Quotes of All Topics . Occasions . Authors
Turner - whether on canvas or paper - can create almost measurable distances of space and air - air that you can draw, in which you can work out what the section through it would be. The space he creates is not emptiness; it is filled with 'solid' atmosphere.
A house isn't really understandable until it settles into the site: until it's built, furnished and lived in for four or five years. The reality is not on paper but in how a building sits on the land - how it relates to trees, to slopes, to water, to gardens.
The tools of the academic designer are a piece of paper and a pencil with an eraser. If a mistake is made, it can always be erased and changed. If the practical-reactor designer errs, he wears the mistake around his neck; it cannot be erased. Everyone sees it.
This is a career about images. It's celluloid; they last for ever. I'm a black woman from America. My people were slaves in America, and even though we're free on paper and in law, I'm not going to allow you to enslave me on film, in celluloid, for all to see.
You can write anything you want on paper, like blowing up the bridge on the River Kwai, but when you actually have to do that as a director, it's not the same. Ninety percent of directing is not creative - it's putting the theoretical into the practical world.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook.
In the marathon obstacle course of a career, it's just good to have all the stats on paper for why you're not only a team player but also why it makes sense to support you in the projects you want to do - because you've made so much damned money for the studio.
The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.
Franklin Roosevelt didn't poll, because he had great political instincts. Now we have polls; we don't need instincts. But is that a change in principle? Is it a change in principle that we use a Xerox instead of carbon paper? It's of the same order of magnitude.
I don't much enjoy travelling, but I have always longed to take a slow train to Russia. I'd like to go alone - like writers do - with only a pencil and piece of paper as company. I'd take my sketchbook and note down all the wonderful details of other travellers.
I've had a job since I was 11. I had a paper route, I worked at a video store, I was a toy doll at FAO Schwartz when I was in high school. And I think that it's made me really disciplined when it came to pursuing acting, because I had no clue how to go about it.
Each year, in my quaint efforts to send out paper holiday cards with personal messages, I probably discard one for every three I actually manage to put in the mail. The reason is that my handwriting is now less legible than it was when I was in the second grade.
If Helen of Troy could have been seen eating peppermints out of a paper bag, it is highly probable that her admirers would have been an entirely different class.It is the thing you are found doing while the horde looks on that you shall be loved for - or ignored.
The idea that man is a tabula rasa, or Mao's sheet of blank paper upon which the most beautiful characters can be written, is an old one with disastrous implications. I do not think though that the cults you mention could survive honest thought about human nature.
About 1998, when 'Wide World of Sports' and the 'Footy Show' came to an end for me, I couldn't type. When I started architecture, it was a very aesthetic, creative, an almost art process, where lettering and thick line were how you expressed yourself on the paper.
Gold and silver are always in demand, regardless of clime, century, or government in power. But public confidence in and, hence, demand for paper money depends on the ultimate confidence - or lack thereof - of the public in the viability of the issuing government.
My first job, 9 years old, part-time, was selling Christmas cards door-to-door. Ten years old, my brother and I had paper routes. We delivered a morning paper called the 'L.A. Examiner.' Get up at 4 o'clock, fold your papers, deliver them and get ready for school.
I once waited on Sean Connery. A long time ago. This was at the Caledonian Hotel in Edinburgh. They closed down the restaurant for him, and when he walked in with his morning paper, all the waitresses started squealing. He was a big guy, bigger than in the movies.
To a theoretical physicist, there is no greater joy than to see that this curious activity we call calculation - the depositing of ink on paper, followed by throwing away the paper and depositing new ink on more paper - can actually tell us something about reality.
I have been a journalist, off and on, since I was 17. I was a copy boy for the 'New York Times,' when it had an edition in Paris, in 1963. I sold the paper in the streets by day and tore wire copy off the tele-printer for the editors making up the edition by night.
I have a restaurant in Milan, and Paper Moon is five minutes away from my hotel, so I always go there for lunch. It's a casual place that serves good salad, pizza and pasta; the space is tight with tables close together, and it feels buzzy. Food comes out fast, too.
I write because writing is something that I have to do. And it doesn't matter whether people like it or not. When I write, I feel the pressure and anxiety that come with taking an empty piece of paper and trying to fill it with something from your own consciousness.
I'm very much in the trenches, and I don't live in the lap of luxury. I come from a working-class military family. We watch the news and read the paper and vote, so there's always something to be upset about. I always have a certain amount of angst in my back pocket.
If a scientist is reading a paper online and clicks through to purchase material, there's value there. It might be a business model; it might be enough to defray the cost of open access. I just want to create the infrastructure that makes movement and sharing easier.
I cry all the time. It's more like when didn't you cry. My friends are like, 'Oh God, she's sobbing again.' I cry if I'm happy, sad, normal... What really gets me is when I read a sad story about a child in the paper, especially at the moment with my hormones raging.
