A man, at least, is free; he can explore every passion, every land, overcome obstacles, taste the most distant pleasures. But a woman is continually thwarted. Inert and pliant at the same time, she must struggle against both the softness of her flesh and subjection to the law. Her will, like the veil tied to her hat by a string, flutters with every breeze; there is always some desire luring her on, some convention holding her back.

The ancients had a taste, let us say rather a passion, for the marvellous, which caused grouping together the lofty deeds of a great number of heroes, whose names they have not even deigned to preserve, and investing the single personage of Hercules with them. In our own time the public delight in blending fable with history. In every career of life, in the pursuit of science especially, they enjoy a pleasure in creating Herculeses.

Forgetfulness, the unhistorical, is ... the atmosphere, in which alone life can come into being. In order to understand it, let us imagine a youth who is seized with a passion for a woman, or a man who is swayed by a passion for his work. In both cases what lies behind them has ceased to exist and yet this state (the most unhistorical that can be imagined) is that in which every action, every great deed is conceived and accomplished.

We assert then that nothing has been accomplished without interest on the part of the actors; and — if interest be called passion, inasmuch as the whole individuality, to the neglect of all other actual or possible interests and claims, is devoted to an object with every fibre of volition, concentrating all its desires and powers upon it — we may affirm absolutely that nothing great in the World has been accomplished without passion.

I realized that the artists who managed to fight through this recession have a better shot at longevity than most. The recession was a test of your resolve and passion. I think as we come out of these rough times we will be more adept at survival and will have gained the skills necessary to make a long fruitful artistic career. There will still be those that fade away but we are more likely to grow and bend with the times and prosper.

Are not lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it.

Men love death. In everything they make, they hollow out a central place for death, let its rancid smell contaminate every dimension of whatever still survives. Men especially love murder. In art they celebrate it, and in life they commit it. They embrace murder as if life without it would be devoid of passion, meaning, and action, as if murder were solace, stilling their sobs as they mourn the emptiness and alienation of their lives.

We must not suppose that, because a man is a rational animal, he will, therefore, always act rationally; or, because he has such or such a predominant passion, that he will act invariably and consequentially in pursuit of it. No, we are complicated machines; and though we have one main spring that gives motion to the whole, we have an infinity of little wheels, which, in their turns, retard, precipitate, and sometime stop that motion.

In a very real sense, the Constitution is our compact with history . . . [but] the Constitution can maintain that compact and serve as the lodestar of our political system only if its terms are binding on us. To the extent we depart from the document's language and rely instead on generalities that we see written between the lines, we rob the Constitution of its binding force and give free reign to the fashions and passions of the day.

Although the progress of civilisation has undoubtedly contributed to assuage the fiercer passions of human nature, it seems to have been less favourable to the virtue of chastity, whose most dangerous enemy is the softness of the mind. The refinements of life corrupt while they polish the intercourse of the sexes. The gross appetite of love becomes most dangerous when it is elevated, or rather, indeed, disguised by sentimental passion.

Men didn't understand that you couldn't let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do. Men didn't understand that there was nothing big enough to exempt you from your obligations, which began as soon as the sun rose over the paper company and ended only after you'd finished the day's chores and fell exhausted into sleep against the background noise of I-94.

I ain't never been in no college with famous people. I was a drifter for a while. I just was desperate to fit in with a group. Really, I was swimming. I was lost, treading water, trying to find my way. I wanted to play football. It didn't work out. I didn't really know what I wanted until I found acting in a theater department, and then everything just fell into place, and I had a passion about something. Then, I started living my life.

It was as if they had leapt over the arduous cavalry of conjugal life and gone straight to the heart of love. They were together in silence like an old married couple wary of life, beyond the pitfalls of passion, beyond the brutal mockery of hope and the phantoms of disillusion: beyond love. For they had lived together long enough to know that love was always love, anytime and anyplace, but it was more solid the closer it came to death.

