There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea.

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.

There's been a lot of Catholic parody - 'Nunsense,' 'Sister Mary Ignatius' - I think they've almost been done to death, actually.

Anybody who does not evolve can become a self-parody. I have to evolve on a daily basis just to keep my own interest in what I do.

With parody, you're referencing and sending up a particular genre, and mostly your material is going to be taken out of that genre.

It is clear that the world is purely parodic, that each thing seen is the parody of another, or is the same thing in a deceptive form.

I think there's always a line between what is parody in good fun in chanting and what is intended to belittle certain segments of society.

The most serious parody I have ever heard was this: In the beginning was nonsense, and the nonsense was with God, and the nonsense was God.

The first novel I wrote, 'The White House Mess,' was a comic novel. It came out in 1986. It was a parody in the form of a White House memoir.

'SNL' has always been known for its ability to skewer politics, and the circus that was Palin's bid to be Vice President was ripe for parody.

Either I'm in the studio creating something, or I'm on stage doing some stand-up somewhere... or I'm creating a parody video flexing my pecs.

After something has run its course, you either become a parody and keep doing it, or tear it down and know the truth about it, warts and all.

Any good parody takes a grain of truth and exaggerates it for the big screen. People ask me if I'm offended at all and I say not in the least.

University characters are prime for parody, you know - the self-entitled rich kids to the self-important protestors to the international students.

How do you be a 45-year-old man in a rock band, do it well, keep your dignity and not become a parody of yourself? I don't think it will be simple.

We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

I was very involved in political satire, and I'd been writing parody for 'Mad' and 'National Lampoon,' so I made up some strange story about Gerald Ford.

Drag is pastiche and parody and satire. Drag queens are never meant to be stars. We make fun of stars. Drag queens are the people that 'point' at the star.

Yeah I love 'The Witches of Eastwick,' it's a classic, it's hilarious, I did a parody play in San Francisco and New York with Peaches Christ and Coco Peru.

There's a side that I want to do just like really retarded arty films like parody, pretentious art films that kind of are supposed to have some deep meaning.

I think to simply make fun of something isn't particularly interesting. I try to not just do a parody of something or belittle something or disparage something.

So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.

Literary theory has become a parody of science, generating its own arcane jargon. In the process, tragically, it discourages love of literature for its own sake.

We have to do a film parody for Comic Relief. We can't decide which film to parody at the moment. Any ideas welcome, but not Spiderman owing to costume being too tight.

Sometimes I think that a parody of democracy could be more dangerous than a blatant dictatorship, because that gives people an opportunity to avoid doing anything about it.

At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute.

By the very nature of satire or parody, you have to love and respect your target and respect it enough to understand every aspect of it, so you can more effectively make fun of it.

I don't think 'Freak Dance' is a parody; it's more reference than anything. People don't think of 'The Rocky Horror Picture Show' as a 'Frankenstein' parody. It's kind of like that.

Even if you haven't seen 'The Seventh Seal,' you've seen it. The influence is so vast and insidious, every image of a black-robed, white-faced Death is a rip or parody of 'The Seventh Seal.'

Memories of the last nine years have turned Ground Zero from a site of horror, to a reminder of grief, to an occasion for ludicrous artistic posturing - and now to something very close to parody.

I think a law clerk told me about this tumblr and also explained to me what Notorious RBG was a parody on. And now my grandchildren love it, and I try to keep abreast of the latest that's on the tumblr.

My first big gig was as a correspondent on Comedy Central's 'The Daily Show.' My job was to parody TV reporters and political pundits. As a result, I was often invited onto cable news shows as comic relief.

A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.

For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness.

I love being Courtney, but it almost feels like something different to drag for me - it's a part of me, it's not a parody, it's a form of expression for me, a way to give my feminine and masculine sides an outlet.

I am no friend of the modern so-called 'black metal' culture. It is a tasteless, lowbrow parody of Norwegian black metal circa 1991-92, and if it was up to me, it would meet its dishonorable end as soon as possible.

I parody myself every chance I get. I try to make fun of myself and let people know that I'm a human being, and these things that have happened to me are real. I'm not just some cartoon who exists and suddenly doesn't exist.

We live in an age that's very suspicious of preachy political rhetoric, which means that there's room for art that approaches these issues from the side - as satire, as parody, or as a kind of outlandish speculative proposition.

It is old age, rather than death, that is to be contrasted with life. Old age is life's parody, whereas death transforms life into a destiny: in a way it preserves it by giving it the absolute dimension. Death does away with time.

Or the Department of Education and another ministry were worried about duplication of effort, so what did they do? They set up two committees to look into duplication and neither knew what the other was up to. It really is a world beyond parody.

For all of my class projects, I somehow turned it into a commercial parody or put on plays. My whole thing was seeing things from a big picture, from beginning to middle to end: making a costume, doing voices, writing a script, making it all happen.

Everyone needs an escape, whether that is through music or humor. My personal escape is through both of those things so I thought why not combine them? But not in a cringe way, I don't want to make parody songs. I just want my music to have a humorous edge to it.

The sentimentality that people see and hear in my commentary and sometimes ridicule, parody or just don't like - that's okay. We're all wired differently. I think about that a lot. I can't explain it. That's just what runs through my blood. It's just the way I look at the world.

When I was young and it was someone's birthday, I didn't have the money to buy nice presents so I would take my mom's camera and make a movie parody for whoever's birthday it was. When I'd show it them, they'd die laughing. That reaction was a high for me, and I loved that feeling.

Somebody once said that my look was like if Aileen Wuornos got acquitted and got a book deal. And I was like, 'That's wrong, but it's really funny.' And I've always thought that she was kind of like a gold mine for parody because there's all these things that went wrong in her life.

The late 80s was quite a difficult time for me as an artist because I'd almost become a parody of myself. All people wanted was pink hair and for me to sing 'I Want to Be Free.' There's nothing wrong with either of those but people need to see you as a person for you to be an artist.

The first acting thing I ever did was my senior year I decided not to play a sport in the Spring and, in that Spring B.J. Novak who went to school with me, asked if I'd be in this show that was a parody of all the teachers in the school, 'sure!' That was the first acting thing I did.

My theater professor once said to me 'Leslie, you are capable of genuine artistry but you're the laziest actor I know. And yes, you can make people laugh, but you're going to become a parody of yourself and end up in Hollywood if you're not careful.' And he's right, I did all of that.

The Supreme Court has crafted doctrines such as 'fair use,' which permits copying materials for criticism, parody, and transformative uses, and has ruled that abstract ideas are not subject to copyright, because courts will not punish people for merely using an abstract concept in speech.

I think there are barriers, but I think for me specifically, my barrier is being rejected from the kind of hip-hop elitists that think I'm not appropriating it, but just not serious about it. They think I'm a Lonely Island, Weird Al, you know - like a parody rapper. So that alienates me from a lot of things.

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