Park Quotes - Page 16

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I grew up in a quiet suburb in South Texas, and loved the in-your-faceness of the East Village. In the early days, when I was still unemployed, I'd lie on a bench in Tompkins Square Park perusing the listings in the 'Village Voice' for a place to live.

We slept in the park before we had a house, and eventually we shared a home - my parents, my grandparents and five uncles, my family, all of us - on White Oaks Street by Magnolia Street near the railroad. Those were hard times, but I loved living there.

I think you're always fighting a losing battle when you're Scottish and I don't think that's right. I think the way that people look at Scottish football is wrong, but at the same time, we have to start proving it on the park and start showing it again.

Baseball is a movable conversation across nine innings. It is eye contact with the person seated next to you in a park where the pitcher is separated from the batter by 60 feet, six inches or in a family room where a 60-inch TV screen hangs on the wall.

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

I tried to do a puppet show on the streets, and I wasn't a very good street performer. But I found that I could stand in one place in Central Park and bounce a soap bubble on my arm, and I didn't have to gather a crowd for the puppet show. I had a crowd.

My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight.

I always loved asking everybody when I arrived in England, from the drivers who picked me up to the people at the hotel to people I met when I was walking in the park, almost everyone at some point would say, 'Everyone loves Ant & Dec!' From eight to 80.

It means a lot to be back in New York. Particularly since one of the last senior event scheduled in the States was supposed to be here in New York. We were supposed to play in Central Park right after 9-11 and when 9-11 happened obviously things changed.

In the 70s and 80s, Dad was 'the most hated politician in Britain'. When I started at Holland Park school, the papers turned up and there was a photograph of me published - skinny me in white shorts lining up with lots of other kids for PE. And I was 10.

For me, I feel like God is intuition and an inner knowing. I think it's difficult to be successful without that because that's where you have to come from if you're really going to knock it out of the park. For me, it's more a sort of a universal energy.

The 1980s will seem like a walk in the park when compared to new global challenges, where annual productivity increases of 6% may not be enough. A combination of software, brains, and running harder will be needed to bring that percentage up to 8% or 9%.

Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write 'War and Peace' in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.

At first, I was playing in front of 10 people in a park, then 1,000, then 10,000, then 80,000 and you are on television. I have done it step by step, so it is not a problem. There is no lack of confidence to be on the field, in front of many, many people.

By 1968, I had lived 10 years in Michigan. Gradually, I had come to love watching Detroit's baseball club in its small, beautiful, antiquated Tiger Stadium - a baseball park as fine as Fenway Park or Wrigley Field, though it never got the adulatory press.

Park women, properly so called, are those degraded creatures, utterly lost to all sense of shame, who wander about the paths most frequented after nightfall in the Parks, and consent to any species of humiliation for the sake of acquiring a few shillings.

In an industry still dominated by men, working with a female director on an episode written by a woman, helmed by a female showrunner, all while doing scenes with your screen sister is like getting to see the big five at the wild animal park. It's awesome.

I was an amusement and water park fiend as a kid growing up. I loved them. My brothers and I would go whenever we could. We liked all the super steep/fast slides and flumes where you would get completely soaked. Our absolute favorite was the tubes, though.

I lived in New York City for a while and miss it like it's a person. Although I grew up in the Pacific Northwest, I'm a New Yorker at heart. A stroll through Central Park, a visit to the MET, a show on Broadway. There is no other city like it in the world!

Due to broken windows policing, the following interactions can lead to tickets, arrests and summonses, warrants if tickets go unpaid and, in some cases, violence: jaywalking, sleeping on a park bench, spitting, putting your feet up on the subway, and more.

Whether you are a low-income elderly woman living at the end of a dirt road in Vermont or a wealthy CEO living on Park Avenue, you get your mail six days a week. And you pay for this service at a cost far less than anywhere else in the industrialized world.

Going back to my playing days, I was at Cambridge United for a couple of seasons, and, of course, Newmarket is just down the road. On my days off, I would go to Newmarket quite often, park up by the gallops, and watch the horses work. It was something else.

In April 2001, I visited Big Bone Lick State Park in Kentucky. The heaps of mastodon and other large skeletons that used to loom out of the brackish backwaters along the Ohio River here are long gone, though the occasional big bone sometimes comes to light.

From the start, I used a different kind of girl in Nars campaign images. My choice to use models of colour such as Alek Wek, Naomi Campbell and Karen Park Goude was absolutely a deliberate one. I felt that makeup was universal and should apply to everybody.

Saving the world via medical research or going off to Gobi Desert to dust off dinosaur eggs is what I thought I might be doing when I was a kid, and I'd love to bring those interests to a show like 'E.R.' or 'The West Wing,' or a movie like 'Jurassic Park.'

