Quotes of All Topics . Occasions . Authors
I thank God that I became addicted to pain pills, because the process of going through rehab taught me more about myself than I had ever known. I wish I would have learned what I learned about myself I learned in rehab, going through life. You know, we're all raised to be loved. We care about what other people think of us, and sometimes to our detriment we let feedback and the opinions of others shape our own self-image. I was guilty of that, too. But in my professional life, I had mastered it. I didn't care what the critics said.
Unfortunately, some scientists behave like preachers, delivering sermons to people. What this approach ignores is the fact that there are many threats in our world that must be weighed against one another. If I'm driving my car and find myself speeding toward an obstacle, I can't simple yank the wheel to the side without first checking to see if I'll instead be driving straight into a crowd of people. Climate researchers cannot and should not take this process of weighing different factors out of the hands of politics and society.
We live in a world of energy. An important task at this time is to learn to sense or see the energy of everyone and everything -- people, plants, animals. This becomes increasingly important as we draw close to the World of the Fifth Sun, for it is associated with the element ether -- the realm where energy lives and weaves. Go to the sacred places of the Earth to pray for peace, and have respect for the Earth which gives us our food, clothing, and shelter. We need to reactivate the energy of these sacred places. That is our work.
Now I don't care what people think. I did some internet campaign where I was the voice of a puppet for Ford Focus ads because they were paying me a lot of money to do it, it was a very easy gig, but then the bonus was, it turned out to be an enormous amount of fun. I've learned not to turn my nose up at things just because they're not what other people might consider cool to do. Because I've also matured enough to know, you never know where these things are going to lead, and you never know what the experience is going to be like.
It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
I'm a playwright by trade, and in theater, writers have complete control over everything. Nobody can change a word without your permission. I've had a couple screenwriting experiences that weren't terrible, but they were typical, where executives came in and gave you sometimes good notes and sometimes horrible notes - but they wanted to change the movie that everybody had agreed to make. After a couple of times, it's like, "Why are we doing this?" The story is not going to turn out very good when 13 people are writing it together.
When you're just starting out in the TV business, you don't know anything at all, and you think you're doing a better job than everyone else around you, and you just sort of presume that you're not getting the credit you deserve. And then when you start to get better, the pressure is extraordinary, and then you start to second-guess everything you do, and when people start looking to you for answers, for insight and for analysis and guidance, you start to wonder if you are the right person - even when you have all the information.
That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.
I try to educate people. I've told the hijra community that it's not about getting breasts or having sexual reassignment surgery. First we need our rights. We need our dignity. We need inclusion in every bloody policy for the marginalized. We need education. We need dignified shelter. There are many like me who are able to earn without begging. But the fact is that before even coming into the social sector, I was running a dance class, and before that I was a model coordinator. I didn't want to beg, or do sex work, or sell myself.
Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.
There is no nation on earth powerful enough to accomplish our overthrow. Our destruction, should it come at all, will be from anothe quarter. From the inattention of the people to the concerns of their government, from their carelessness and negligence. I must confess that I do apprehend some danger. I fear that they may place too implicit a confidence in their public servants and fail properly to scrutinize their conduct; that in this way they may be made the dupes of designing men and become the instruments of their own undoing.
Models have a stigma that they can't act. You're also, to be quite blunt, you're tall and not a lot of actors are tall and when you are starting out you're obviously not the first one cast, so you're trying to fit into a mold. You're quite often not cast as the quirky best friend, but you don't have the experience to be cast as the lead. So it can be really tricky. One of the biggest things is just to get your people, so to speak, your agents and managers to take you seriously. That's one of the issues I had when I came out to LA.
Books are an attempt to control something that's uncontrollable. That's one of the beauties of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy the inner lives of all the people who experienced it. There are still horrible things that go on because of the myth of race, but we don't have to succumb totally. If I had only a negative side of things to present, I think I would have much less of a drive to do it. Because what would be the point?
Lots of the free world has become weak. When you look at Brussels, when you look at the way they've handled things from law enforcement standpoints, when you look at Paris, when you look at so many other places, no, it's not. But neither is the United States a safe place, because we're allowing thousands of people to come in here. Nobody knows where they're from. Nobody knows who they are and they're coming in here by the thousands. And let me tell you something, we're going to have problems just as big or bigger than they've got.
