When I am on a long run in a play, I'm not sure how I would fill the days if I did not paint or write. On a basic level, it just stops me going crazy.

David Hockney is best known for his work with paint and canvas, but he has also worked in media as diverse as Polaroid-photo collage and fax painting.

I like doing arts and crafts, so I would probably go to one of those fun little ceramic places and go paint some plates and do something fun like that.

Artists are never wrong when they paint revolution with the beautiful dress and with the sword. On the horse or by foot. Because revolution is a woman.

Getting to share a project with Anthony Hopkins is incredible. It's like watching Da Vinci paint or something - you're reminded why you do what you do.

Why are young adults so self-centered and always seeking instant gratification? Because older adults, often in positions of power, paint them that way.

The thing is, when you paint somebody in all of their colors, they're never all bad or all good. Even the worst person has humanity in there somewhere.

I think mid-range shooters are hard to get to a lot of times. Guys are going at you all the way to the paint or looking to swat it at the 3-point line.

Not everyone can write a book or paint a picture or write a symphony, but almost anyone can fall in love. There is something almost miraculous in that.

Today we are searching for things in nature that are hidden behind the veil of appearance... We look for and paint this inner, spiritual side of nature.

In my experience a painting is not made with colors and paint at all. I don't know what a painting is; who knows what sets off even the desire to paint?

If what you want to paint is the emotive mood in all its strength... then you must not sit and stare at everything and depict it exactly as one sees it.

Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.

When I had spent a few days without thinking, without doing anything, I would feel a sudden urge to paint. Then I would set up my easel in full sunshine.

It is possible to make a living thing, not a diagram of what I have been thinking: to posit with paint something living, something that changes each day.

What she did was to open our eyes to details of country life such as teaching us names of wild flowers and getting us to draw and paint and learn poetry.

There is only one true thing: instantly paint what you see. When you've got it, you've got it. When you haven't, you begin again. All the rest is humbug.

As far as outdoor work is concerned, a studio is only a garage; a place in which to store pictures and repair them, never a place in which to paint them.

An amateur is someone who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.

Nature paints the best part of a picture, carves the best parts of the statue, builds the best part of the house, and speaks the best part of the oration.

People say, 'What a discipline, painting so much.' I say, 'No, I love it.' Nothing amuses me as much as my work. To have discipline would be not to paint.

An artist can go paint, and a writer can go write, but an actor needs to get hired, needs somebody to say, 'Here, come and do this,' That's the hard part.

... maybe that's all anyone who writes or paints or sculpts is doing anyway -- excusing themselves for refusing to live like other people or be like them.

Learning lines is on my mind until I do know them. I'll read the paper or paint the house to keep from starting to memorize. I've never found an easy way.

I acquired quite a lot of technical skill and got quite a long way with my painting, but I never felt I was doing what New Zealand was about with my paint.

I still love finding the soul of the characters I play and defining who they are. This to me is my paint set, and the colors are always exciting to choose.

I couldn't go into the haphazard drawing or the paintings, the splashing of paint. I wanted to go back to a completely dry drawing, a dry conception of art.

When I got my first loft, I still didn't know what I was going to paint... There were long stretches when I just sat there and thought without interruption.

If you were to say to me that I couldn't paint, I would write. If I couldn't write, I would be a set designer. As long as I'm creating something, I'm happy.

When you paint things exactly as they are, you don't show people anything that they couldn't see for themselves; you're telling them what they already know.

People say, 'Why don't you just paint with paintbrushes?' I say that I feel more connected to my painting using my skin. It's very tribal in a way - savage!

Impressionism came about because it suddenly became apparent that pure colours mix in the eye in a more dazzling way than they have ever been mixed in paint.

I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.

I used to paint and I used to draw, and I probably would have loved to have been a portrait painter if I'd been good enough, but I really wasn't good enough.

All art becomes history as soon as it is made, so it is inevitably part of a tradition. It doesn't matter a toss if it is in paint or in film; it is all art.

The surface of American society is covered with a layer of democratic paint, but from time to time one can see the old aristocratic colours breaking through.

Art doesn't begin with a brush and a palette, but with the artist's ability to perceive life. You have to learn how to live before you can learn how to paint.

For some people, makeup is their war paint; that's putting their best foot forward. Others feel better with no makeup. It's so personal - who are we to judge?

I wouldn't say even that I'm a broadly political person. But on occasion, I have felt that I have no choice but to paint something with a strong moral stance.

I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.

I made a lot of big threes throughout my career, but it was the 3-point shot that allowed me to maneuver inside the paint, post-up, mid-range game and so forth.

For example, lead paint in old houses can be a greater threat to children's health than lead that may be under some industrial site where there are no children.

Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.

Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanishes, and the paint falls into positions that feel destined.

Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That's how I get my kicks.

We have to start spreading that news - that real men change poopy diapers and coach the soccer team and let their daughters paint toenails all kinds of colours.

We are what we are, neither a good or as bad as others paint us. And what we are doesn't change how truly we feel, only how free we are to follow those feelings.

While I was at college studying design I decided to paint. I was also greatly inspired by the colours that I had seen on my travels in the Brazilian Rain forest.

My father taught me to paint when I was young with watercolors and so I learned at a very young age the essential elements of the value of light and composition.

A student of James McNeill Whistler tells the great artist, 'I tend to paint what I see.' Whistler replies, 'Ah! The shock will come when you see what you paint!

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