Quotes of All Topics . Occasions . Authors
The HoLee model was the first term structure model. I remember reading their paper soon after it was published and as it was fairly different from many of the other papers that I had read, I had to read it quite a few times. I realized that it was a really important paper.
At the end of the day, if the guy is going to write the girl a letter, whether it's chicken scratch or scribble or looks like a doctor's note, if he takes the time to put pen to paper and not type something, there's something so incredibly romantic and beautiful about that.
I remember my mom let me stay up late and watch Tara Lipinski and Michelle Kwan compete in the 1998 Olympic Games. I made paper medals and wore them the whole night. I didn't start skating until 2000, but I was so inspired by their skating that it was why I wanted to start.
I must admit that outside the university, it is difficult to be a pure mathematician. No one in my family understands what I do. My neighbors wonder why I spend all my time in my study scribbling with pencil on a yellow pad of paper instead of going outside to mow the lawn.
One of the most jolting days of adulthood comes the first time you run out of toilet paper. Toilet paper, up until this point, always just existed. And now it's a finite resource, constantly in danger of extinction, that must be carefully tracked and monitored, like pandas?
When it comes to the separation of powers, the Constitution makes it look pretty simple: Congress makes the laws, the president enforces them and the judiciary adjudicates them. In reality, though, the lines between the branches are a little blurrier than they seem on paper.
Now if you look at the London 'Times,' you'll find that with quite a number of the photographs, you touch them, and they turn into videos. I think newspapers come alive that way. We talk about 'papers.' We should cut out the word 'paper,' you know? It's 'news organizations.'
It's extremely difficult to get these jobs because you can't get a job on a ship unless you have seaman's paper's, and you can't get seaman's papers unless you have a job on a ship. There had to be a way to break through the circle, and he was the one who arranged it for me.
I was born deaf. I was raised in a hearing world and in a deaf world at the same time. I can't say that I like one better than I like the other. I like them both. I speak pretty well; I gesture. If I don't understand something, you know, pen and paper, texting. I use it all.
In the back of my mind was the constant hankering, almost yearning, to write but something always stopped me in my tracks. Or if I did find my way to put a pen to paper or finger on a keyboard I'd give up after a few minutes. I'd find other things to do: Anything but writing.
I became inspired while I was listening to music on the radio. I felt the music in my head sounded better, so I turned off the radio and scribbled it down on a piece of paper. I remember that it was in May. People liked that song. They said it was beautiful. I felt overjoyed.
You may well ask how I expect to assert my privacy by resorting to the outrageous publicity of being one's actual self on paper. There's a possibility of it working if one chooses the terms, to wit: outshouting image-gimmick America through a quietly desperate search for self.
My greatest fear is feeling like a professional novelist. Somebody who creates characters, who sits down and has pieces of paper taped to the wall - what's going to happen in this scene, or this act. What I like is for it to be a much more scary, sloppy reflection of who I am.
When you handwrite something, you're writing your most raw, pure thoughts. If you want to change it, then you have to mark it out, and people can see you laboring over that thought. I think even the act of hand, pen, and paper is much more intimate than with a computer screen.
I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
'Lucky Man' I wrote when I was twelve years old. I wrote it when I first was given a guitar by my mother. I only knew four chords, but I used them all to write that song. And it just stayed with me, stayed in my head. I didn't even write it on a piece of paper. I remembered it.
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
I have ideas every day, and if I'm not carrying a pad of paper, I'm typing it into the notes thing on my iPhone, and it's just ridiculous - idle hands are the devil's plaything, and I can't be the devil's plaything. I got to be the devil; I got to be the guy making it all happen.
I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
There's this phase in the middle of the process where there's still the potential that this will be great, but it's not a blank sheet of paper anymore, and that phase is always my favorite part and the part that I tend to want to stretch out and spend as much time in as possible.
Already the pitch has been reached in Great Britain where it is considered bigoted or reactionary to do other than praise the Jews for their industry and ability. Few papers will risk any attack on the Jews, however well-founded, for fear of appearing even distantly anti-Semitic.
When we have laws that compartmentalize medical information, and when we have paper systems that compartmentalize medical information, you sometimes have a doctor who understands his specialty and is terrific on your kidneys, but he doesn't understand the totality of who you are.
I do not mourn the death of the printed letter in a snobby, East Coast, patrician way - 'Where have our manners gone?' - but because I love objects, I love paper, and I love something that I can hold to my chest for a moment. Still, I bear no grudge against the e-mail form itself.
I vividly remember my first 'Superman' comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper.
