Quotes of All Topics . Occasions . Authors
I love fame. I love being written about. I don't really mind if people think I'm a bad writer, if they don't understand my weird Instagram performance art or they find my long captions annoying. That's part of the package of being in the public eye, and honestly I find it exhilarating.
The Dream didn't need to struggle. He's homegrown talent, straight from the WWE Performance Center, trained by the best coaches in the world: Norman Smiley, who's known from coast-to-coast, Matt Bloom, head trainer, and I am protege of the one-and-only The Heartbreak Kid Shawn Michaels.
The biggest problem for badminton is wind direction and lighting. If those problems are not solved, it seriously impacts players' performances on the court. If a high-level player's performance is affected by these factors, they suffer setbacks and cannot be fully satisfied on the court.
Well, any time I'm preparing for a performance or even a rehearsal, it's as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
I would love to do more movies. I'd like to get into some theater, too, if I could, just to learn more. I want to do gritty performances that I'm proud of. It doesn't matter to me if four people see it or millions of people see it, as long as I perform in such a way that people go, 'Wow!'
A balanced diet and physical activity are vital to academic performance. A healthy diet has a direct link to increased cognitive function and memory skills, decreased absenteeism from school, and improved mood. These advantages can help students stay focused and complete their coursework.
Lesley Manville comes at 'funny' from a totally different direction in 'Phantom Thread,' using snootiness and froideur. The effect of her performance - as the difficult manager of her difficult brother's couture dress business - stems in part from the chill she puts into her line readings.
If you're gonna get punched in the face, elbowed, cut up, busted up, injured, have to cut weight, have to bring yourself to the brink of death to show up the next day and try to put on the performance of your life, you've gotta love it. And if I don't love it, it's just not worth it to me.
I enjoyed Jonathan Franzen's 'Freedom.' Would I make that into a film? I think it's better suited to television. That would very much be a dialogue and performance piece, and it would take some very skilful direction - but not my kind of directing. But I thought it was a real literary work.
But if you want to be a songwriter-based musician, whether you play punk or rock or country or jazz, whatever, you have to work on your songwriting and you have to work on being able to play in front of people, I think. That performance is how you create the groundwork for a lasting career.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
I started training with Fabricio Itte with my wrestling and high performance; I started spending a lot more time with my head coach Henry Perez and also my grappling coach Alex Prates. Those three are my core team, and they've made hugely important changes and skill enhancements with my game.
In Germany, we laugh at it. Mourinho just selects a topic to moan about - transfers, team preparation, a rival coach. But Pep Guardiola wants it all to be about the performance of his team. He's obsessed by possession, like at Bayern Munich, and will not compromise on that at Manchester City.
If the agency of the mother in forming the character of her children is, in truth, so considerable, as I think it - if she does so much toward making her son what she would wish him to be - how essential is it that she should be fitted for the beneficial performance of these important duties.
When the first big paycheque with 'Dumb And Dumber' hit, I went: 'Gosh, I wonder if this will affect my performance. Will I do a take and think, was that worth $7 million?' But that never happened. If anything, it made me rebel against that thing when people who get rich start playing it safe.
Too often in business, only financial data is gathered - and then it is distributed only to management. Other key indicators that relate to performance areas also need to be tracked. Information on performance has to be made available to those people who can best use it - those doing the work.
Chewing gum actually lowers your cortisol levels, the hormone responsible for stress. But chewing gum doesn't just reduce stress, it also makes you more alert and improves your performance in memory-oriented tasks. It does so by increasing the blood flow to your brain and alerting your senses.
Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.
Don't forget there are two sides to performing. Finding the truth, but you also have to be transparent enough for the audience to see it. How many times have you seen a performance and thought: 'Well, it seems to be meaning a great deal to you but it ain't coming across to me?' It is to be shared.
Over the years, I think, people - actors, writers, whatever - lose their frame of reference. Their frame of reference is based on somebody else who did this or did that. Performances. So it just becomes a reflection of what already works. Like a warm-up. And that's an invitation to be inauthentic.
I think opera has gained a kind of glamorous appeal. It's a live performance that aligns all of the arts, and when it is represented in the media, in film in particular, it is presented as something that is really a special event, whether it's a great date or something that's just hugely romantic.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
The first movie that I ever said was my favorite movie - and I've said for the longest - is 'The Producers,' Mel Brooks' original 'Producers.' The two lead performances from Zero Mostel and Gene Wilder are both unstoppable performances and then supported by amazing supporting characters throughout.
Compared with other recent presidents whose stumbles and failures have assaulted the national self-esteem, memories of Kennedy continue to give the country faith that its better days are ahead. That's been reason enough to discount his limitations and remain enamored of his presidential performance.
I can't say this enough - the food that you put into your bodies can actually help you get better grades. And it can also affect your performance in sports and other activities too. You see, when you give your body the best possible fuel, you have more energy, you're stronger, you think more quickly.
