Engage with your readers as often as you can. Readers, myself included, want a relationship with everyone in their lives, even the people behind the pages of their favorite books.

I like Stallone, because he writes. He sits down with a blank page and comes up with another Rambo movie. That isn't very easy for anybody. He's made it successful on top of that.

The way to learn German, is, to read the same dozen pages over and over a hundred times, till you know every word and particle in them, and can pronounce and repeat them by heart.

You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.

Some people say that they read the first 20 pages, and then decide if they want to do the film or not. But, I have to read the entire thing 'cause anything can change in a script.

I love reading any interesting book. If it is boring I keep it forever after reading 4-5 pages of it. But if it is good, I can go on reading it no matter what genre it belongs to.

I could not cry for my own brother; he would not want me to. But I found myself crying for this hated stranger and the endless slaughter that I had almost contributed to." (page 8)

But it has often happened that I have found the most seductive depictions of sin in the pages of those very men of incorruptible virtue who condemned their spell and their effects.

I don't want to be the country's best-kept boxing secret. I want to cross over from being a boxer on the back pages to the front pages and become the big superstar I deserve to be.

I don't try to be satirical. I just try to get what's in my head on the page. And that part is hard for me to do. It takes a long, long time to make it poetic, somewhat essayistic.

I don't really ask of myself a given word or page count or number of hours. To work every day, that's my only fetish. And there is a physical quality to it when a novel is thriving.

I've seen Leonardo Da Vinci notebooks which are filled with tiny, messy scrawls written in mirror image across the page. I'd love to know how he kept all his projects going at once.

Not long after I started posting the first 'Nimona' pages online, a literary agent reached out to me, and I ended up signing with him before I returned to school for my senior year.

'Ice Age' felt like stage acting. You'd write a sequence, and sometimes you'd submit pages, but other times, I would actually perform it for the directors and producer in my office.

I never believe much in happiness. I never believe in misery either. Those are things you see on the stage or the screen or the printed page, they never really happen to you in life.

I turned the pages so fast. And I suppose I was, in my mindless way, looking for a something, version of myself, a heroine I could slip inside as one might a pair of favourite shoes.

The wonderful thing about a book is that you have a canvas that is 300 pages wide, and it's all free space. You can make a piece of art as big as you want and whatever shape you want.

I think a book that is over 400 pages should be split in two. I don't know that there's anything that interesting that can go on for 700 pages. I think that is a little bit indulgent.

There is still a lot of misinformation being spread about higher education funding arrangements under the new Act. The students page on my website sets out the main points in the Act.

Let my life as Poet begin. I want the life of the Poet. I have labored for over twelve years, one thousand pages of prose. Now, I want the easiness of poetry. The brevity of the poem.

A blog is a type of website that is usually arranged in chronological order from the most recent 'post' (or entry) at the top of the main page to the older entries towards the bottom.

Political biography is in the doldrums. No one wants to read 800 pages or so of cradle-to-grave dead politics, especially if it's familiar stuff and has all been written about before.

You know, why at the end of your life should you assemble thousands of pages of 'Why am I so sad, why am I so depressed?' Instead, assemble thousands of pages of why you're so content.

I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.

There are many cases of activists having their Facebook pages and accounts deactivated at critical times, when they are right in the middle of a campaign or organising a demonstration.

It is of no use to commit whole pages to memory, merely to recite them once without hesitation; you must think of the meaning more than the words - of the ideas more than the language.

Absorbing and haunting! BOGEYMAN spills creepily across the page with Steve Jackson's hellacious verve and insight, reminding us there are few better explorers of the American berserk.

My role as an artist helps me tremendously in breaking down each story. Pacing, layout, movement - having drawn a few thousand pages, I understand the language of comic books very well.

In the morning, Capra would arrive with twenty-or-so pages in which he'd written down all of his ideas. Most were terrible, then all of a sudden there would be one which was astounding.

I don't think that anyone in the pages of 'War on Peace' is arguing that diplomacy is the replacement for military power. But, correctly, the job of the military is to think tactically.

A study last year showed that the page you turn to first in the newspaper can be a predictor of how long you will live. No surprise, turning first to the Comics Pages prolongs your life.

I don't write poetry for the page because my inclination in that area is satisfied by songwriting. "Ornamental Hermit" was a comparatively effortless song to write, which is rare for me.

There's a theory, and I think the theory is right, that in order to make a change you've got to make the whole language of the page harmonious. Well, that's a lot easier with a computer.

It is difficult sharing and capturing so many years of memories and the people behind the words-and even though that guest book can speak volumes, in between, the pages remain so silent.

In Europe they love me. I travel so much, I change my passport twice a year because there aren't enough pages for all the places I go. Foreign countries invite me to come without a visa.

I'm interested in Native American and African American stories, and LGBTQ stories and stories of persons of mixed heritage. These are the stories I want to see onscreen and on the pages.

Used books are the sluts of the literary world. Passed around from person to person, spreading their pages for anyone, getting cheaper and cheaper until eventually they end up in prison.

Plot exposition that can be gently wound out by the authorial voice and internal monologue of a character in the length of a page has to be delivered in a matter of seconds on the stage.

I want readers turning pages until three o'clock in the morning. I want the themes of books to stick around for a reader. I'm always trying to find a way to balance characters and theme.

If I've written five pages by hand, out of those five pages, one page might be worth saving. The rest is crap. I have to throw it away. It's like I need eight hours to do two hours' work.

The latest page I've been working is about the organization of the pantheon of the gods. Who's indebted to whom, how they are related, who screwed whose uncle or grandmother, all of that.

About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell... I defy anybody to read the first page and not keep going to the last.

If I could/bind myself to this moment, to the slow//snare of its scent/what would it matter if I became//just the flutter of page/in a text someone turns//to examine me/in the wrong color?

When I start a book, I write a minimum of five pages every day, except weekends. If I'm going on a ski trip, I take my computer with me, get up at six, do my five pages, and then go skiing.

over time, offering loving kindness to all beings everywhere, including ourselves, unites us to one another so that we know that we can not go forward forgetting those left behind." Page 62

I get tired of stories that keep going and going and never get anywhere. It's like a promise that's never fulfilled. Stories need endings. Otherwise, they aren't really stories. Just pages.

I'm not writing novels, the screenplays are my novels, so I'm gonna write it the best that I can. If the movie never gets made, it'd almost be okay because I did it. It's there on the page.

Turning back the pages of my sweet shattered dream, I wonder if she'll ever do the same; And the thing that I call living is just being satisfied With knowing I've got no one left to blame.

As a writer, you paint strokes and leave suggestions so readers can create their own pictures. That allows you to know someone by a small action and it saves countless pages of explanation.

I'd forgotten how challenging comics can be until I started working on Ropes. Yes, you're restricted by the boundaries of the page, but we all work within technical limitations of some kind.

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