You've got the principled people who maybe are on salaried jobs, or CEOs, entrepreneurs, and all of those that are great people, but if you're not appealing - the permanent coalition is to join that with traditional Americans who feel like, that things aren't going well for them, and to develop policies that improve their lifestyle, not just upper-income lifestyles. And once that's believed by working people, that it's serious and a commitment and you care about people like me, for a change, Republicans could create a new majority.
No one suffers so much as he [the genius] with the people, and, therefore, for the people, with whom he lives. For, in a certain sense, it is certainly only "by suffering" that a man knows. If compassion is not itself clear, abstractly conceivable or visibly symbolic knowledge, it is, at any rate, the strongest impulse for the acquisition of knowledge. It is only by suffering that the genius understands men. And the genius suffers most because he suffers with and in each and all; but he suffers most through his understanding. . . .
Violence has always been implied by previous US presidents: That is to say, if North Korea launched an attack, or crossed certain red lines, they would be met by devastating force. And this has been said even by people in the Obama administration very recently. But the kind of rhetoric that Trump is using is different, and I think probably not helpful, because it just provokes the North Koreans to ratchet up their rhetoric as well. At this point, it seems that we urgently need calmer heads on both sides, and we're not getting that.
Barack Obama was amazing, but he wasn't perfect. We all know that. He was the closest thing to perfect America's ever had. We were basking in the glow. We forgot that there's always going to be a backlash within a movement every time. When I think about race, there were a lot of pockets of people that were still living in fear under the Obama administration, but we were in this blissful celebration mode. Now we are constantly reminded that, although there are lots of good people in the world, there are just as many horrible people.
In general, I think there are some things that require time before you can talk about them. Some stuff that happened over the summer, for instance - the Philando Castile shooting, Alton Sterling, the police officers in Dallas - there was no room for jokes. But there are, of course, the policies that have given us those events. Now, there's a lot of room for jokes there. When you're looking at something difficult to talk about, there's always a sideways way in that feels a little less personal to people. That's where the joke lives.
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
When you look at the Koch brothers, who make three million dollars an hour on their dividends alone, you begin to get a sense of what we're talking about. The estimates now are that the upper 1% control something like 40% of all wealth. Eighty families in the world control as much as half the world's population. These figures are being produced every day. We need to put a human face to these figures. We need to make clear that something is being taken from the vast majority of people, and is causing an enormous amount of suffering.
I would have conversations with European artists. Meaning, people look at my painting and one person would say, "Oh, your painting is just like so-and-so!" Another person would say, "It's just like so-and-so." But at the end, it's a chain of relay like a marathon. There are so many so-and-so's that eventually it becomes mine. My dialogue was completely European, with the '40s, '50s, '60s artists, but on the exterior side I do big painting. It's post-Pollock. It's current. It's a meeting of the time. The Chinese side just comes out.
Mr. Donald Trump talking about the US Mexican border, he's not doing anything new or unusual. It's something that's very much in the air and perhaps always has been. The Great Wall of China has been there for a great long time. People have always tried to keep foreigners out. There is a very natural desire, once you've got somewhere cozy, to keep it to yourself, and equally there's a very strong impulse for those who are not at such a safe and prosperous place to try and get in. It's been creating conflict throughout human history.
If an artwork never gets any attention from anybody, then obviously it's got problems. If it gains attention from a very small elite, then it's presumably doing something. Finnegans Wake gets a lot of attention from certain people who become passionate about it, who are usually very good readers in general. Although - I often talk about costs and benefits - it seems to me the costs of reading Finnegans Wake are not worth the benefits, however many there may be. And it's the same with the more arcane among poets, Zukofsky and so on.
I think the critical thing is the product or service that you're trying to raise money for. And probably the best description of that, people should say when they hear, "This is what I want to do. This is what I want to bring to the market." They should say, "Gee! That's a great idea" or "Gee! Why hasn't somebody else thought of that before? Well, that's an incredible idea!" In other words, the more a person is delighted, or astonished, or happy with your product, or service, or idea, the more happy they are to put up money for it.
Crimea has always been and remains Russian, as well as Ukrainian, Crimean-Tatar, Greek (after all, there are Greeks living there) and German - and it will be home to all of those peoples. As for state affiliation, the people living in Crimea made their choice; it should be treated with respect, and Russia cannot do otherwise. I hope that our neighbouring and distant partners will ultimately treat this the same way, since in this case, the highest criteria used to establish the truth can only be the opinion of the people themselves.
