Quotes of All Topics . Occasions . Authors
I have always lived among the people of Gujarat. I know public sentiments.
People who do not know how to laugh are always pompous and self-conceited.
I'm always distressed by the supposedly bright people who don't know what they are.
I'm always in my pajamas, unless I know for a fact that people are taking my picture.
I know these away legs are always going to be tricky playing in front of 30,000 people.
I've always hated people in costumes with big heads, where you don't know what's behind it.
I've always wanted to be - I know people think this is an insult - but a jack of all trades.
I don't always know how to communicate. I think I get a bit unfiltered and a bit strange to people.
Being in the public eye puts you in a fix, and people are always wanting to know what you are up to.
Particularly when you're making a movie of a book, people are always waiting with their knives - you know?
I know that people in the public eye are always being chipped away at by very cynical attitudes in the press.
You know, at parties, people always ask, 'Where were you when Kennedy was shot?' Well, I don't have an alibi!
Texas is generally 82 degrees year round. I always tell people you don't know cold until you have been to Boston.
You know, people always ask, 'What are you like offstage?' And I always say, 'Well, I'm completely normal and mellow.'
People forget that, for example, Adele wasn't always the Adele we know. Sam Smith wasn't always the Sam Smith that we know.
You always have something to learn from people who have been through more than you. Be open and receptive to what they know.
That always catches you by surprise, you know, the amount of inspiration, should you choose to, that you can give to people.
I write about outsiders. I write about people who are outside and don't know quite how to get in because it's how I've always felt.
I've always wanted to do it. I know a lot of people say that, but I really did want to make films, even when I was a tiny little kid.
I know it's dangerous to say you want to do something different with a genre because people always take that as an insult to the genre.
I loved Cary Grant. I got to know him and Audrey Hepburn. Here were these people I always liked and admired, and they were coming to my house.
When I was a rookie people would always ask, 'What are you going to bring to the team?' Now I don't get asked that question anymore. People know.
For people who know McQueen, there is always an underlying message. It's usually only the intellectual ones who understand what's going on in what I do.
Comics have always helped people to read. A lot of people learned to read by reading the comics. And it's our livelihood, after all. If people don't know how to read, they're not reading our comics.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
We don't even know what our desire is. We ask other people to tell us our desires. We would like our desires to come from our deepest selves, our personal depths - but if it did, it would not be desire. Desire is always for something we feel we lack.
People ask, like, 'How are you going to incorporate what you do onstage into everything else?' I'm not too worried about that. Whether it's theater or a TV show idea, or an animated thing or, I don't know, an animated screensaver. I really just want to keep creating things. And I've always been able to do that.