Quotes of All Topics . Occasions . Authors
I think if you're a competent actor with a good imagination, and if it's on the page, it makes your job a lot easier.
I'm very comfortable with tweeting, I have a very active author Facebook page, I Skype book clubs all over the world.
Digg is like your newspaper, but rather than a handful of editors determining what's on the front page, the masses do.
When I'm the one who sits down and looks at the blank page and writes it out all the way, then I'll call it my script.
We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.
Page one of any economic plan to get America working is to give a pink slip to the current resident in the White House.
The Arc de Triomphe, the Eiffel Tower. They're monumental. They're straight out of Page 52 in your school history book.
As I've explained to my wife many times, you have to kill your wife or mistress to get on the front page of the papers.
The race for the White House is normally an event suffused with drama, sucking eyeballs to the page all over the globe.
When Shakespeare was writing, he wasn't writing for stuff to lie on the page; it was supposed to get up and move around.
Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
Men seem to think that Page 3 girls are only interested in money. Money doesn't impress me at all. Not in the slightest.
I think when I'm drawing, I'm seeing what's happening on the page almost as if it were unfolding like a movie in my head.
There is no worse place for an intelligence service like CIA to be than on Page 1, above the fold in your daily newspaper.
Bruno Mars is pretty fashionable. Gary Clarck Junior, who was also in our ad with Jimmy Page, is a super super stylish guy.
When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
I am influenced by books which don't have their eye on the endgame, but which try to be entertaining on each and every page.
Put simply, if an interface is poorly designed, I will not see the data I looked for, even if it is right there on the page.
I don't have an e-reader. One reason is that I like to dog-ear the page when I find a particularly good sentence or passage.
I guess I could say that I pursue questions that interest me in ways that interest me on the page, but that's awfully vague.
I remember when I was trying to do 'Metropolitan,' in breaks I would read a page of two of Jane Austen as a palate-cleanser.
It's emotional to be leaving 'Page Three.' It's been my life since I was 18, and I'm so grateful for the chances it gave me.
Well, I'm a slow writer. For me, a good day is a page, maybe a page and a half. I'd love to be more efficient, but I am not.
You can't fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.
I hope I helped change people's preconceptions about 'Page 3' girls by appearing on Newsnight and at the Oxford Union debate.
I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.
If you like the precision and concision of poetry, a page of prose is unsatisfying in a certain way. And poetry is so direct.
A page a day means I need to focus on a gag a day, and that's great for laughs but bad for plot, and I'm primarily a plot guy.
My sketchbook is not sacrosanct, and my children would draw on one page while I drew on the other. It was something we shared.
I tend to write out the first iteration of a lyric here and then go over here and make variations on it, on the page opposite.
Focusing on that one review you feel is unfair misses the value, which is the whole symphony of opinions you get on your page.
I remember my mom saying to me that what your friends do is one thing, but what you do could be on the front page of the paper.
It may be said that poems are in one way like icebergs: only about a third of their bulk appears above the surface of the page.
Children can't help but create: they need to put their mind on the page, they want to paint, to sculpt, to write short stories.
I always turn to the sports pages first, which records people's accomplishments. The front page has nothing but man's failures.
I see the role of the writer as creating a room with big windows and leaving the reader to imagine. It's a meeting on the page.
I was on Facebook. I'm not anymore, but my sister always sends pictures to a page. I'm sure you can find a Bradley Cooper there.
You're trying to bring an emotional and psychological reality to a character that's on the page and make them three-dimensional.
It's more important to me to get an e-mail that says, 'I saw your page and it changed my life,' than how many hits the page got.
If you don't have an e-mail address, you're in the Netherworld. If you don't have your own World Wide Web page, you're a nobody.
There's a difference between knowing what's on the page in a history book and actually feeling that page have curves and valleys.
I'm very drawn to the human condition and the emotional aspects of stories. It's what's not on the page that I get excited about.
Life magazine ran a page featuring me and three other girls that was clearly the precursor of Sports Illustrated swimsuit issues.
At heart, I would have to say I'm a pantser. I fully embrace the chaos of letting the unintended happen, on life and on the page.
Led Zeppelin sounded like nobody else. That spoke to the individuality of the band and the direction Jimmy Page wanted to pursue.
I consider writing practice a true Zen practice because it all comes back at you. You can't fool anyone because it's on the page.
I would say seeing the original Yardbirds with Jeff Beck and Jimmy Page at the old Fillmore was a pretty powerful influence on me.
What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude.
It seemed uncanny that words, spread across a page just so, had the power to transport me to another time or place. But they could.