Quotes of All Topics . Occasions . Authors
There's crucial distinction that has to be drawn between the Shari'a, which is this hugely expansive vision of cosmic order that I've been describing, and principles of Islamic law, known in Arabic as "Fiqh" - a word that means understanding. If you're a devout Muslim, you don't argue against the Shari'a; the Shari'a is the path that God has laid down. But what you can do, and what people are doing all the time, is arguing over the correct interpretation of the Shari'a, arguing over the Fiqh. That's something that has been going on throughout Islamic history.
Almost in the same way as earlier physicists are said to have found suddenly that they had too little mathematical understanding to be able to master physics; we may say that young people today are suddenly in the position that ordinary common sense no longer suffices to meet the strange demands life makes. Everything has become so intricate that for its mastery an exceptional degree of understanding is required. For it is not enough any longer to be able to play the game well; but the question is again and again: what sort of game is to be played now anyway?
It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.
And I know, that I know, that I know, we are about to see the greatest manifestations of God's presence ever! A prophetess named Ruth Heflin sent me a word recently and told me to get ready, to see, physical manifestations of Christ on the platforms in our crusades, that people will have visions of the Lord in the meetings. Those things have happened in the past, I know. In a Thialagua (spelling?) meeting one time in Africa, the Lord appeared to a - to the whole crowd! It is about to begin happening, I know it too! Expect it, to happen also, in your own home!
I feel that we have, as Mexicans, two things: one, a natural distrust of institutions. I hate organised religion, I hate organised politics, I hate the idea of the military and the police. Because we grew up distrusting all these sacred institutions, the only thing you have left is a vague, national sense of impending doom. Why do we drink and how are we so merry? Because we know that pretty soon, our time's up. There is a sense of fatality that makes us pretty chirpy people. You try to live. The only reason that dying is important is that it gives life sense.
Empathy - that is, caring about people and acting responsibly on that care, not just for yourself, but for others - this is something that Barack Obama understands very well. He was a professor of constitutional law at the University of Chicago for ten years. As an expert on the Constitution and on our family values, he understands very well that the country is fundamentally about caring for one another. The day after his speech, he was interviewed on CNN, and Anderson Cooper asked him what patriotism was. He said patriotism begins with caring for one another.
We love to think this fundamentalism and terrorism is all about poverty, and, of course, it has a connection. You can see that these people not only are poor but they have no outlets. These governments allow no opposition. So what do people do? They go to Islam. It's the only organizational institution where they can express their feelings. But it's not about poverty. I've never seen a single demonstration in which the people have come out with signs saying, "Please give us better roads. Please give us new prenatal clinics. Please give us a new sewage system."
There are lots of random blog posters on places like Gamespot or NeoGAF or whatever who show a clearer understanding of Braid than people who are all, "I'm all about games, and narrative and meaning, and I write a blog just to tell you about how I analyze all these things." Those people have the same hit rate as your general forum poster. So that's given me a cynical response to that whole community, which is just that, "Guys, are you sure you're qualified to do this?" And that sounds asshole-ish, and mean and snarky, but that's just how I'm feeling right now.
With a few exceptions like Kraftwerk, most great 20th century Western music is in some way American-based. And the great paradox of America, the paradox that distills America, is that this greatest of American contributions to humanity, this American contribution that probably has influenced more people around the world for the good, that probably has brought more people around the world unqualified joy, was born of America's greatest evil, slavery. Or one of the two great evils anyway, counting the European extinction of those who were on the continent first.
Flamenco is Arabic music and rhythms filtered through centuries of gypsies making music. The gypsies themselves came originally from India. And then there is the Caribbean influences... This whole idea that there is any such thing in music that "purity" is bunk, it just doesn't exist. I love that I am playing these rhythms to people. And the next time they hear something that's maybe a little more exotic, I have created a little bridge, and they are going, "Oh, this actually sounds really cool. It reminds me a little bit of that, but it's something different."
Yes, the South-becoming always poorer-and the North-becoming always richer ...Richer, too in the resources of weapons with which the superpowers and blocs can mutually threaten each other. In the light of Christ's words (Mt. 25), this poor South will judge the rich North. And the poor people and poor nations-poor in different ways, not only lacking food, but also deprived of freedom and other human right-will judge those people who take these goods away from them, amassing to themselves the imperialist monopoly and political supremacy at the expense of others.