I think newspapers shouldn't try to compete directly with the Web, and should do what they can do better, which may be long-form journalism and using photos and art, and making connections with large-form graphics and really enhancing the tactile experience of paper.
In petrol stations on the motorways where people have left the place looking messy, I clear up each lavatory I happen to have occupied. When people drop paper on the ground, and everything like that, I pick it up, put it in the lavatory, and make that room look nice.
Since graduation, I have measured time in 4-by-5-inch pieces of paper, four days on the left and three on the right. Every social engagement, interview, reading, flight, doctor's appointment, birthday and dry-cleaning reminder has been handwritten between metal loops.
Human justice is very prolix, and yet at times quite mediocre; divine justice is more concise and needs no information from the prosecution, no legal papers, no interrogation of witnesses, but makes the guilty one his own informer and helps him with eternity's memory.
I can do much, I can do everything for a man who will be my friend. I can give him power; I can give him wealth. I can give him reputation - the power, the wealth, the reputation which come to a man who speaks to a million people a day in the columns of a great paper.
One of the first papers I wrote at the University of Wisconsin, in 1977, was on stem cells. I realized that if I changed the environment that these cells were in, I could turn the cells into bone, and if I changed the environment a bit more, they would form fat cells.
A good column is one that sells paper. It doesn't matter how beautifully it is written and how much you admire the author... if it doesn't sell any papers, it's not a good column. It's a terrible yardstick to use, but in the newspaper business, that's the whole thing.
I was teased if I brought my books home. I would take a paper bag to the library and put the books in the bag and bring them home. Not that I was that concerned about them teasing me - because I would hit them in a heartbeat. But I felt a little ashamed, having books.
Thought engenders thought. Place one idea on paper, another will follow it, and still another, until you have written a page; you cannot fathom your mind. There is a well of thought which has no bottom; the more you draw from it, the more clear and fruitful it will be.
Whatever they do, criminals and non-criminals act in particular ways. Some writers, for instance, use computers, others pen and paper. Some write in the morning, some at night. Each writer has a distinct style, with variations in grammar, sentence structure, and voice.
Experience taught me a few things. One is to listen to your gut, no matter how good something sounds on paper. The second is that you're generally better off sticking with what you know. And the third is that sometimes your best investments are the ones you don't make.
I had always been fascinated with Napoleon because he was a self-made emperor; Victor Hugo said, 'Napoleon's will to power,' and it was the title of my paper. And I submitted it to my teacher, and he didn't think I had written it. And he wanted me to explain it to him.
All I really want to do is things I haven't done. 'I'm gonna put a paper bag on my head and be on the cover of 'Billboard,' see what I can get away with - if they'll let me.' And they let me. And I am literally giggling inside for, like, a month that I got away with it.
And [Asimov]'ll sign anything, hardbacks, softbacks, other people's books, scraps of paper. Inevitably someone handed him a blank check on the occasion when I was there, and he signed that without as much as a waver to his smile — except that he signed: 'Harlan Ellison.
The trifling economy of paper, as a cheaper medium, or its convenience for transmission, weighs nothing in opposition to the advantages of the precious metals it is liable to be abused, has been, is, and forever will be abused, in every country in which it is permitted.
In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool. On paper, though, it's all stripped back. The musical idea is the one that wins.
In the Pentagon Papers case, the government asserted in the Supreme Court that the publication of the material was a threat to national security. It turned out it was not a threat to U.S. security. But even if it had been, that doesn't mean that it couldn't be published.
It's not a deliberate thing. It's not like I was rejecting the UK, which is what the papers said. It's just that when you spend a lot of time in your formative years around an accent, you're going to pick it up. I had been living in LA for a bit and that's what happened.
There's a reason that students don't grade their own papers. There's a reason defendants don't sentence themselves. And there's the reason the State Department doesn't get to investigate itself, determine whether or not it made errors in Benghazi. That is Congress's job.
I saw a few lines from a few, there were hundreds of them, all [Adolf Hitler] letters and [Eva Braun] replies written on carbon paper. I just saw that her letters to him were lengthy, his were much shorter. I wouldn't intrude on their privacy and I had given her my word.
My siblings and I had to earn our own pocket money so from the age of about 10 I had a job. I did a paper round, helped with the farmer's delivery at the weekend, cut hedges for neighbours and worked on a market stall. Then I'd go and buy a record with my hard-won money.
I have had every hair color. I joke with my hair colorist. She keeps sheets of paper on every hair color that I've had, so she has records of it all. She's done my hair since I was 15, and I guess I have a thick folder going because I've had so many different hair colors.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
Writing for children isn't easy. Kids will abandon a story that doesn't interest, enchant, delight, thrill, or terrify them. But when you can find a way into a young reader's imagination through something as simple as words on paper, well, there's nothing more satisfying.