There's no real downside to any sort of work that I do. I'm all so grateful for it, but I wouldn't say that animated work is just a walk in the park. It is easy, it's really fun, but I don't know why I really stress myself out every time I'm about to go in.

Blacks commit murder eight times more per capita than any other group in our society. If I had put all of my police officers on Park Avenue and none in Harlem, thousands and thousands more blacks would've been killed during the eight years that I was mayor.

People have been saying life will change for us now but me? No chance. I may be a World Cup winner but I will always be the lad who played cricket with his friends and cousins in the park on Stoney Lane in south Birmingham using an old milk crate for stumps.

I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.

My mum had four kids on her own, so if I had one kid with one nanny and not a full-time job, it would be a joke. And I think the impossible happens when you leave your kids. I've seen so many nannies in the park on their phones, and the kids are running off.

People don't understand how much influence they can actually have on a writer, how much a writer's feelings can be hurt, how much they can deflect his course when they raise their voices like they did over highly personal books like 'Panama' or 'Bullet Park.'

At the Jets training facility in Florham Park, N.J., we have strength and conditioning staff but also a nutritionist, Glen Tobias, who helps to whip everyone into shape. There is a heavy emphasis on grass-fed meat and on foods that aren't genetically modified.

I started driving when I was really young, at the age of 15-16. It just came naturally to me because I learnt it on my own by observing others. Of course, I was never allowed to drive until I was 18, but I would park my parents' car at every given opportunity.

If you're gay and you can't hold hands, or you're black and you can't catch a taxi, or you're a woman and you can't go into the park, you are aware there's a menace. That's costly on a psychic level. The world should be striving to make all its members secure.

Every summer in my old area, Bow, these kids from across the road used to bring out quad bikes in the park. They let me have a go, and I don't know what was wrong with me, but I drove straight into a gate and fractured my big toe. I had this mad limp for ages.

It's been a fascinating thing because we didn't really know how to write when we started South Park at all. It's been like, we've just sort of grown up a bit and it's amazing to just see how, if you take Butters and Cartman and put them in any scene, it works.

I cannot pick one single forest to be a favourite, but I am in love with the Indian jungles - be it Madhumalai and Kabini in South India or Tadoba and Pench National Park in Maharashtra. The wildlife in Satpura and Corbett National Park can't be missed, either.

As long as I can remember, I had a strong interest in fishing, and my parents, even though they had never fished or camped, took us on canoe camping trips in the wilderness of Quetico Provincial Park in Ontario, Canada, where I could fish to my heart's content.

Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.

Although biodiversity loss continues globally, many countries are significantly slowing the rate of loss by shoring up protected natural areas and the services they provide, and in expanding national park systems with tighter management and more secure funding.

My family's business was actually an amusement park in New Orleans. My grandfather had started that, and my grandmother was a dance maven in New Orleans. It was just the theatricality and the Mardi Gras and the pageantry that I fell in love with at an early age.

Genre expectations can kill creativity. If you do something different, it will get hated. The best filmmakers can do everything on the approval list and knock it out of the park. For me, I have a hard time being creative when I have to color in between the lines.

My idea of an amusement park story is getting adventurers to go tour environmental disaster areas. After all, if the entire Great Barrier Reef gets killed, which seems like an extremely lively possibility, what are you going to do with all that rotting limestone?

When you're on TV, you're looking at a half-page of material, trying to memorize it really quickly. By the time it's on TV, I've already forgotten what I said, but I can still recite my whole role from Shakespeare in the Park. It works a different set of muscles.

I wrote a book of essays about New York called 'The Colossus of New York,' but it's not about - you know, when I'm writing about rush hour or Central Park, it's not a black Central Park, it's just Central Park, and it's not a black rush hour, it's just rush hour.

You were not wanted. You were, at best, tolerated. You had to be constantly on your guard, like an animal in a jungle full of beasts of prey. You experienced it all within the short distance of five miles from the gates of St. Peter's to Park Station in the city.

'Jurassic Park' and 'Star Wars' shoved me into loving sci-fi and film in general when I was a barely coherent 3-year-old. And 'Lord of the Rings' took me to another planet entirely. Before that series, I knew I loved writing, but after, I knew that I had to write.

It's funny because 'The Book of Mormon' is 'The Book of Mormon' now. When I was doing it at the very beginning, and I was a part of it for four years and always believed in it, I never really knew if it was going to be more than a convention for 'South Park' fans.

No, writing musicals is the hardest thing in the world. And it was really funny, because I remember when the South Park movie came out, there were some critics that said, 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'

I make appearance at local park and recreation agencies when the program starts, when they have the qualifying meets at the local levels. Then I try to go to the regional competitions, and of course I'm there in Hershey, Pa., in August for the North American final.

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