Quotes of All Topics . Occasions . Authors
Facts are facts, and fiction is fiction, and a lie doesn't become truth just because it appears on the front page of the newspaper.
Leadership is about stepping up when it's the appropriate time and then making sure everyone knows that we're all on the same page.
As an actor, you're pretty much a hired gun. You are reading other people's words off of a page and doing what they want you to do.
When I was 13, I went on 'Britain's Got Talent.' I auditioned. I sang a cover of a song called 'White Blank Page' by Mumford & Sons.
For all I know, I am beginning with the ending. My page one can wind up a year later as page two hundred, if it's still even around.
I believe in international justice. I believe it's important that you don't just turn the page without people being held to account.
I wake up every morning at nine and grab for the morning paper. Then I look at the obituary page. If my name is not on it, I get up.
The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.
Spend more time working before you write page one. Then, the story - at least parts of it - will feel as though it is writing itself.
Who creates a fake page? If I want to respond to a person on social media, it has to come from my page with the verified check on it.
Write what you really care about. Write what you want to say because that is the experience that always rates as genuine on the page.
For years, when I was popular, I would face the blank page to write, and I couldn't think of anything that I thought was good enough.
Verse is not written, it is bled; Out of the poet's abstract head. Words drip the poem on the page; Out of his grief, delight and rage.
When I took office, only high energy physicists had ever heard of what is called the Worldwide Web... Now even my cat has its own page.
When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.
I can always write. Sometimes, to be sure, what I write is crap, but it's words on the page and therefore it is something to work with.
It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.
The big thing in favor of doing an editorial on the front page is that it would be a powerful signal of how concerned we are about guns.
I want to know why I read as a child with such a frantic appetite, why I sucked the words off the page with such an edge of desperation.
I have a Facebook page and a website. Beyond that, I'm actually a very private person. I'd rather see the focus on the books than on me.
I explored rock culture and what the guitar can do though people like Jimmy Page and John McLaughlin, and the music moves away from pop.
So much of what we decide to carry in our stores is based on what we hear through the Dylan's Candy Bar Facebook Page and Twitter feeds.
I started writing poems on a Xanga page. I always loved writing. I also had a Deviant Art page, actually, because my crush had one, too.
Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page.
One of the joys of a really good book is that you're so into the world of the book, you forget what you're looking at is words on a page.
It was really hard explaining the Web before people just got used to it because they didn't even have words like click and jump and page.
Writing the last page of the first draft is the most enjoyable moment in writing. It's one of the most enjoyable moments in life, period.
Search, which is extremely important, represents about 5% of the page views on the Internet and 40% of the revenue. So, highly monetized.
In Washington, no one believes anything unless it comes from 'The New Yorker,' 'New York Times' editorial page, or 'The Washington Post.'
I'm pretty disciplined to keep the momentum of a story going by writing everyday, even if it's only a couple paragraphs or a page or two.
If the part isn't always there on the page, I've had good relationships with writers where there's an openness to bring more to the role.
I was tired of illustration. You'd work so hard on a commission and it would go in to a magazine, and you'd turn the page and it was gone.
Usually, if you read a script by somebody else and there's a dense page of stage directions, people just skip through it or speed read it.
You can't teach someone to be funny, but you can teach comic timing. If you listen to a good comic, you can learn how to put it on a page.
People are adamant learning is not just looking at a Google page. But it is. Learning is looking at Google pages. What is wrong with that?
My job as an author is to tell the story in the best way possible, to make it flow seamlessly and get the reader to keep turning the page.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
Wherever, on the face of the globe or on the page of history, you show me a disfranchised class, I will show you a degraded class of labor.
By the time I sit down and face the blank page I am raring to go. I tell it as if I'm talking to my best friend or one of my grandchildren.
What interests me is trying to catch the reflection of the human being on the page. I'm interested in how ordinary people live their lives.
Old Arabic books, printed in Bulaq, generally have a broad margin wherein a separate work, independent of the text, adds gloom to the page.
Everybody's idea of a great book is different, of course. For me it's one that makes my jaw drop on every page, the writing is so original.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I mean, if you have to wake up in the morning to be validated by the editorial page of the New York Times, you got a pretty sorry existence.
Additionally, borrowing a page from U.S. foreign policy, I decided to send a message to a government that was becoming increasingly hostile.
When writing for the page, the focus is on the design - how the words appear on the page. I try to make it as direct and simple as possible.
On '24,' it says on the front page of your script: 'This script is for the production staff and cast. Please don't show it to anybody else.'
Fame and all that type of stuff is inevitable, but I'm very content having a good band with no negativity, and everyone is on the same page.
To my irritation, you still can't flick through an ebook properly; you can't riffle the pages, you can't look at more than one page at once.
I totally hate when somebody takes a classic and desecrates it. I like Jimmy Page and P. Diddy, but what they did to 'Kashmir' was a debacle.