I recommend allowing others the opportunity to fully express themselves before turning our attention to solutions or requests for relief. When we proceed too quickly to what people might be requesting, we may not convey our genuine interest in their feelings and needs; instead, they may get the impression that we're in a hurry to either be free of them or to fix their problem. Furthermore, an initial message is often like the tip of an iceberg; it may be followed by yet unexpressed, but related - and often more powerful - feelings.
The freeway experience ... is the only secular communion Los Angeles has. Mere driving on the freeway is in no way the same as participating in it. Anyone can "drive" on the freeway, and many people with no vocation for it do, hesitating here and resisting there, losing the rhythm of the lane change, thinking about where they came from and where they are going. Actual participation requires total surrender, a concentration so intense as to seem a kind of narcosis, a rapture-of-the-freeway. The mind goes clean. The rhythm takes over.
Realize that your physical experience and environment is the materialization of your beliefs. If you find great exuberance, health, effective work, abundance, smiles on the faces of those who you meet, then take it for granted that your beliefs are beneficial. If you see a world that is good, people like you, take it for granted again, that your beliefs are beneficial. But if you find poor health, a lack of meaningful work, a lack of abundance, a world of sorrow and evil, then assume your beliefs are faulty and begin examining them.
We need to realize that these industrial methods of farming have gotten us used to cheap food. The corollary of cheap food is low wages. What we need to do in an era when the price of food is going up is pay better wages. A living wage is an absolutely integral part of a modern food system, because you can't expect people to eat properly and eat in a sustainable way if you pay them nothing. In fact, it's cheap food that subsidized the exploitation of American workers for a very long time, and that's always been an aim of cheap food.
People who have accomplished work worthwhile have had a very high sense of the way to do things. They have not been content with mediocrity. They have not confined themselves to the beaten tracks; they have never been satisfied to do things just as others so them, but always a little better. They always pushed things that came to their hands a little higher up, this little farther on, that counts in the quality of life's work. It is constant effort to be first-class in everything one attempts that conquers the heights of excellence.
Many people say, "When I get a million dollars, then I'll be happy because I'll have security," but that's not necessarily so. Most people who acquire a million dollars want another and then another. Or they could be like a good friend of mine who made and lost every dime of a million dollars. It didn't bother him a bit. He wasn't excited about it, but he explained to me, "Zig, I still know everything necessary to make another million dollars, and I've learned what to do not to lost it. I'll simply go back to work and earn it again.
When they started to drain a swamp where birds and fish had lived, for a new housing development down the road from his apartment, Steven watched the protests and the preparations with interest. The bird people were furious, the developers unmovable, and Steven was filled with relief that the fight wasn't his. Nothing here was his... He thought there should have been something sad about how little he was tied up with the place, but instead it felt like freedom. He was free because it wasn't his water here, and they weren't his fish.
I really support criticism as a craft and as a vocation. People who devote as much time to thinking about sound through writing as I do practicing and forming it, the whole system of journalism seems to not yield rewards sustainable as a craft. So few can spend enough time to be serious about it and approach it with confidence and a kind of depth. And that's good on one level, because you have some leveling, that's kind of maybe leveled the petty fiefdoms of undeserving people but it's also made it hard to make a living as a writer.
What is a fair shot for a job applicant? An interview? Or getting the job? See, with Obama, the opportunity is not what's fair; it's the outcome. He's gonna dictate the outcome. And the premise is that the longest term unemployed person is the one who's been screwed the most. These evil employers have got something against these people that have been out of work the longest. And Obama's here to level that playing field. So if you're out of work longer than anybody else, that's all that matters. You are at the top of the hiring list.
I'll start with where we are right now. The map that I'll use is this birthing process, this kind of profound transition that we're going through, where the old narratives, the old story, the old mythology is wearing thin, beginning to fall apart. And as it does so, people hold on to it even more tightly. They haven't let go and won't let go until it becomes simply impossible to hold on to it anymore. And we're nearing that time, but not yet. Right now you can still pretend everything's normal, even though it's greatly hollowed out.
