The blank page doesn't bother me. It's the voice in my head (not always my own) that gives me the yips. It's worse when I'm not making stuff up.

We can celebrate how far we've come from our sexist past when women and men are equally represented in the pages of science fiction anthologies.

What drew me to 'Beautiful Creatures' was the character that I get to play, Ethan. Within three pages, I knew he is so specific and interesting.

I wear two hats at the 'Wall Street Journal': one as a columnist, the other as the editor responsible for our editorial pages in Asia and Europe.

The largest two books I've ever read more than once are 'Bleak House' by Charles Dickens and 'The Stand' by Stephen King, about 1,200 pages each.

In film, you have the luxury of accomplishing what you need in 24 frames every second. Comics, you only have five or six panels a page to do that.

A rich, multi-dimensional tour of Naples, most brilliant, battered, and bewildering of cities, here fixed to the page with wit and élan. Splendid.

[O]ne could translate the 555 pages of The Social System into about 150 pages of straightforward English. The result would not be very impressive.

I know what it’s like to be distracted. To seek out distractions. To exhaust yourself doing every other little thing rather than face a blank page

I don't claim to be someone that knows every verse in the Bible. I wish I did. I truly do. It just means I need to spend more time in those pages.

I always sent my mother all these huge books I made. When my mother died, I was cleaning her cupboard, and these big books were only 20 pages long.

There is nothing better than a really cool mystery: you don't know what's going to happen, so you keep turning those pages or watching that series.

I dare hope that all the peoples who have lived through communism will understand that communism is to blame for the bitter pages of their history.

It's very rare that I ever go and research a particular subject. Mostly I do serendipitous research, I read stuff, things spinning out of the page.

There are six Time Warp Trio books that would take a page each to fully praise. And I just thought up twelve more while I was typing this sentence.

On the plane was a Time magazine and there was a 30 page article on diabetes, and I read every page. By the time that plane landed, I had diabetes.

My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.

You can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future.

Call me a troglodyte; I'd rather peruse those photos alongside my sweetheart, catch the newspaper on the way to work, and page thorough a real book.

It isn't always on the front pages, but the horrifying mistreatment and subjugation of women around the globe is very much worthy of more attention.

Rachel Cusk's books are like pop-up volumes for grown-ups, the prose springing out of the page to bop you neatly between the eyes with its insights.

Today, I believe everybody's their own brand, and everybody has their own brand and they curate their own brand on their Facebook and Twitter pages.

I've always hated quotation marks: they're ugly on the page and they classify the text for you, putting dialogue in one box and narration in another.

I've often wished when I started a book I knew what was going to happen. I talked to writers who write 80-page outlines, and I'm just in awe of that.

The interesting thing about Bettie Page that I discovered was to leave the mystery. She always retained a little mystery. Let there be some unknowns.

I wonder if Bettie Page original gay cult had something to do with the ironies inherent in her image, as well as her innate fabulousness as an image.

I wrote lots of pages. I showed what I wrote to Iowa friends, and they said, 'Good start.' That was discouraging because I thought it was almost done.

I can tell very early on, reading a script, within six or seven pages, whether I'm looking at real people, and whether I can see and hear real people.

I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.

I think book adaptations, the best one to me is like 'Brokeback Mountain.' Which is a short story, 21 pages, that expands so beautifully into a movie.

Destroying species is like tearing pages out of an unread book, written in a language humans hardly know how to read, about the place where they live.

In movies, storytelling and every single art form, we're creating wonder. You're starting with a blank page and creating something that doesn't exist.

What I know for sure is that every sunrise is like a new page, a chance to right ourselves and receive each day in all its glory. Each day is a wonder.

I keep telling myself I should try very hard to write a novel of about 210 pages... I don't seem to be capable of it, but I keep hoping it will happen.

They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.

As adults, we've seen so much before that we often turn the pages of a picture book without really looking. Young children tend to look more carefully.

Never do anything in life if you would be ashamed of seeing it printed on the front page of your hometown newspaper for your friends and family to see.

The World Wide Web went from zero to millions of web pages in a few years. Many revolutions look irrelevant just before they change everything swiftly.

When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.

I did three or four weeks of work on 'Godzilla' it wasn't a page-one rewrite or anything like that. The term is 'script doctoring,' is what I did on it.

The only way to get gay issues off the front pages of Canadian newspapers is to grant gay and lesbian people our full civil equality and leave it alone.

One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.

Almost all novels are improved by cutting from the top. On their first pages, authors parade those favourite effects which disgust the impartial reader.

A 'lewk' is like, 'I'm wearing a lewk today,' it's something that everybody will notice. It's like you're out of the pages of a magazine, that's a lewk.

Writing isn't just on the page; it's voices in the reader's head. Read what you write out loud to someone-anyone-and you will catch all kinds of things.

Magna Carta has become totemic. It is in the comedy of Tony Hancock, in the poetry of Kipling, never far from the front pages in a constitutional crisis.

I like to smell a book before I start it. I fold over the pages, write comments in the margins, leave it on the bed next to my pillow when I fall asleep.

In my case, performance is part of the medium. Sometimes I feel that it's my main medium, and that the presentation of my poems on the page is secondary.

You do not question an author who appears on the title page as "T.V.N. Persaud, M.D., Ph.D., D.Sc., F.R.C.Path. (Lond.), F.F.Path. (R.C.P.I.), F.A.C.O.G.

There was something awful about terror trapped behind silence. About latent emotions that couldn't be acted out." "Cole's thoughts on page 248 of Linger.

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