Quotes of All Topics . Occasions . Authors
I always told myself I'd never be like my mother if I had a kid, but here I am, the same thing. I don't know how this happened. The same type of disciplining, the same kind of forcing him to perform in front of people, not buying him things when I could afford whatever he wanted - it's crazy!
For a gymnast to be successful, she needs to strike a balance of everything within herself. She needs to be graceful, flexible, perform all elements, turns, maintain co-ordination - she has to have all of that. If, for example, she only has co-ordination and nothing else, she will not succeed.
Pro wrestling is not fake; it's sports entertainment. We go out there and we perform, and a lot of what we do out there is real, but we're not going to insult anyone's intelligence - there is a predetermined winner. It's just the fans don't know who it is, and that's what makes it so intriguing.
I continue to write songs that are topically related to social, political and economic issues of our time, but I also recognize that onstage, I have a lot of fun and audiences have a lot of fun, so I'm trying to package the messages in music and sounds that are fun to perform and fun to listen to.
Being a great physical athlete is wonderful, and you need it at this level to be able to train and prepare accordingly. But the closer it comes time to perform, the ratio switches. When you're in camp, it's 90 percent physical and 10 percent mental. But as you get to fight night, it's the opposite.
Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades.
If you're out there stressing on your pro day, then you're not going to perform well, so I plan on having a little fun. Play a little music while we're out there throwing the football, have everybody tapping their toes and bobbing their head and just go out there and make the most of the experience.
If you want to continue to be good and perform at a high level and be deep in all areas, you still have to hit on some undervalued players, too. You can't just go out and sign marquee free agents or trade for players when they're at the peak of their value. That's not a formula for long-term success.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
I think that now that we are seeing multimedia types of productions with videos and pictures and human beings performing the acts that animals used to perform, such as in Cirque du Soleil and other traveling troops, there is no need to parade animals around anymore in cages for personal gratification.
I went to Coachella once, and it was only to go see Leonard Cohen. I got in the car and sat through all the crazy traffic in L.A. to get there - instead of a two hour drive, it takes, like, six hours. Then I watched his set and turned around and left. I just so wanted to see him perform in the desert.
Our idea to remake the Malayalam 'Premam' was not to make a better film than the original film or correct the mistakes they made or perform better than that hero. The soul of the Malayalam movie was taken and changed a bit to match with the Telugu sensibilities so that our audience can enjoy the movie.
As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient, lost soul, and an example of humanity at its rawest.
What would ultimately de-escalate the challenges of society would be for people to get educated, especially for more women to be educated because when more women are educated, they invest much more of their time and income in ensuring that the next generation would perform even more than they have done.
I have done research about people who think they're doing movements and people - like Madonna and professional dancers - who are actually 'performing' movements. The people who can connect and perform during their workout get results way above and beyond the people who are just going through the motions.
We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of 'how do we find our authentic selves?' And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?
When my father died, my mother came back from being Mrs. Birkin to being Judy Campbell. She was a stunning actress. She came out of her shell. She was herself again: this very independent, funny, intellectual lady - and was able to perform again, which was her life before meeting my father squashed it out.
You have to rely on your preparation. You got to really be passionate and try to prepare more than anyone else, and put yourself in a position to succeed, and when the moment comes you got to enjoy, relax, breathe and rely on your preparation so that you can perform and not be anxious or filled with doubt.
So far, I've never missed a deadline for a term paper, a review, a manuscript. I perform the mumbo-jumbo of voting with belief in my heart, I've not yet won even a jaywalking ticket, and unlike my father, whom I fault in this respect, I refrain from opting out of jury duty; instead, they mostly kick me out.
When I used to perform weddings, the image I always had was the image of a triangle, in which there are two partners and then there is this third force, this third being, that emerges out of the interaction of these two. The third one is the one that is the shared awareness that lies behind the two of them.
I liked school, but I used to dread those moments when the teacher would call me up to give an oral report. I forced myself to deal with it and not dwell on the class in front of me - to keep a straight face, give the report and concentrate on getting it right. That's normally how I perform. That's how I am.
Being fit is almost as important to me as my face. And for me, it's a combination of being spiritually and physically fit. There are guys who want to look good, and there are guys who want to perform at their best. Being fit is about being able to perform at your best, not necessarily just looking your best.
When we decided to go to Cuba to perform, we did it because we just wanted to build a bridge, you know, between Cuba and the rest of the community. And we just wanted to prove that music and art need to be over all ideology or way to think life, and we just wanted to go in there and play just because of love.
I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.
Rightfully given near-deity status in the early days of industrial America, the J.P. Morgans, Rockefellers, Carnegies, and Vanderbilts of the world not only ran our country, they were also revered - and often despised - as larger-than-life personalities who could perform feats mere mortals could only dream of.
Chennai is one of the scariest crowds to face. Everyone looks so conservative, but once you crack the first joke, they are so appreciatively loud that they will hit you with a laugh that will scare you stiff and yet give you energy. Chennaiites give me the loudest laughs; it's the coolest crowd to perform for.