Business success is not determined by government policy. It's not determined by regulation. The people succeed in business have to overcome all the obstacles put in their way by people like Democrats and Obama. That's what Trump knows, how to overcome these guys, how to get the things they put in his way out of the way, while they don't even know it's happening. And that would go for much of the political commentariat, too, folks, that are totally immersed in politics and know nothing else, other than they swear allegiance to free markets, but that's about it.
Now I don't want to take roles just for money. It's like trying on the right dress. When you go shopping for a dress, you can try to make something work 'cause you can't find the right one, but you always have that memory of the time you put on the perfect dress and you were like, "Oh, my god, I love myself in this dress! I'm excited to go out and have people see me in this!" That's the way that I'm looking at the roles that I want to do. I'm not looking for anything specific, except for something that has heart, and that I will enjoy doing that feeds my soul.
The obvious types of American fascists are dealt with on the air and in the press. These demagogues and stooges are fronts for others. Dangerous as these people may be, they are not so significant as thousands of other people who have never been mentioned. The American fascist would prefer not to use violence. His method is to poison the channels of public information. With a fascist the problem is never how best to present the truth to the public but how best to use the news to deceive the public into giving the fascist and his group more money or more power.
Design and the urgency to preserve it - not as a museum relic, as a living experience. And for me, something that lives alongside mass-produced goods. I'm not saying get away from it. My battle is there is a marketplace for what people wear and what they eat and care about how things are made and not just that they were made, and that's the core focus. I know where things come from, I know their families. I do that throughout my life - I know who makes my suits, and I know where my eggs come from. Everyone and everything is accounted for and has accountability.
Some people live their lives as if each day will be their last. Some approach love the same way, in a desperate attempt to outrun the tiny changes or huge ones that are always looming on each of our horizons. But the sense of urgency that comes from wanting to experience life and love to the fullest can force decisions that are not always in your best interests or anyone else's, for that matter. In fact, sometimes facing the consequences of your choices can be even worse than death. You may live only once, but you don't necessarily want it to feel like forever.
I don't have to worry about setting a good example every day for the purpose of setting an example for Scientology. We should all set a good example in life, but this was with an agenda. Now it's about accepting what is. I have no agenda other than to enjoy my life and enjoy my time with people, for however long it goes...Because I was never really able to enjoy my life. I always had to go to Scientology or give my money to Scientology or give my time to Scientology, and now I'm just able to enjoy what is in my life. I don't have anywhere to get to. This is it.
For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space - but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same - you have all these elements. But in terms of concept, it's always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie, Hans Coper, Richard Batram. All these people were, let's say, made available to us by a friendship with Leach. In addition there was a potter's group - what was it called? I think it was called the Cornish Potters Society, but I'm not sure of that. Anyway, they had meetings and we would go with Leach to these meetings and meet other potters, and they would have programs where they would discuss pottery and people would interchange ideas.
People are living in unconsciousness, doing all kinds of things in unconsciousness. Everybody is an unconscious robot. We are just pretending that we are conscious; we are not conscious. The moment you become conscious, all unconscious actions disappear from your life. Your life starts moving in a new dimension. Your each act comes out of inner clarity; your each response is virtuous, is virtue. To live unconsciously is to live in sin; to live consciously is to be virtuous, is to be religious. And to live in total awareness is to be a buddha, is to be a christ.
If there are dollars to be made, you destroy the environment. The reason is elementary. The people who are going to be harmed by this are your grandchildren and they don't have any votes in the market. Their interests are worth zero. Anybody that pays attention to their grandchildren's interests is being irrational. Because what you're supposed to do is maximize your own interests, measured by wealth, right now. Nothing else matters. So destroying the environment and militarizing outer space are rational policies, but within a framework of institutional lunacy.
The problem is that everybody, everybody - Donald Trump, Paul Ryan, everybody - on the Republican side said they can't do tax reform until Obamacare is improved, they can't do it. I think a lot is known about Obamacare. I think that's why it's so consistently polls with people opposed to it. I think people know how much it's cost particularly to people that have entered the exchanges, but I think everybody does. there's not a person in the world in this country who is not aware of the oppressive, out of any scope of normalcy costs and prices associated with it.
The central problem of our age is not liberalism or modernism, nor the old Roman Catholicism or the new Roman Catholicism, nor the threat of communism, nor even the threat of rationalism and the monolithic consensus which surrounds us. All these are dangerous but not the primary threat. The real problem is this: the church of the Lord Jesus Christ, individually corporately, tending to do the Lord’s work in the power of the flesh rather than of the Spirit. The central problem is always in the midst of the people of God, not in the circumstances surrounding them.