All my life I've been involved with racial politics. I was a Freedom Rider in the South. I was the author of books on gang violence, I was a community organizer in Newark, New Jersey, and when I spoke to the Black Caucus, congressional and state, I realized they were going all the way for Hillary [Clinton] and so was the Latino caucus in Sacramento and I asked myself this question: "Do I really want to cast my vote against these people who have been central to my life and to the soul of the country?" And so I went with them. Period.
I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.
Whatever vocation you decide on, track down the best people in the world at doing it and surround yourself with them. Aim high and be ridiculously persistent. Your happiness is at the intersection of your passions and learning from great people. Working at a big company sucks--avoid it. Smaller companies are 10 times better for learning. Be generous with your time and money--it has an amazingly fast payback. Be in the moment with everyone you love--and this frequently means tuning out work completely. And drive slow in parking lots.
What I think is dreadful about art is the way it's related to the money afterward. Not when you do it... But after that, it's like 5,000 rich people have access to it. A movie, even though it can be a bad movie or a good movie, it is more democratic. The people who buy my films, the people who buy my installations it's sometimes a foundation or a museum. When it's a foundation, it's related to very, very, very rich people - who are your enemies! Your enemies are feeding you. But you're not meeting them. So it's a very strange thing.
Snowden is not the disease. We don't have traitors or whistleblowers blooming all over because they are some sort of malady. The disease is war. We've been at war now and with no end in sight for over a dozen years, the longest in our history. War breeds tyranny. War breeds people who want to prosecute and persecute those who reveal that tyranny. So what we have is the government becoming more draconian - clearly understandable. It always does in a period of war. And as it becomes more draconian, more and more whistleblowers coming.
It is always brave to insist on undergoing transformations that feel necessary and right even when there are so many obstructions to doing so, including people and institutions who seek to pathologize or criminalize such important acts of self-definition. I know that for some feels less brave than necessary, but we all have to defend those necessities that allow us to live and breathe in the way that feels right to us. Surgical intervention can be precisely what a trans person needs – it is also not always what a trans person needs.
What the public does is not to express its opinions but to align itself for or against a proposal. If that theory is accepted, we must abandon the notion that democratic government can be the direct expression of the will of the people. We must abandon the notion that the people govern. Instead, we must adopt the theory that, by their occasional mobilizations as a majority, people support or oppose the individuals who actually govern. We must say that the popular will does not direct continuously but that it intervenes occasionally.
There's a way in which all of these grazers at the spirituality buffet are performing a service, because you could argue that grazing leads to a kind of tolerance. People who incorporate teachings from a lot of different traditions into their own belief systems are going to be more tolerant than people who confine themselves within the strict boundaries of one particular religion. Does it contribute to our confusion? I don't know if it contributes to confusion so much as it is evidence of a certain kind of silliness and shallowness.
People are saying that they want be convinced [about global warming], perfectly. They want to know the climate science projections with 100 per cent certainty. Well, we know a great deal and even with that there is still uncertainty. But the trend line is very clear. We never have 100 per cent certainty. We never have it. If you wait till you have 100 per cent certainty, something bad is going to happen on the battlefield. That's something we know. You have to act with incomplete information. You have to act based on the trend line.
To undertake the direction of the economic life of people with widely divergent ideals and values is to assume responsibilities which commit one to the use of force; it is to assume a position where the best intentions cannot prevent one from being forced to act in a way which to some of those affected must appear highly immoral. This is true even if we assume the dominant power to be as idealistic and unselfish as we can possibly conceive. But how small is the likelihood that it will be unselfish, and how great are the temptations!
It was like the first time I'd ever seen Hollywood just really not do the right thing. We filmed Free Willy in Mexico. I'd come in a really nice car from my hotel, and we'd have to drive around all the crew that was sleeping in the parking lot. People making their breakfast on the ground. It was because there was a whale there that was in a little tank. It just felt gross. It felt really bad. They didn't free that whale for, damn... at least 10 years later. The poor whale had horrible psoriasis all over him, and his fin didn't work.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
My daughter went to the school, and it's a very, very progressive and liberal school, and my commencement speech was telling the kids just to always be willing to quit, and that they need to quit a lot in their lives, and keep on quitting, because all the happiness I've ever got was when I turned my back on things that everybody else thought would make you happy. I can smell parents' stomach acid right now, but they know that whole "You gotta get a job and you gotta settle for what people perceive as success" thing is really absurd.