Quotes of All Topics . Occasions . Authors
I don't have an objective overview of Black Sunday.
I don't have a directorial overview, which sometimes is very helpful.
Yoga is wonderful. It clears up most health problems. It also gives you an overview.
Women today have more of an overview of their lives and how marriage is or is not a part of it.
Only the misfortune of exile can provide the in-depth understanding and the overview into the realities of the world.
I generally feel like people that are doing the wardrobe know more about wardrobe than I do, and they have an overview.
Our focus is to get citizen astronauts to experience the 'overview effect,' return to Earth, and then impact their communities.
I did a book in 1996, an overview of black history. In that process I became more aware of a lot of the black inventors of the 19th century.
I don't really have a historical overview of my work at all. I'm not an art historian. I don't see that there's this period and that period.
I had always choreographed a little, beginning in high school. And I leaned toward choreography. I always had an overview of what was going on.
To be able to rub shoulders with kids who have spent their entire lives studying the classics... that's something I need to improve my overview.
A film seeking to create change on a difficult issue should not try to provide a definitive historical overview, nor present an op-ed style argument.
No, Queer Eye has a book coming out before mine, in the Spring of 2004, in which each of us has a section and we do a brief overview of our subject area.
Your art kind of changes as you get older, by nature of the fact that you're hopefully gaining wisdom and you're starting to watch things with a better overview.
I love information. I want to stay current. I don't want to be under-informed. But I'm busy. Sometimes, I need an instant overview of a situation that I can grasp in a second.
I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.
My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone.
I have like 250 letters that I have to whittle it down to 150. Only then do you have the whole overview of a book. When it was finally edited, at least my take was, everybody's lying. You know?
I think the more people that can go up to space and look back is great, but it's not just this overview and look back effect. There's also a lot of concrete gains from getting more people up in space.
An overview of all wars since the establishment of the Bank of England in 1694 suggests that most of them would have been greatly reduced in severity, or perhaps not even fought at all, without fiat money.
You get this overview effect where you realize how small we are and how fragile our planet is and how we're really all in it together. You don't see borders from space, you don't see diversity and differences in people on Earth.
Big History's not going to replace existing educational courses. It's not an attack on specialisation. It is simply the argument that specialisation needs to be complemented with an overview, which I think is scientific commonsense.
I want to help people understand how to study the Scriptures with other people, to give them an overview of Scripture and assume that by understanding the Scriptures better, the Holy Spirit will bring to mind the right stories, the right teachings.
When you get down to it, the way that the music affects you individually is the most important thing, and when you let things like the location of a band get in the way or have an effect on your overview, you're cheating yourself out of a really good time.
I usually start from the most general to the more specific. I'll get an emotional overview for the film as a whole, trying to pinpoint what the musical identity is and come up with thematic ideas - any ideas that identify as succinctly as possible what the film is.
I have no problem whatsoever with a kind of political overview or an ideological overview for any of these outlets as long as it's transparent. We know where Breitbart stands, we know where Fox stands, where MSNBC stands. So, people go in with an understanding of that.
My process for determining which eras I'd write about was to just read history books that gave a really broad overview of Chinese history. And when I came across a historical figure or a historical incident that was especially interesting to me, ideas for characters and stories would surface.
Whether it's Al Michaels, when the earthquake happened in San Francisco and his ability to handle it like Walter Cronkite would have handled it, or Bob Costas with his overview of what's happening with worldly events at the Olympics and the perspective that he has there, you know these guys are so well read.
When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.
I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.