Behind my door at home, that's when I'm relaxed, and that's when I can allow the emotions or whatever - to feel just what I want to feel - so a lot of people don't know me in that respect. I need a bit of space, a bit of a place to come home to and not have to pretend or perform anymore, where I'm just myself.
I basically started performing for my mother, going, 'Love me!' What drives you to perform is the need for that primal connection. When I was little, my mother was funny with me, and I started to be charming and funny for her, and I learned that by being entertaining, you make a connection with another person.
Westerners often laud their children as 'talented' or 'gifted', while Asian parents highlight the importance of hard work. And in fact, research performed by Stanford psychologist Carol Dweck has found that the way parents offer approval affects the way children perform, even the way they feel about themselves.
You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
I play guitar, the ukulele and the piano. I grew up on a mountain in Tennessee, and we had 'The Mountain Opry,' where anyone could just get up on stage to perform. It was just about the soul and heart of music. My upbringing was less about being great and more about just doing what you love. It was always for joy.
I had accepted a position as a business analyst at Deloitte Consulting in New York. But before I went into that workforce, I decided to take a year off and went to India to do a social enterprise fellowship. It wasn't the best fit, but that was where a TV show in Korea found me and invited me to first come perform.
The argument that gay marriage doesn't affect straight marriages is a ridiculous red herring: Gay marriage affects society and law in dramatic ways. Religious groups will come under direct assault as federal and state governments move to strip them of their non-profit statuses if they refuse to perform gay marriages.
When I create a song, I immediately think about what I'm going to wear when I perform that song. I think about the music video treatment and about how I'm going to look on stage when I perform the record. The connection is so obvious that it's a single package. An outfit, to me, is almost a tool to express the music.
As a child, I would watch 'Frasier' a lot, and there was one episode with Derek Jacobi where he was playing this Shakespearean actor that was a terrible Hamlet. And he reenacted the performance, and for days I went on. I'd perform and do that, and I knew I wanted to do something kind of like that as a kid for awhile.
Here's something weird, though: I loved Jimi's music so much that I would never perform it for people. Throughout my teens and playing in various bands, I refused to play Hendrix songs. I know that sounds strange, but Jimi's music was so special to me that it was like works of art that shouldn't be touched or altered.
Being healthy is a complete lifestyle for me. It allows my brain to function at a very high degree so I can comprehend all the new things that are thrown at me. It also allows me to sleep well so that I am rested when I need to perform. Finally, being healthy will hopefully allow me to live a long and fun-filled life.
I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.
It is pure mythology that women cannot perform as well as men in science, engineering and mathematics. In my experience, the opposite is true: Women are often more adept and patient at untangling complex problems, multitasking, seeing the possibilities in new solutions and winning team support for collaborative action.
My form is more on the lines of a Chinese porcelain-jar juggler. They learn it as a child. They learn, learn, learn, learn - but not with a porcelain jar. Then, when they're ready to perform, they're taken to a museum, and they're given a porcelain jar for a lifetime to use. When they're done, it's returned to the museum.
My first series, the 'Inheritance' trilogy, in the first book, you were dealing with a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do, and that was obviously drawn from some personal experiences.
There is no excuse for keeping wild animals in amusement parks or circuses. Until our governments take action, we should avoid supporting places where captive wild animals perform for our amusement. If the public will not pay to see them, the businesses that profit from keeping animals captive will not be able to continue.
Of the Queen tributes, some of them are very funny, and some of them are really not funny at all. The terrible ones are cheesy and pantolike, more about dressing up in a Brian May wig and a Freddie Mercury moustache, and what they're missing out is the fact that the music is quite complicated and actually not easy to perform.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.
When in a movie like 'Housefull' you have to create comedy out of falling on a glass table or jumping from huge heights, it's all action, but packaged as comedy. Here you don't just have to perform a heavy-duty action sequence, but you have to make it look funny and that is really difficult. But it's fun... and I really enjoy it.
If you are on television, that one night that someone is able to see you, you're talking about millions of people in one day. That's pretty awesome because then it helps you to jumpstart your career, and if you're the one to go out there and perform, people are going to come see you because those millions saw you on the television.
It sometimes feels like the workplace is immune from social upheaval. We go to work and do the best we can, and at the end of the day, we return to our lives. We don't abandon who we are, however, when we begin and end our workday. Who we are shapes how we are perceived in the workplace and, in turn, how we perform in the workplace.
What we need is a 'Smart Wall' to solve our 21st century border problems. A Smart Wall would use sensor, radar and surveillance technologies to detect and track incursions across our border so we can deploy efficiently our most important resource, the men and women of Border Patrol, to perform the most difficult task - interdiction.
Before I did comedy, I'd freestyle with all of my friends. In high school and into college, I recorded songs with my friends, not to perform but just to play for them. So I've had interest in music for a while. Early on, I'd host a lot of music open nights or hip-hop nights, so a lot of my early experience performing was around music.