Had I lived in Norman and those bands hadn't existed, who knows where I'd be, I might be doing something awful; I might be a doctor, or a physicist or something. Having those kinds of experiences at 12...the Chainsaw Kittens had a flamboyant homosexual lead singer, and the Flaming Lips were obviously very weird. I had only listened to the radio before that - things like Willie Nelson - so having people say, "These are the bands around here that you should listen to," I was like "Ok, I guess this is what normal music sounds like." That definitely changed things.
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
I'm not quite sure. Probably because "Hanky Panky" and "I Think We're Alone Now" had more to do with it than anything else. For some reason, staccato eighth notes on a bass sounded like bubblegum. Basically, groups like the 1910 Fruitgum Co. took my early format and kind of perverted it, and made these mindless pre-fab hits over and over. In the 60s, anybody who was making commercial music, that is music that didn't have a political slant to it, or wasn't taking drugs, was bubblegum. And that term kind of hung on a lot of people back then, and it's unfortunate.
The neo-conservative critics of leftist critics of mass culture ridicule the protest against Bach as background music in the kitchen, against Plato and Hegel, Shelley and Baudelaire, Marx and Freud in the drugstore. Instead, they insist on recognition of the fact that the classics have left the mausoleum and come to life again, that people are just so much more educated. True, but coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.
The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.
Each year, in this world, several languages do die out. There are certain languages that have their survival assured for many years, such as English, but there are other languages whose survival is not so sure, such as Catalan, especially if they don't have a state that protects them. Catalan is spoken in Catalonia, Valencia, the Balearic Islands, and Andorra. There are about ten million people who understand it and eight and a half who can speak it. But its future is much less certain than, for example, Danish or Slovenian or Latvian, because they have a state.
I realized that many men are happy to play a supporting role to another man, but they are much less happy to play a supporting role to a woman. People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films, because ultimately that's what the women have always done. We've always lent our name value to male-centric stories, and now we're going to have to ask the men to swallow their pride, because it seems that it's about pride.
I'm all in favor of being able to imagine new frontiers with the aid of technologies, but I want a more compassionate approach that also recognizes that every time you're talking about new frontiers, there will be certain kinds of costs attached. There will be people who don't quite understand how to handle email who will decide to have private servers and then not know how to excuse themselves when it may be something as simple-minded as they were a little too far along in their lives to really figure out how to go back and forth between two different accounts.
I would say the 1980s, most importantly, there's been a witnessing of the bankruptcy of the liberal philosophy and the anti-moral and amoral philosophies that were so prevalent in the 1960s and '70s, the rebellion of young people, which brought about the drug epidemic in so many to break down the family. Particularly during this decade, the spiritual rebirth. I'm an evangelical, and I've watched the evangelical church here and around the world preaching Christ, the death, burial, resurrection of the savior, receiving more receptivity everywhere, and that growth.
Eating a RAW food lifestyle is the purest and best way to live. Many of the strongest and longest living animals are raw, such as the panda bear and gorillas. Self love has brought me to a RAW lifestyle. Feeding my body with pure natural energy. Most people's perception is what has been ingrained inside them by manipulation, but slowly there is a shift in consciousness, one person at a time. People will ask more questions, begin to stand up for themselves, go their “own way”, take better care of themselves, which will benefit everyone and everything around them.
Taking the line of least resistance, we lump the most different people together under the same heading. Taking the line of least resistance, we ascribe to them collective crimes, collective acts and opinions. "The Serbs have massacred…", "The English have devastated…", "The Jews have confiscated…", "The Blacks have torched", "The Arabs refuse…". We blithely express sweeping judgments on whole peoples, calling them "hardworking" and "ingenious", or "lazy", "touchy", "sly", "proud", or "obstinate". And sometimes this ends in bloodshed." – Amin Maalouf "On Identity
What's interesting to me is that in terms of people who I feel are getting what my game is about - and here I'm not even talking about what the elements of the story mean, like, whatever symbolism and metaphors and things are in there. But even the structure of the game, like, there's a fundamental structure and reasons in the way things are laid out, and parts of the game that are meant to draw people's attention to certain things, regardless of what's contained in that structure. And what's interesting to me is that some people get that, and some people don't.
When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
From that point on, the extraordinary system of spies and informers which has played an important part in the political work of the French state into our own time took shape. (Sartine, who became lieutenant general de police in 1759, is supposed to have said to Louis XV, "Sire, when three people are chatting in the street one of them is surely my man.") Eighteenth-century police manuals like those of Colquhoun in England or Lemaire in France are no less than general treatises on the government's full repertoire of domestic regulation, coercion, and surveillance.