His (Lenin's)humanitarianism was a very abstract passion. It embraced humanity in general but he seems to have had little love for, or even interest in, humanity in particular. He saw the people with whom he dealt, his comrades, not as individuals but as receptacles for his ideas. On that basis, and no other, they were judged. He judged man not by their moral qualities but by their views, or rather the degree to which they accepted his.

Curiosity is, in great and generous minds, the first passion and the last; and perhaps always predominates in proportion to the strength of the contemplative faculties. He who easily comprehends all that is before him, and soon exhausts any single subject, is always eager for new inquiries; and in proportion as the intellectual eye takes in a wider prospect, it must be gratified with variety, by more rapid flights and bolder excursions.

There is a sort of creative purity in an independent film, in the passion of the director, the passion of the crew. They're not getting a whole lot of money, so you know they are not there because they want to get rich. Instead, they are there because they want to make a movie. In the bigger films, I remember when I used to do those, it's just a job for a lot of people, so there is less of an intense energy devoted to the whole project.

Your job, work, life assignment must be the spark that fuels your fire. It must be a passion that you pursue. You must want it enough to do it for free. You must be willing to stick with it, taking the ups and downs, giving it all that you are for as long as you can! You’ve got to taste it, smell it, know it whether you are awake or asleep. If you do not have a lustful passion for your work, you really need to find something else to do.

But could not our situation be compared to one of a menacing epidemic? People are unable to view this situation in its true light, for their eyes are blinded by passion. General fear and anxiety create hatred and aggressiveness. The adaptation to warlike aims and activities has corrupted the mentality of man; as a result, intelligent, objective and humane thinking has hardly any effect and is even suspected and persecuted as unpatriotic.

The passion for travelling is, I believe, instinctive in some natures. We have seen men persevere in their enterprises against the most formidable obstacles; and, without means or friends, and even ignorant of the languages of the various countries through which they passed, pursue their perilous journeys into remote places, until, like the knight in the Arabian tale, they succeeded in snatching a memorial from every shrine they visited.

When you learn how to trust your feelings then you'll know how to recognize it - That part of you that needs no healing is like a swollen river rising. So choke me with a violent passion and drown me in a deep emotion. You've got to help me build this feeling. I'm swimming in a stagnant ocean. Been blinded by smoke and mirrors and crippled by a fear of tomorrow. If you don't help me shake this feeling, then I'll be marking time in Limbo.

Most dreams die a slow death. They're conceived in a moment of passion, with the prospect of endless possibility, but often languish and are not pursued with the same heartfelt intensity as when first born. Slowly, subtly, a dream becomes elusive and ephemeral. People who've lost their own dreams become pessimists and cynics. They feel like the time and devotion spent on chasing their dreams were wasted. The emotional scars last forever.

There is nothing that dies so hard and rallies so often as intolerance. The vices and passions which it summons to its support are the most ruthless and the most persistent harbored in the human breast. They sometimes sleep but they never seem to die. Anything, any extraordinary situation, any unnecessary controversy, may light those fires again and plant in our republic that which has destroyed every republic which undertook to nurse it.

An immoderate fondness for dress, for pleasure, and for sway, are the passions of savages; the passions that occupy those uncivilized beings who have not yet extended the dominion of the mind, or even learned to think with the energy necessary to concatenate that abstract train of thought which produces principles.... that women from their education and the present state of civilized life, are in the same condition, cannotbe controverted.

It is not the poet's business to save man's soul but to make it worth saving . . . However, few poets have written with a clear theory of art for art's sake, it is by that theory alone that their work has been, or can be, judged; -and rightly so if we remember that art embraces all life and all humanity, and sees in the temporary and fleeting doctrines of conservative or revolutionary only the human grandeur or passion that inspires them.

I have a passion for words. I love words. And I'm just learning and developing my skills for words. I do books and I do journalism and plays. I have a broad palette. I don't have a great eye for direction. I love working with actors and I work very well with them because I appreciate what they bring to the table. I'd never say never, of course, but I look at it and don't really fancy it. I want to try and master the word side of it first.