I'm very motivated by the occasional creative payoff that comes when something goes really well, be it a song, a recording or performance. The payoff is enormous - when you get it. Most of the time, though, I'm filled with self-loathing and general frustration at the limitations I have as a musician.
When I'm waiting to bat I try to watch the game and make sure I know what is going on so I am ready when I get out there but I spend a lot of time hydrating. It is very important for your performance and concentration. If it is cold I might have a coffee but mainly I am trying to stay really hydrated.
For narrative games, and also for the sake of the medium, we have to treat performance that way, as actors. You have to have a sense of ownership over it and believe that you're bringing something meaningful to it - because that's what all of the developers are doing, and that's what the story demands.
A youth, when at home, should be filial and, abroad, respectful to his elders. He should be earnest and truthful. He should overflow in love to all and cultivate the friendship of the good. When he has time and opportunity, after the performance of these things, he should employ them in polite studies.
We must recognise that in a globalised world, we cannot remain insulated from external developments. India's trade performance in the current year has been robust, surpassing pre-crisis export levels and pre-crisis export growth trends. We have diversified our export baskets and our export destinations.
I think everybody has a moment in their career where you have to test whether it was right or wrong. We've all been there. I've looked back at performances of my own, where only you know if it is something you want to repeat. As long as you know when it's not right that you don't repeat it all the time.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
If someone really takes a risk, it doesn't get dismissed. That's what happened when the Oscar was won posthumously by Heath Ledger, who did one of the definitive villain performances of all time. But it really has to be exceptional in defining everything we previously knew about the actress or the actor.
Our employees and competitors thought we were docile. We want to be defiantly disruptive. I don't mean necessarily by launching price wars but by being the best at the basics - having the best customer service, the best on-time performance, the best coffee - in a thoughtful, not a testosterone-laced, way.
I noticed the more muscle I put on, the more cushion and padding I had, the better my performances were getting. I decided I could be this little, stick-thin thing out there and be hurt all the time, or I could show my athleticism, and if it comes with a little bit of weight on the side, it is what it is.
When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
You do sometimes watch performances and just think, 'I may as well give up. I won't reach that. I may as well give up.' But then there are other actors you watch and just think, 'Oh my God, yes, I want to try and do that. Try and be like that'. And Bryan Cranston is someone who I'd like to try and be like.
Everybody has the clarity of telling I haven't seen a player like Lionel Messi, and I am fortunate for training and seeing him every day at the training field. And even sometimes he surprises you with some good performances. There is not comparison with other players I have seen along my life. He is unique.
Of course there are some actors that are better than others and performances that are better than others, but they're always embedded in the greater film. They are mediated through the work of so many other people: the director directs, the lighter sets the scene, the editors edit, the music gets put to it.
The Joker is a tremendous vehicle for talented actors. Cesar Romero's was a bubbly, lunatic criminal. Nicholson did him as a vain, preening manipulator. Heath's performance of the Joker was remarkable, too. His was a low-simmering crazy street clown. Joker can be played all these ways, and they're all true.
I think when you're stressing, or worried about your performance, worrying about this and worrying about that, that's when things start to get tough and you're not enjoying it anymore and it becomes a job. Although it is our job to play, still you have to understand that it's a game and you have to enjoy it.
I used to pre-rehearse everything and then bring my pre-rehearsed performance to the set. Now, I'm learning to let it happen in the moment. American actors are much better at that than British actors. If I knew how to trust myself, I would have been much more relaxed. Maybe I would have less gray hairs today.
I'm actually from Mt. Kisco, New York, which is in Westchester County, and when I auditioned for 'Dukes,' I told them I was from Snailville, Georgia, which doesn't exist, and I'd just graduated first in my class from the Georgia School of High Performance Driving, which also doesn't exist. But they bought it.
It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.
I'm completely unlike a lot of other performers in the past who have been forgiven or come to terms with the real world because they tell everyone their performance is 'just a show.' And so, people say, 'Oh, it's OK then. We don't care. He's not really a bad person.' It's not just a show for me. It's my life.
When I just started my career, of course, I always try to look very good, and I changes the dress all the time on the performance. And people came to me and said, 'Oh, beautiful dress. Your dress is so beautiful, and you look so beautiful.' That's it. And I was so upset nobody saying anything about my singing.
When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.
The thing I would say is governments have the tendency to over-promise and under-perform. So the over-promise part ends up sounding very aspirational. But it's the performance part that ultimately people feel every day and read about. And my goal is to make sure, whatever it is we aspire to, that we deliver on.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
I love, love, love live performance. It's like walking a tightrope without the net. You better be on point; you better be balanced. You better have rehearsed it and seen it from every vantage so you can do what you do best. I do love film because it's up front in your face, and hopefully you've got a great editor.