Quotes of All Topics . Occasions . Authors
The only way to really change perceptions, to break down barriers, break down homophobia, is through representation. That's definitely not something I had as a kid. I never saw a gay athlete kissing their boyfriend at the Olympics. I think if I had, it would've made it easier for me.
Women are about the best lovers of nature, after all; at least of nature in her milder and more familiar forms. The feminine character, the feminine perceptions, intuitions, delicacy, sympathy, quickness, are more responsive to natural forms and influences than is the masculine mind.
Nepal is our closest neighbour, and we must make every effort to ensure that, as a small neighbour, we attend to their perceptions. Even when they are wrong, we have an obligation to create an environment in which the common people in Nepal feel that in India they have a great friend.
My characteristics as a scientist stem from a non-conformist upbringing, a sense of being something of an outsider, and looking for different perceptions in everything from novels, to art to experimental results. I like complexity and am delighted by the unexpected. Ideas interest me.
I have discovered that if you take all the places of Greek myths, those specific locales turn out to be abundant fossil sites, but there is also a lot of natural knowledge embedded in those myths, showing that Greek perceptions about fossils were pretty amazing for prescientific people.
Already 2008 has proved a tumultuous year in terms of global perceptions of China, and there are still 59 days to go until the Beijing Olympics. The tragedy of the Sichuan earthquake followed hard on the heels of the riots in Tibet and the demonstrations surrounding the Olympic torch relay.
Our modern world, though infinitely more complex than that of ancient Greece, is also far more superficial. Where the Greeks offered simple psychological training, we live in an age of style and spin in which perceptions of good and evil slither and shift with the political view of the moment.
When I go to business meetings, I'm still told way too often by some receptionist, 'The mail room is downstairs,' to believe that racial perceptions don't still exist. But I figure there are always going to be knuckleheads no matter how many of their herd get stuck in the tar pits of progress.
As much as I very much want audiences to watch FX's carefully curated and highly contextualized television shows, I'm now glad when anyone takes the time to watch even our competition's television series, as long as it demands their sustained attention and challenges their knee-jerk perceptions.
You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.
Sense perceptions can be and often are false and deceptive, however real they may appear to us. Where there is realization outside the senses, it is infallible. It is proved not by extraneous evidence but in the transformed conduct and character of those who have felt the real presence of God within.
Breathe in deeply to bring your mind home to your body. Then look at, or think of, the person triggering this emotion: With mindfulness, you can see that she is unhappy, that she is suffering. You can see her wrong perceptions. You can see that she is not beautiful when she says things that are unkind.
When you have a concussion, one of the symptoms that is common is anxiety. Imagine having the normal amount of anxieties that everybody shares - about life and meeting people in social spaces, whatever. Imagine that being multiplied by 10, 20. And so your worry over people's perceptions of you multiplies.
The first principle of cognitive therapy is that all your moods are created by your 'cognitions,' or thoughts. A cognition refers to the way you look at things - your perceptions, mental attitudes, and beliefs. It includes the way you interpret things - what you say. about something or someone to yourself.
What is the possible benefit? Can this material save lives? Can it improve the quality of life in Iraq? Can it tend to shape our perceptions of how war should and should not be conducted? Can it shape our perceptions of who should be conducting war and in what manner? And the answer to that is a clear yes.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
I am more than a black guy. I am a person, I'm storyteller, I'm a son, I'm a friend, so I am all those things, so it is frustrating, to a degree, to be limited by other people's perceptions of me, but at the same time, it is true that I am a black guy, and, you know, it's like I'm rooted in but not bound by.
A good writer knows that if her style and perceptions are really cooking, she can bring anything off. It's okay, of course, for novelists to depict bland, average families living bland, average lives in bland, average towns. But it isn't okay when those novelists don't outshine their bland, average subjects.
In college - while figuring the things out that most people do in college - I had no game. No confidence. I had Birkenstocks. And overalls. A budding romance novel addiction. But no cool. No poise. I was trying on a thousand different personalities, but a lot of them were formed by the perceptions of others.
I like the South: Southern literature and that relationship between grotesqueness and living below the Mason-Dixon line. But I also understand that people view it as a limitation - as an actor and as a person - perceptions that are really wrong: that you are ignorant and possibly illiterate, or that it's cute.
Homosexuality is like an inside baseball thing. It's like a gag that people share; 'How is your husband?' But when it comes to bringing diversity to a broader audience, suddenly it's a different road. It's what we call 'a risk.' Isn't it our responsibility to elevate the standards and change people's perceptions?
My friends have said, 'Wait, you're pretty, and you sing? What do you mean you're interested in science?' I have to just hold my head and go, 'Do you hear yourself?' By no means should you ever limit yourself because of what others think or because of their perceptions of what someone looks like in a certain field.
When I write, I try to capture one of those pivotal moments. If I succeed, I have shifted the reader's view of the world, just a little. The character is not the only one to experience change. That is my job, shifting perceptions, one story at a time. The trouble is, I don't like writing. But I love having written.
'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
There is no reason to suppose that taste is in any way a lower sense than the other four; a fine palate is as much a gift as an eye that discerns beauty or an ear that appreciates and enjoys subtle harmonies of sound, and we are quite right to value the pleasures that all our senses give us and educate their perceptions.
Influence is best measured not only by military hardware and GDP, but also by other people's perceptions that we, the United States, are using our power legitimately. That belief - that we are acting in the interests of the global commons and in accordance with the rule of law - is what the military would call a 'force multiplier.'