A typical medical practice is like an old-fashioned business which keeps all of its records on paper. It can probably track down any individual transaction if it needs to, but it's basically helpless when it comes to overall measurements of performance. And that's the big problem.
It's very difficult for me to look at politics with clear eyes. I'll read a story in the paper and the first thing that pops into my head is, what would my dad say about that? Then I try to break out of that and think, 'What would Said say about that,' and then it gets complicated.
My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
It seems that if you put people on paper and move them through time, you cannot help but talk about ethics, because the ethical realm exists nowhere if not here: in the consequences of human actions as they unfold in time, and the multiple interpretive possibility of those actions.
I always have my journal with me. It was handmade by a guy at the San Telmo market in Buenos Aires. If you go there he can make you one. It's leather and bronze and I'm able to replace the paper when it runs out. It has a lion on the cover that I say is there to protect my thoughts.
I didn't expect it to come so quickly. It's been hard to keep up with. There's been articles in the papers that say I've got too big for my boots but people who know me say I'm just the same. Things have changed in my life but I haven't, too many people would knock me down if I did.
My favorite song on the album is 'Paper Doll' because I think it's a message that a lot of people need to hear, and it's about something that a lot of people struggle with. But I don't victimize myself in the song and I don't allow the person who's trying to intimidate me get to me.
I can't predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer's life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.
Anybody who has had the pleasure of reading an article about themselves in the press knows that, on the whole, there is a huge amount of inaccuracy, value judgment and the use of a crowbar to insert editorial bias that reflects the current political leaning of that particular paper.
College is something I've always said I wanted to do, but you're going there to get a piece of paper that says you can get a job, but if I'm already working steadily and doing good work, it makes you question your priorities. Right now, I'm in my own film college: filming a TV show.
I've always loved acting, even from when I was a child. But when I got on stage, I realised I couldn't act my way out of a paper bag. I was wild and full of unharnessed energy, but I was around all these seasoned performers like Rita Cullis. It was as if they were all in slow motion.
The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
Normally, what I do for fun is just nothing. I try to just relax. Normally, it involves just relaxing and reading and maybe going out and meeting up with a friend. I live a very simple existence. I would much rather just sit around and listen to a couple of records and read the paper.
Speaking as a human being, not as a businessman - the unions are great. The unions are great for the working people because they protect you, but I didn't see them that way as a young man. First of all, the papers would connect them with thee communists - labor unions were communists.
When people start talking about venture capital and finances and how to create this and do that, a lot of it, I swear, it's like sitting in an escrow meeting when all you want to do is buy a house, and you're signing 50 pieces of paper, but you have no idea what they're talking about.
The business being thus closed . . . dined together and took a cordial leave of each other After which I returned to my lodgings, did some business with and received the papers from the secretary of the Convention, and retired to meditate on the momentous work which had been executed.
One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper.
Next time you open the paper, and you see an intellectual property decision, a telecoms decision, it's not about something small and technical. It is about the future of the freedom to be as social beings with each other, and the way information, knowledge and culture will be produced.
I started working myself from about 14, really, so I wasn't a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started.
I am not that attached to material things. And the good thing is I can make choices. I have very few possessions. Luckily, as a man you don't need much... a few papers, a couple of books, and a few shirts, jackets, sweaters. It fits in a little thing, in a paper bag, so it's very easy.
If you depend on a single industry, if you don't continuously upgrade it, if that industry is not producing real wealth, if it's simply shuffling paper from here to here in a very efficient manner sometimes, that's not enough and that's not where you begin to get the rest of your jobs.
I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.
'Minute to Win It' is a variation on a game show from the 1950s called 'Beat the Clock,' in which contestants won washing machines and fox stoles by doing such pointless stunts as catching a tennis ball in a paper cup or knocking a hat off one's wife's head with a whipped-cream spritzer.
I loved my job at the paper. I loved meeting new people every day and never knowing where I would end up. But somehow, the ever-shifting schedules of a police officer and a reporter did not equal 'family friendly.' One of us needed to take a normal job for the sake of our young daughter.
I kind of have a strange addiction to hair dryers. Like on the TV show, where they eat toilet paper or eat the wall or something - I'm addicted to hair dryers. Since I was 8 years old, I've used them to fall asleep. I love the white noise. I love the heat. It just puts me right to sleep.
I love real books, paper books, but I also love buying online, and I think that people are more willing to take a chance to read something if it's cheaper - sometimes books on the Kindle are $6. A hardback book is $25. For $25, it better be a really great book. Or you're going to be mad.