Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad.

Because these show are live, script pages are being switched during the program and new commercial teases might be yelled in your ear with just enough time to scribble them on scrap paper before reading them.

I see my responsibility as to give people something they want to keep turning the pages of and giving people something to chew on, looking at some aspect of human nature that hadn't occurred to them recently.

In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.

Rereading 'To Kill a Mockingbird,' I was struck by what I had forgotten of the book: in a manner of pages, we encounter shame, history, ruin, conflicting stories, and wounds badly healed; in short, the South.

There's a lot of violence in Beethoven not explicitly suggested by the notes or in his markings, necessarily. There's just a way that it looks on the page that encourages it to be played in a certain fashion.

I was reading newspaper front pages from the 1930s, and I was taken aback. I'm not naive about American history, but I was a bit knocked off my feet by things that used to be on the front pages of newspapers.

I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.

After me, the Revolution - or, rather the ideas which formed it - will resume their course. It will be like a book from which the marker is removed, and one starts to read again at the page where one left off.

But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.

At first, all is black and white. Black on white. That's where I'm walking, through pages. These pages. Sometimes it gets so that I have one foot in the pages and the words, and the other in what they speak of.

I actually came out the year that AIDS hit the front pages. So there was this mixed feeling about it - excitement that life's finally begun, but it was completely tied up with mortality and danger and politics.

[Noah Hawley] just a fantastic writer. It's always about the script, it's always about the book; it always is. If it ain't on the page, it ain't on the stage. That's what attracted me to him first and foremost.

Novels are nothing but evolution, but there does come a point when that stops, and the story is sealed within the pages of the book. That doesn't happen with a play. Even performances are different every night.

I don't journal to 'be productive.' I don't do it to find great ideas or to put down prose I can later publish. The pages aren't intended for anyone but me. It's the most cost-effective therapy I've ever found.

I don't know. Sometimes, I feel nothing, and I'm so afraid. Afraid I'll stop feeling anything at all. I'll just slip away inside myself...I just need to feel something" A Great and Terrible Beauty, Page 177, by

Gail didn't want me commenting on the opinion pages. I was hired by the news department and, despite the rabid assertions of the Times' enemies and detractors, the two really have nothing to do with each other.

If you take a book of a thousand pages on the Second World War, in which 50 million people died, the concentration camps occupy two pages and the gas chambers ten or 15 lines, and that's what one calls a detail.

I met Charlie Trotter before I actually saw him in person; I was 24 when I first opened the pages of Charlie's cookbook 'Charlie Trotter's' and was greeted by a man I would know and admire for the next 20 years.

I wish I could fill every young man who reads these pages with an utter dread and horror of poverty. I wish I could make you so feel its shame, its constraint, its bitterness that you would make vows against it.

To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.

It's easy to write a short story and frighten people for five pages, but to work at length, when you do it as in 'The Turn Of The Screw' or 'A Christmas Carol,' it's different; you have to build it and build it.

In the following pages I have endeavoured to describe all that appeared to me most important and interesting among the events and the scenes that came under my notice during my sojourn in the interior of Africa.

I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page

Don't forget that Rupert Murdoch has always regarded the Op Ed pages of 'The Wall Street Journal' - as he's said to me - as a cup of strong caffeine that gets you going in the morning and tells you what to think.

Babbo's menu is only four pages, but it's overwhelming - there are 20 different pastas in there, a lot of stuff. There is nothing I hate more than a useless, lazy menu with only three appetizers and four entrees.

I imagine you working on me as an algebra problem, reducing me to fractions, crossing out common denominators, until there's nothing left on the page but a line that says x = whatever it is that is wrong with me.

Our books will bear witness for or against us, our books reflect who we are and who we have been, our books hold the share of pages granted to us from the Book of Life. By the books we call ours we will be judged

Like a word on a page that you’ve printed and read a million times, that suddenly looks strange or wrong, foreign. And you feel scared for a second, like you’ve lost something, even if you’re not sure what it is.

The more congenial page of some tenth-rate poeticule worn out with failure after failure and now squat in his hole like the tailless fox, he is curled up to snarl and whimper beneath the inaccessible vine of song.

I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.

Early in my life, without any supporting evidence, I fretted over what I believed was my fate: accidentally becoming an international pop star. The pages of my diary were filled with hypothetical ethical dilemmas.

By augmenting the pages in the upload process with educational text regarding the type of content that can be uploaded to YouTube, we have seen a sharp overall reduction with users uploading copyrighted materials.

This morning I looked at the books on my shelves and thought that they have no knowledge of my existence. They come to life because I open them and turn their pages, and yet they don't know that I am their reader.

I don't listen to music throughout the day very often. I don't own a record player. I don't really have a stereo system. Most of the music I listen to these days is on the web or on MySpace pages, stuff like that.

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

one of Mr. [Thomas] Hardy's ancestors must have married a weeping willow. There are pages and pages in his collected poems which are simply plain narratives in ballad form of how an unenjoyable time was had by all.

Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.

I know a lot of shows are like, 'Here's the pages,' right before they start filming. I'd have a heart attack. The anxiety would be way too much for me. I don't have as strong a backbone as those other show writers.

A significant number of pages and sentences that the administration wants to keep in a classified status have already been released publicly, some of it by public statements of the leadership of the CIA and the FBI.

The Compound Effect is a must-read book for success seekers. You want to know what it takes? You want to know what to do? It's all in these pages. The Compound Effect is a clear and concise success operation manual!

I'm so into this idea that the Internet was this reservoir of mythologies and histories, and the architecture of it being linked pages that create hard connections and bridges between ideas that shouldn't be linked.

I just think it's quite remarkable that everyone says they want to add more commentary to their news pages. In some ways, I think, 'Well, how is that even possible?' It seems sometimes that that's all that there is.

Louie and Seabiscuit were both Californians and both on the sports pages in the 1930s. I was fascinated. When I learned about his World War II experiences, I thought, 'If this guy is still alive, I want to meet him.'

With television, it's difficult to do some things. You have to shoot so many minutes a day, so you always have to be prepared or you won't be able to complete the number of pages that you have scheduled for that day.

Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.

At one point, I was blogging prodigiously, in the late '90s; and I was getting, like, millions of pages because I was, like, one of the only people writing about web design, and I was always writing about web design.

I set a goal for myself everyday when I write - 10 pages a day - and it's much harder because I'm too dumb to turn off my Twitter and everything so it's always on and it's a real distraction. It's a major distraction.

Just as music comes alive in the performance of it, the same is true of mathematics. The symbols on the page have no more to do with mathematics than the notes on a page of music. They simply represent the experience.

I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.

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