The Convention probably foresaw what it has been a principal aim of these papers to inculcate that the danger which most threatens our political welfare is, that the state governments will finally sap the foundations of the Union.

Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.

When you finally find the courage to admit you have a problem, that's when you have some power over it. That's the first step. Otherwise you're just withering away, you're like a burning piece of paper getting smaller and smaller.

So, the point was to be able to have a medium that would record all the connections and all the structures and all the thoughts that paper could not. Since the computer could hold any structure in any form, this was the way to go.

Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.

New taxes are so unpopular that most 'social' handout schemes are originally enacted without enough increased taxation to pay for them. The result is chronic government deficits, paid for by the issuance of additional paper money.

I think it would be cool if you were writing a ransom note on your computer, if the paper clip popped up and said, 'Looks like you're writing a ransom note. Need help? You should use more forceful language, you'll get more money.'

Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.

E-books present the greatest opportunity readers have ever had to find each other. It's a chance for stories written for paper to find new life and a chance for new stories to appear, freed from the constraints of paper publishing.

The way my brain processes information is quite odd. I mean, I have Attention Deficit Disorder and another learning disability I can't even spell. I don't even have a high school diploma. I'm smart, but you can't prove it on paper.

The only reason we don't notice how absolutely interwoven our thinking processes have become with older technologies - pencils, paper, electric light, penicillin, fire - is that they're old, so we've ceased to notice their effects.

I had tried painting, mostly to give myself a greater appreciation of the craft and to inform how I looked at paintings. That led to collaging some of the work I had done on paper, and I found myself mixing in found pieces as well.

Every medium has its advantages and weaknesses and there are many things I can put down on paper that I might not be able to put into film or into a stage performance. In each form, one can communicate powerfully in different ways.

I make a good living selling hardback books through paper publishers, and I have many friends in the industry who will suffer as it changes, so on a personal level, the transition to digital isn't something I welcome wholeheartedly.

I found one remaining box of comics which I had saved. When I opened it up and that smell came pouring out, that old paper smell, I was struck by a rush of memories, a sense of my childhood self that seemed to be contained in there.

If I lose the light of the sun, I will write by candlelight, moonlight, no light, If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you.

In the nature of things, a person engaged in the flimsy business of expressing himself on paper is dependent on the large general privilege of being heard. Any intimation that this privilege may be revoked throws a writer into panic.

Mischief springs from the power which the moneyed interest derives from a paper currency which they are able to control, from the multitude of corporations with exclusive privileges... which are employed altogether for their benefit.

The living Church of the redeemed is his book. He founded a religion of the living spirit, not of a written code, like the Mosaic law. Yet his words and deeds are recorded by as honest and reliable witnesses as ever put pen to paper.

You control your future, your destiny. What you think about comes about. By recording your dreams and goals on paper, you set in motion the process of becoming the person you most want to be. Put your future in good hands - your own.

The kind of true-life writing that is fun to read - that makes an ally of the reader - is the kind that you are so nervous about putting down on paper that you lock the Word file with a secret password and encrypt it - and all of it.

We need to create a level regulatory playing field. It makes no sense for Internet giants like Google, Facebook, and Twitter to be allowed to buy newspapers while a small AM radio station is prohibited from purchasing its local paper.

The buyer is entitled to a bargain. The seller is entitled to a profit. So there is a fine margin in between where the price is right. I have found this to be true to this day whether dealing in paper hats, winter underwear or hotels.

As a consequence, progress has come to mean simply more power, more profit, more productivity, more paper prosperity, all of which are convertible into standards concerned only with size or magnitude rather than quality or excellence.

The 'size' of science has doubled steadily every 15 years. In a century this means a factor of 100. For every single scientific paper or for every single scientist in 1670, there were 100 in 1770, 10,000 in 1870 and 1,000,000 in 1970.

I get like a melody that comes up and I try to write it down or record it. Hum it into a tape recorder or write it down on some manuscript paper. It could happen at any time, on the road or off the road, but mostly, you know, at home.

