in a state in your mind where you actually believe what's going on. If we weren't actors, what would we do with that ability? Would we not be slightly insane? Mentally ill? I don't know.

I went to a school called Tring Park School for the Performing Arts. I went because initially I was very naughty, and my mom thought if I was busy, I'd be better. And I didn't really do acting until later on in the school, with an amazing teacher. I left, went traveling, came back.

One day, when I was still living at home, a friend told 'Texas' Jean Valli about me. She was originally from Syracuse, N.Y., and lived in New Jersey but sang country. One night, she had me come up on stage where she was performing. I sang 'My Mother's Eyes,' and she was knocked out.

The way I view touring and shows, for me, is that I really like playing, but that's not the thing that fuels me. I am much happier writing and recording. For me, performing is exclusively for other people. I let people write me to tell me what they want to hear. I'll play any of it.

The way I see it is, you can be a character on a TV show for years, then the TV show gets cancelled and your favorite actress or favorite comedian, you don't see them for a little while and then you see them back doing something else. You can still be enjoying them performing on TV.

One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.

When you see young players coming into the squad and pushing you, no matter what age you are, you have to react. You have to worry about yourself and perform as well as you can. If you end up looking around at others, wondering who's performing better, you take your eye off the ball.

I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.

As a kid, I was really into performing. I would do choruses, I would do musicals, whatever it was. And then, as a teenager, I got into an acting class at SUNY Purchase for gifted kids, and that really turned me on to material beyond musicals, Sam Shepard, and Christopher Durang plays.

Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.

When I am performing live, I walk into a room, and I just try to get a feel for the vibe, and I am coming from different angles musically. I might come with a new song, I might come with some hip-hop, with some R&B. Once I find my way, then I am hitting you, and hitting you all night.

As long as I am given the opportunity to keep performing and keep exploring in whatever medium, I'll be happy. As long as I get to spend time with my family, I'll be happy. As long as I can write in some form, I'll be happy. It is the essential things like that I equate with happiness.

When I look back at those pictures of my mother performing - and listen to her recordings - it makes me sad to think that all of that joy she found in her work came to an end. I wish she hadn't had to make that sacrifice, even if it was for the benefit of my father and siblings and me.

I needed to take a break from performing, and from the Peas, to be happy. I craved female time, and time with my husband to feed my soul. My life now is about being balanced. I'm passionate about work and working out, seeing friends and family, and letting my hair down once in a while.

I loved to make people laugh in high school, and then I found I loved being on stage in front of people. I'm sure that's some kind of ego trip or a way to overcome shyness. I was very kind of shy and reserved, so there's a way to be on stage and be performing and balance your life out.

The power of network television is amazing. I've been performing for years but have been seen on only a few episodes of this show, and people spot me in public now all the time. They say, 'Hey, aren't you on 'Nashville'?' Most locals seem to really appreciate how authentic the show is.

The rules of game shows limit stuff so much. I remember on 'Money From Strangers,' being in the van - not even performing - and there was a lawyer there the entire time. 'No, you can't give money for that. Yes, you can give money for that. That's a partial answer. That's a full answer.'

Being a harsh, dirty comic, the last person on earth I ever expected to help my career was Jay Leno. I had always thought of performing on 'The Tonight Show' as an unachievable goal, because I bought into the myth that only squeaky clean, family-friendly material would be welcome there.

In 1977, while I was performing in a play in Cardiff, a friend introduced me to a striking redhead called Myfanwy Talog, famed for her appearances on Welsh television with the comedy duo Rees and Ronnie. We were instantly smitten and eventually moved in together, sharing 18 happy years.

Performing arts was something I was always part of. That was may be the only common thread that ran throughout my education, throughout my schooling years. But apart from that, there were no friends or no long term associations. That was the only thing I knew was with me wherever I went.

I did musical theater, and I did dancing for what it was at the performing arts high school that I went to. I went to a school where I was there on a scholarship. So I think when you're on a scholarship, you always work a tad harder, or you want to work a tad harder than the next person.

I grew up performing in glee club at my school; I was the ostrich in 'Peter Pan,' and then I was super-involved in church choir and worship leading at my church. So I always loved music and was involved with it, but never really thought it was what I wanted to do until I started writing.

In the summer of 1791, I gave up my concern in the 'New Annual Register,' the historical part of which I had written for seven years, and abdicated, I hope forever, the task of performing a literary labour, the nature of which should be dictated by anything but the promptings of my own mind.

I started salsa dancing with a few different companies and started touring the country. It was fantastic, but I realized that I really wanted to talk every time we were performing. That's a problem because when you're dancing, if you stop to talk, that's not really cool to the other dancers.

Governor Jan Brewer and the Arizona legislature have created an environment in Arizona where performing is no longer a neutral act. They have created an environment where they can convert the normal commercial interaction between artists and their fans into the means to apply this racist law.

I was raised with 'Laurel and Hardy' and 'I Love Lucy' and Jerry Lewis, and I just loved it. And I had a friend in high school and we would just laugh all day and put on skits. You know, it's the Andy Kaufman thing or the Marty Short thing where you're performing in your bedroom for yourself.

The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.

I don't consider myself an artist necessarily, but craftsmen or people in the arts, their spiritualism is sort of when you're writing well or performing well or doing whatever you do well, there's an element of that that's either God-given, a talent that you're not necessarily responsible for.

As much as only playing clubs can become tedious, performing in huge venues can also become off-putting. To go from one to the other feels great. And sometimes playing clubs can be even more stressful, because you really have to think about what you're going to tell the audience between songs.

The Midwest isn't somewhere you mix with those from the performing arts. But my mum and dad would go off to Chicago every so often to see shows. They would bring back the albums and the movies, those little eight metres, and we would all watch. I think that was when I fell in love with acting.

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