You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.

You live for those really great scenes where you almost feel that the film has gone beyond what was printed on the script pages and been raised to another level.

The war in Vietnam was not lost in the field, nor was it lost on the front pages of the 'New York Times' or the college campuses. It was lost in Washington, D.C.

I wrote my first script, which was 50 pages, at age 15. It was about two brothers in love with the same nurse while they're convalescing in a Civil War hospital.

I admire writers such as Elmore Leonard who can nail a character in three or four lines of dialogue, so he doesn't need pages of back story or clumsy exposition.

It takes me three months of research and nine months of work to produce a book. When I start writing, I do two pages a day; if I'm gonna do 320, that's 160 days.

Write 1000 words a day. That's only about four pages, but force yourself to do it. Put your finger down your throat and throw up. That's what writing's all about.

I think poems belong as much in the news pages as the literary pages. A lot of people throw aside the literary pages! Whereas everybody looks at the news section.

Why do you read many books? The great book is within your heart. Open the pages of this inexhaustible book, the source of all knowledge. You will know everything.

I first met the subject of X-ray diffraction of crystals in the pages of the book W. H. Bragg wrote for school children in 1925, 'Concerning the Nature of Things.'

'First Step 2 Forever' is a hardcover, multi-colored monstrosity that clocks in at 240 pages... half of which feature full-page pictures of the 16-year-old Bieber.

Now I am not against widgets, those small third-party applications that people can put on their Web pages on social networks like Facebook and MySpace, in general.

Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.

If something happened to me, whose face will be on the front page of the paper begging for me? Is a person worth more because they have someone to grieve for them?

This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.

All I had, originally, were pages of Nolan's dialogue. I think his character serves the story in a nice way. He's a Greek chorus for the goings-on in the Hamptons.

Sometimes I get a lyric, and the lyric, you know, comes off the page, and goes into my brain and comes out with a melody. Other times, I may create a melody first.

It was important to buy into the fact that the nine hundred pages an end-reader never sees are just as valuable as the ones that are bound and placed on the shelf.

I couldn't resist hiding some historical details and a few clues relevant to the plot and characters of 'A Discovery of Witches' throughout the pages of the novel.

In seven books, I've written my fair share of baby epilogues. Pregnancies and births and even grandchildren have made an appearance in the final pages of my books.

When I was in the seventh grade I did a report about the environment and the loss of species. It was supposed to be only a few pages, but ended up being nearly 50.

There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.

... the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it.

The rooms were very still while the pages were softly turned and the winter sunshine crept in to touch the bright heads and serious faces with a Christmas greeting.

People often ask, why aren't you reading about what it is you're working on right now? And the truth is, you only get three pages a night before your eyelids close.

If the atmosphere is to be foreboding, you must forebode on every page. If it is to be cold, you must chill, not once or twice, but until your readers are shivering.

When I was in high school, I had a notebook that I filled up with rules about lying. It must have been a hundred pages long - one hundred pages of rules about lying!

If you're trying to drop ten pages from a screenplay, it hurts like hell, but if you just put it away for a month and then take it out, you can do it just like that!

The hand of bone and sinew and flesh achieves its immortality in taking up a pen. The hand on a page wields a greater power than the fleshly hand ever could in life.

There is enough of free-of-charge software available on the Net to ease building internet websites and contact pages, as well as implement email marketing campaigns.

In weeks when I was writing a novel, I followed a five-day schedule, doing about thirty pages a day, so a typical Ace novel would take me six or seven days to write.

I write nonfiction in this thriller-esque style. I have all the facts; I research it. I have thousands of pages of court documents... I try to get inside my stories.

For me, study is a divine and daily imperative, and I study a page of Talmud daily so that I am not only teaching. My teaching is constantly being fed by my learning.

Dialogue in fiction is always written to be read in silence. The page is the limit. Dialogue on stage and on the screen is meant to be spoken. The voice is the limit.

Anyone with a computer and a design program can create a page layout. But unless you're trained in design, it won't look very good and it won't communicate very well.

I'm an equation that only she solves, these X's and Y's by other names called. My way of dividing is desperately flawed as I multiply the days without her" - Page 165

I feel as if I've been so inured to failure, because I fail more than I succeed. As with any kind of fiction, I throw out so many pages; I get rejected so many times.

Don’t romanticise your ‘vocation’. You can either write good sentences or you can’t. There is no ‘writer’s lifestyle’. All that matters is what you leave on the page.

Conversation on the page should reflect what the story is about. It doesn't have to be "realistic" in the sense that it's something you heard and plugged into a story.

I read some books that were the right books for me. I read them and I didn't even notice turning the pages anymore. I thought, "That's what I want to do with my life."

We have to hear how [Donald] Trump is the bad guy and Trump poses the problem. And it's just maddening, infuriating. I hear you. I'm totally on the same page with you.

You know, after filming the movie the book was still just as big. I think it was actually bigger. I think Stephen King went back and wrote extra pages. He's fantastic.

If I welcomed people into my lovely home every week in the pages of a magazine, they'd soon see how incredibly dull it is. It's important to maintain a bit of mystique.

The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening.

If I were a snarky Reddit user though, I would say, hypothetically, that that would just be like reading Reddit's Front Page a day later. But I'm not going to go there.

You gotta trust your artist. I love writing pages without dialogue, which seems weird, I guess. But few things are as powerful in comics as a really strong silent page.

I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night.

Within the pages of The Betrayal of America I prove that these justices were absolutely up to no good, and they deliberately set out to hand the election to George Bush.

Those that clamor loudest for Columbus to be erased from the pages of American history do so far more because of their hatred for America than their love of the Indians.

As I get older, I'm finding that I recognize certain celebrities only because they frequently grace the pages of US Weekly, but beyond that, I have no idea what they do.

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