Quotes of All Topics . Occasions . Authors
One of the biggest changes that ever occurred in my life was going from the isolation of working part-time as a house painter in Henderson County, to Cornell, where everybody was a literary person.
With a painter or a sculptor, one cannot begin to alter his works, but an architect has to put up with anything, because he makes utility objects - the building is there to be used, and times change.
I love art. My sister is an artist and my mother is a painter, so it is very much in the family. I haven't ever wanted to be a fine artist myself - my sister robbed me of my artistic talent, I think.
You haven't time to think about the composition. In working directly from nature, the painter ends up by simply aiming at an effect, and not composing the picture at all; and he soon becomes monotonous.
I was supporting myself, but nothing like the guy painters, as I refer to them. I always resented that actually.. we were all getting the same amount of press, but they were going gangbusters with sales.
I don't consider myself as a great painter; I just feel that art is about expressing your emotions and expressing your feelings, and music is the same way; you can see what other people are going through.
It isn't up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them.
I get a lot of people that say, 'You know what, I heard that you're a painter, and I thought, 'Oh, another model who is saying she's an artist.' They assumed it was going to be a few splashes on a canvas.
From the age of six I wanted to be an artist. At that point I meant a painter, but it turned out what I really meant was I was someone who was very interested in watching the world and making copies of it.
Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
To make money, I did portraits . The truth is so bizarre! I'm kind of embarrassed. I was like a 19th-century pirate painter. I'd say, 'Your mom would love a painting of you!' A salesman! I'd hawk paintings.
I'm inspired by artists who use a limited palette, like painter Piet Mondrian, and the White Stripes, two musicians who create an incredible sound. Our food is starting to go back to a 'less is more' style.
As the beauty of the picture depends not on the painter but on the picture itself, what I say must depend on its own intrinsic value and not on the authority of my attainment, nor on the authority of others.
I realized early on that if I became an actor, I could play a writer and a sculptor and a painter and be all the things you just don't have time to be in your lifetime. I could get to learn about all of them.
I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
My parents divorced. There was the usual awkward business of going between them, but I was mostly with my mother. She remarried to a Greek painter Nico Ghika, so we were always around artists and intellectuals.
The term 'renaissance man' is always bandied about. I don't think that applies to me. You think about Leonardo da Vinci, and he was a painter and a physicist and an architect, and that is a true renaissance man.
Art has been good for my soul. And it's been good for my brain. I think I'm a better painter now than I was a musician growing up. You struggle to see things and translate an image through your hands to a canvas.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
I never knew what my role in art was, because I was such a deep appreciator and such a passionate appreciator. But every time I would try to sit down and be an illustrator or painter, it was just not my best use.
In 'Shadow Tag,' Erdrich creates scenes from a fictional marriage, that of two American Indians, Irene and her painter husband Gil, that suggest some of the worst psychological torments and stresses of real life.
If the newspapers cut me up so much that I shall not venture before the world again, I have resolved to become a house painter; that would be as easy as anything else, and I should, at any rate, still be an artist!
I didn't think much about Marsden Hartley until very recently, but Gertrude Stein found him to be the best American painter in Europe at the time she was alive. I consider my tributes to him my most important works.
One of the big surprises for me about Einstein was... that he wasn't this big introvert; he was more like a novelist or a painter. It's amazing how close society came to not benefiting from Albert Einstein's genius.
If I was a painter, I would have hundreds of finished and unfinished canvases in my studio waiting for people to see, and it is the same with my music. I've got so many pieces of music and songs waiting to be heard.
When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.
I've had times where I've joked, like, 'I'm going to move to Vermont and become a painter.' And sometimes that joke felt like, 'Oh that's a good idea.' But it was only, like, a daydream for a moment to, like, escape.
If you grow up saying, 'I want to be a lawyer,' everyone says, 'Let's give her everything she needs to be a lawyer.' But if you say 'I want to be an artist or a dancer or a painter,' it's, 'Oh, she'll grow out of it.'
To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul, to give it its final blow the coup de grace for the painter as well as for the picture.
Drew Brees, Kyle Orton, Curtis Painter - the recent legacy of quarterbacks at Purdue speaks for itself. I think it's 'Quarterback U.' The facilities are just beautiful. I didn't expect them to be as great as they were.
I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.
My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.
I have heard painters acknowledge, though in that acknowledgment no degradation of themselves was intended, that they could do better without nature than with her; or as they express themselves, 'that it only put them out.
Art was a way of life in my family. My grandfather, N.C. Wyeth, who died a year before I was born, had been a prominent painter. So was my father, Andrew. My two aunts and two of my uncles also earned a living as painters.
I'm quite a precious painter; my style is a messy fine art - sort of impressionist. I do portraits, I love painting other artists, but recently, I've been playing around with self portraits, putting on different characters.
There were no museums or galleries in Shanghai, but I was very keen on art - I was always sketching and copying, and sometimes I think that my whole career as a writer has been the substitute work of an unfulfilled painter.
I wanted to study painting and become a painter, but I had a huge flip-over in my life when I was about 18 or 19. I was part of a criminal environment; I got arrested and convicted, and I had to start thinking in a new way.
I grew up in such a musical family, and my dad was the first chair in the Johannesburg Symphony Orchestra, and my mom was a piano teacher and a painter, so it was kind of a creative environment, and it was kind of in my DNA.
In traditional Asian arts, the word and the picture always sit next to each other. I have an aunt, a Chinese brush painter, who told me that when you do a Chinese brush painting, you have to pair the image up with some poetry.
The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter.
You've got a movie where the pro-choice family gives their daughter no choice. The pro-life family murders. What seems to be the good mother, the kind of hippie painter, sweet and cute mother has no love for her daughter really.
A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.
I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's support. They were a bit pissed when I went into photography. They thought photographers were guys who took pictures at weddings.
In a perfect world, I would be a painter. I love working with my hands. I don't get to do it as much as I like, but I am finding a way to make more time as life goes on because it's a really great outlet for me to express myself.
I feel like I've cheated. I never knew what to do. I was never a good enough painter to earn a living, and so I drifted into the theatre, and I've had a successful life. I feel guilty that I've never done a day's work in my life!
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
One of my biggest Disney influences in terms of world-building on this record was a background painter named Eyvind Earle, who was working in the '50s. He would make hyper-modern shapes that were sharp retellings of pastoral themes.
Louise Bonnet is a Los Angeles-based painter of round, fleshy, almost obscene shapes and people. But hers is a very clean, friendly cartoon world, so there's this tension between harmlessness and perversion that is totally unsettling.
I have a theory that most people disagree with. I really feel that acting for film and acting for the stage are two different crafts. I think that they share things in common. But I liken it to a painter switching over to photography.