A lot of progressives really believe that if we can turn out one more white paper with bullet points about how to fix Problem X, we can fix it. But that's not primarily the way you reach people or move them. You reach the heart first.

Free press is not absolute. In this country, we say clearly if you start stirring up racial hatred, then we will put a stop to it. We might even close down your paper, because these things can only lead to a lot of riots and bloodshed.

Yes, we have prototyped cars that can drive by themselves, but without smart vision, they cannot really tell the difference between a crumpled paper bag on the road, which can be run over, and a rock that size, which should be avoided.

Commit to paper precisely what you would like to have appear in your physical life. By seeing it and reading it repeatedly, you will plant that thought more firmly in your mind and you will begin to manifest that which you are imaging.

Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.

It feels like an easy sum to gauge the balance between forests and, say, the proliferating free newspapers that litter our public transport. This noxious combination of words and paper represents a clear-cut crime against the biosphere.

Writing on a computer makes saving what's been written too easy. Pretentious lead sentences are kept, not tossed. Instead of sitting surrounded by crumpled paper, the computerized writer has his mistakes neatly stored in digital memory.

I think sometimes when trades are made the beginning of the season on paper, they look great. It just takes time. Sometimes the process by the media or outside influences or sources want it to be now. Sometimes it doesn't work that way.

It's like the code of living by yourself. People who are single know what I'm talking about. You eat standing up, reading the paper. Or you say to yourself, this isn't even cutting it, I'm taking a TV dinner and I'm getting in bed here.

I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece.

Sunday is a likely day to write a poem. Because poetry is a piece of language flying around: you'll find notebooks, something on your phone. It's about finding them and getting them off that crumpled piece of paper and onto my computer.

Here's the thing - you can't be careful about what you pick because what looks like on paper is going to be a great script has often turned out to be a disaster, so there's no way to know what's going to work or to pick the right thing.

'Two Voices,' from my album with Peter Schwalm, is an intact dream-poem. I awoke one night with an image of a piece of paper and all the words of the poem written on it, so I just blundered down to the kitchen table and 'copied it out.'

One false word, one extra word, and somebody's thinking about how they have to buy paper towels at the store. Brevity is very important. If you're going to be longwinded, it should be for a purpose. Not just because you like your words.

I find that people can pass me on the street who've just seen my picture in the paper and they wouldn't recognize me. If they'd seen me on television, the heads turn. They say, "Wait a minute. I don't know who that is, but he's somebody.

I kid my friends who are golfers, and I say, 'If you ever hear me complain, hit me in the butt with a putter' because I have no reason to complain. Even on days when you don't like what you see in the paper, I have no reason to complain.

I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.

If someone says something unpleasant, I can't say it doesn't smart a bit. It always does. Someone can take a really nasty swipe if they want because it kind of feels powerful for a person to write in a paper and get that thing out there.

I don't believe in writer's block. Think about it - when you were blocked in college and had to write a paper, didn't it always manage to fix itself the night before the paper was due? Writer's block is having too much time on your hands.

Baseball, boxing, handball - sooner or later every game gets compared to narrative, but only in football are the plays perfectly linear, drawn up with letters, and only in football is the field itself lined like a sheet of notebook paper.

I write my novels longhand. I love the feeling of writing; I love to see pen on paper. It feels more creative than typing, and it's a more visual process for me - I can picture the entire scene in my head and am merely writing what I see.

Maybe it stems from my newspaper-reporting days, but I took notes the whole time - getting the call, how I felt. As soon as I put pen to paper, it became a story [Hunger Heart], not something happening to me but something I was recording.

I don't want to sound like Catherine Cookson but I've worked since I was eight, with a paper round and in a fruit and veg shop. Taking a pay cut won't demotivate me, not at all. It's not about money in the first place. It's about the job.

The most difficult thing is the decision to act, the rest is merely tenacity. The fears are paper tigers. You can do anything you decide to do. You can act to change and control your life; and the procedure, the process is its own reward.

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