We kissed, then, and the ardour of her kiss stole my breath away. I returned her passion with all the fervor I possessed. A lifetime of vows and heart-felt disciplines had prepared me well, for in that kiss I sealed with all my soul the fate before me, embracing a mystery clothed in warm and yielding female flesh. Holding only the moment, with neither thought nor care for the future, I kissed her, and drank deep the strong wine of desire.

My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast. To paint is to destroy what preceded. I never try to make a painting, but a chunk of life. It is a scream; it is a night; it is like a child; it is a tiger behind bars.

No doubt hard work is a great police agent. If everybody were worked from morning till night, and then carefully locked up, the register of crime might be greatly diminished. But what would become of human nature? Where would be the room for growth in such a system of things? It is through sorrow and mirth, plenty and need, a variety of passions, circumstances, and temptations, even through sin and misery, that men's natures are developed.

Find other women to make movies with that have a shared bottom line. I did that with my first film and found an incredible partner in the inimitable writer/producer Laura Goode. I did it this time around by pairing with the forces of nature that are Amy Fox, Alysia Reiner and Sarah Megan Thomas. All of these women share an activist's desire to be the change they want to see - and with that passion comes great purpose and great possibility.

The great things in life are what they seem to be. And for that reason, strange as it may sound to you, often are very difficult to interpret (understand). Great passions are for the great of souls. Great events can only be seen by people who are on a level with them. We think we can have our visions for nothing. We cannot. Even the finest and most self-sacrificing visions have to be paid for. Strangely enough, that is what makes them fine.

Winterson has her own unmistakeable voice, tuned to express her obsessional preoccupation with sexual passion raised to the power of revealed religion. (...) The whole book is a kind of chant. It is a playful addition to the Winterson oeuvre. Yet it is not a slight work so much as, homonymically, a work of sleight- - a word for which the Shorter OED gives six definitions, ranging from trickery to wisdom, all of which apply to The.PowerBook.

Too many of us have lost the passion and emotion of the remarkable things we-ve done in space. Let us not tear up the future, but rather again heed the creative metaphors that render space travel a religious experience. When the blast of a rocket launch slams you against the wall and all the rust is shaken off your body, you will hear the great shout of the universe and the joyful crying of people who have been changed by what they-ve seen.

This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.

In particular I may mention Sophocles the poet, who was once asked in my presence, How do you feel about love, Sophocles? are you still capable of it? to which he replied, Hush! if you please: to my great delight I have escaped from it, and feel as if I had escaped from a frantic and savage master. I thought then, as I do now, that he spoke wisely. For unquestionably old age brings us profound repose and freedom from this and other passions.

The complaints of contemporary writes, who deplore the increase of luxury and deprevation of manners, are commonly expressive of their peculiar temper and situation. There are few observers who possess a clear and comprehensive view of the revolutions of society, and who are capable of discovering the nice and secret springs of action which impel, in the same uniform direction, the bland and capricious passions of a multitude of individuals.

Hot groups have members who are task-obsessed and full of passion. They share a style which is "intense, sharply focused, and full bore. Members feel engaged in an important, even vital and personally ennobling mission; their task dominates all other considerations; and although such intense teams tend to remain intact only for a relatively short period of time, that time is remembered nostalgically and in considerable detail by its members.

I read the text; and then I come to the Shirat ha-Yam, to the Song of the Sea [Exodus 15], to the poetry. Who could have written such a poem except someone who went through it? It is so full of life, so full of truth, of passion, of concern. And the thousands and thousands of commentaries in the Talmudic tradition that have been written on it. It had to have happened. But even if not, I would attribute the same beauty to the text as I do now.

This position will not be disputed so long as it is admitted that the desire of reward is one of the strongest incentives of human conduct, or that the best security for the fidelity of mankind is to make their interest coincide with their duty. Even the love of fame, the ruling passion of the noblest minds... would on the contrary deter him from the undertaking, when he foresaw that he must quit the scene before he could accomplish the work.