The essential facts are known. We know of the weapons in Saddam's possession: chemical, biological, and nuclear in time. We know of his unequaled willingness to use them. We know his history. His invasions of his neighbors. His dreams of achieving hegemonic control over the Arab world. His record of anti-American rage. His willingness to terrorize, to slaughter, to suppress his own people and others. We need not stretch to imagine nightmare scenarios in which Saddam makes common cause with the terrorists who want to kill us Americans and destroy our way of life.
I remember a prominent conservative media figure, talking to him about prominent liberal media figures that he knew, that he liked. And I questioned him. "How can you trust these people? I mean, these are..." "No, no! They're good guys. In fact, one of them likes you, says you're not a hater." And I was supposed to be thrilled to hear this!I was supposed to be mollified that some liberal media figure had just pronounced I was okay because, after he had listened to me, he had determined I wasn't a hater. I did not take that as a compliment, and I got kind of mad.
Money is very difficult to think about. So, we think about money as the opportunity cost of money. So, we at some point went to a Toyota dealership and we asked people, what will you not be able to do in the future if you bought this Toyota? Now, you would expect people to have an answer. But people were kind of shocked by the question. They never thought about it before. So, the most we got was people said, "Well, if I can't buy this Toyota, if I buy this Toyota, I can't buy a Honda." What is this thing? What is this value of price? Very hard to think about it.
Sometimes the best set experiences make for the worst films. So, you don't want it to be too good an experience! But the bulk of your life is working with people and collaborating so you don't want anyone to be miserable on your film either. You want it to be something that people walk away from saying that it was a good experience for them and hopefully a good film. As a director, you are sort of leader of that troupe for that period of time, so you're aware of morale and your effect - how you are as a person and how that sort of trickles down to everyone else.
There is no independence of law against National Socialism. Say to yourselves at every decision which you make: "How would the Führer decide in my place?" In every decision ask yourselves: "Is this decision compatible with the National Socialist conscience of the German people?" Then you will have a firm iron foundation which, allied with the unity of the National Socialist People's State and with your recognition of the eternal nature of the will of Adolf Hitler, will endow your own sphere of decision with the authority of the Third Reich, and this for all time.
I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.
Detroit is a fascinating place, because things are so bad there that the dystopia has almost become utopian. People know they can't rely on the state, that public infrastructure is broken, and they've taken their own measures. People are growing their own food and selling their produce to local stores and restaurants. It's certainly not a fix-all; Detroit's problems are too deep-rooted for quick-fix solutions. But it's a hopeful sign. Detroiters are crafting their own solutions rather than being passive in the face of the city's and state's actions and inactions.
God's Word will never pass away, but looking back to the Old Testament and since the time of Christ, with tears we must say that because of lack of fortitude and faithfulness on the part of God's people, God's Word has many times been allowed to be bent, to conform to the surrounding, passing, changing culture of that moment rather than to stand as the inerrant Word of God judging the form of the world spirit and the surrounding culture of that moment. In the name of the Lord Jesus Christ, may our children and grandchildren not say that such can be said about us.
It is generally supposed that where there is no QUOTATION, there will be found most originality; and as people like to lay out their money according to their notions, our writers usually furnish their pages rapidly with the productions of their own soil: they run up a quickset hedge, or plant a poplar, and get trees and hedges of this fashion much faster than the former landlords procured their timber. The greater part of our writers, in consequence, have become so original, that no one cares to imitate them; and those who never quote, in return are never quoted!
I never said it. Honest. Oh, I said there are maybe 100 billion galaxies and 10 billion trillion stars. It's hard to talk about the Cosmos without using big numbers. I said "billion" many times on the Cosmos television series, which was seen by a great many people. But I never said "billions and billions." For one thing, it's too imprecise. How many billions are "billions and billions"? A few billion? Twenty billion? A hundred billion? "Billions and billions" is pretty vague. When we reconfigured and updated the series, I checked-and sure enough, I never said it.
After the motorcycle trips I take for one or two weeks, I have trouble getting back into a car, because I feel claustrophobic with all of that metal around me, and I can't see anything. I feel seriously dangerous in a car after riding on a bike, because your field of vision is so closed in. And then I think about all these little bourgeois people driving around in their cars - it's actually hideous. It cramps you on the head, it cramps you on the side, it puts you in a box on wheels... It's a terrible experience. Motorcycles are about opening the field of vision.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.