Isn't it grand, isn't it good, that language has only one word for everything we associate with love - from utter sanctity to the most fleshly lust? The result is perfect clarity in ambiguity, for love cannot be disembodied even in its most sanctified forms, nor is it without sanctity even at its most fleshly. Love is always simply itself, both as a subtle affirmation of life and as the highest passion; love is our sympathy with organic life.

I didn't know what hate felt like, not the hate that comes after love. It's huge and desperate and it longs to be proved wrong. And every day it's proved right it grows a little more monstrous. If the love was passion, the hate will be obsession. A need to see the once-loved weak and cowed beneath pity. Disgust is close and dignity is far away. The hate is not only for the once loved, it's for yourself too; how could you ever have loved this?

According to which principle or hypothesis all the objections against the universality of Christ's death are easily solved; neither is it needful to recur to the ministry of angels, and those other miraculous means which they say God useth to manifest the doctrine and history of Christ's passion unto such, who, living in the places of the world where the outward preaching of the Gospel is unknown, have well improved the first and common grace.

What we are told of the inhabitants of Brazil, that they never die but of old age, is attributed to the tranquility and serenity of their climate; I rather attribute it to the tranquility and serenity of their souls, which are free from all passion, thought, or any absorbing and unpleasant labors. Those people spend their lives in an admirable simplicity and ignorance, without letters, without law, without king, without any manner of religion.

The great events of life often leave one unmoved; they pass out of consciousness, and, when thinks of them, become unreal. Even the scarlet flowers of passion seem to grow in the same meadow as the poppies of oblivion. We reject the burden of their memory, and have anodynes against them. But the little things, the things of no moment, remain with us. In some tiny ivory cell the brain stores the most delicate, and the most fleeting impressions.

Our world can be moved Godward only by leaders who have shared to a deep degree the heartbreak as He looks in compassion and love on the world. Until you sense the suffering tears in the heart of God, until you share to some extent our Saviors suffering passion in Gethsemane, until you come close enough to God to enable the Spirit to yearn within you with His infinite and unutterable yearnings, you are not prepared to minister about the cross.

I am not laughing, Dorian; at least I am not laughing at you. But you should not say the greatest romance of your life. You should say the first romance of your life. You will always be loved, and you will always be in love with love. A grande passion is the privilege of people who have nothing to do. That is the one use of the idle classes of a country. Don't be afraid. There are exquisite things in store for you. This is merely the beginning.

The total mental efficiency of a man is the resultant of the working together of all his faculties. He is too complex a being for any one of them to have the casting vote. If any one of them do have the casting vote, it is more likely to be the strength of his desire and passion, the strength of the interest he takes in what is proposed. Concentration, memory, reasoning power, inventiveness, excellence of the senses, all are subsidiary to this.

she was aware of his love - how could she not? She perceived it every time he looked at her. He was not demonstrative, but his ardour was all the more evident for the reins with which he restrained it, the mask of steel behind which he imprisoned it, his detached demeanour and deliberate gestures that, far from parading a lack of interest, displayed the strength of his self-discipline, that he could so tightly curb the intensity of his passion.

Make choices that are loving for yourself - with your diet, your relationships, and in speaking your loving truth - that are in alignment with what you want to be doing. When you see that in a person, you are seeing their passion and fulfillment, and that person feels good to you because they feel good to themselves. I know that I feel good and I think that comes across on stage; when I didn't feel good before, I think that came across on stage.

A new breed of ministers is rising up who will not wear out for the gospel. They are so caught up in passion, unity, and fullness that they run out and say, “World, here I come!” If they go into places where they get shot at, they are thrilled. If they do not get shot at, they are thrilled. If the place they go is filthy, they are thrilled. If it is clean, they are thrilled. Jesus is the joy set before them. He is their exceedingly great reward.

We''re all misfits here,” he says, almost proudly. “That's why I started this squat, after all. For people like us, who don't fit in anywhere else. Halfies and homos and hopeless romantics, the outcast and outrageous and terminally weird. That's where art comes from, Jimmy, my friend. From our weirdnesses and our differences, from our manic fixations, our obsessions, our passions. From all those wild and wacky things that make each of us unique.

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