Quotes of All Topics . Occasions . Authors
I'm really interested in social justice, and if an artist has a certain power of being heard and voicing something important, it's right to do it. It could still be done in such a way that it's not aggressive or overly didactic. I'm trying to find that form.
By employing a certain sense of humor, you essentially get more serious about things and show conflict more effectively than if you were overly dramatic or only violent because that's a one-way approach that just forces audiences to watch something appalling.
Everybody has different issues, good or bad, that they carry with them on the court. It affects you. And for me, it affected me to where sometimes I would be overly aggressive and, in other ways, it would affect people to where they can't perform on the court.
As a composer and as a musician I'm a true believer - and this is not to be overly diplomatic - I'm a believer that there's artistry in everything from a lawn gnome to a desk chair to a symphony to an Andy Warhol painting. There's art in absolutely everything.
I feel it is important not to get overly obsessed and overly carried away with just the physical aspect. There is more to beauty than just the physical appearance. You are also a complete person, and a woman should have an identity beyond just the way she looks.
Ultimately, in the long run we need to immunise our system from being overly responsive to fluctuations in the exchange rate; that is, people should, by and large, be reasonably hedged, or they should borrow more in domestic currency rather than foreign currency.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
I didn't feel a strong bond with the parents who raised me, and I had anything but a happy childhood. My mother was overly sensitive; my father, ascetic. I was neither. I felt as if I were living with complete strangers. I suspect that my parents felt the same way.
Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
I was arrested in September 2011 and detained for nine months before I was found guilty in June 2012 under Ethiopia's overly broad Anti-Terrorism Proclamation, which ostensibly covers the 'planning, preparation, conspiracy, incitement and attempt' of terrorist acts.
I don't mean to be overly sensitive or anything like that, but you just have to take a minute in every day, and just reflect on where you are, and just realise what you've got, because you just never know where the next huge change in your life is going to come from.
Other female rappers are overly sexual, have no wit, and their lyrics are so generic. I want to change the game to make rap that shows I'm not a normal female rapper - it's not about how rich I am, how much sex I have, or how many boyfriends I have. That's just not me.
Total physical and mental inertia are highly agreeable, much more so than we allow ourselves to imagine. A beach not only permits such inertia but enforces it, thus neatly eliminating all problems of guilt. It is now the only place in our overly active world that does.
I'm not overly alarmist about it, but I do think there are some worrying signs, like the growing accumulation of wealth by a very small proportion of the population, plus elections in the US are much more dominated by money than anywhere else calling itself a democracy.
The world can make an actor feel overly important. What I do isn't hard work. It's not ditch digging - which I have done, for one summer. Of course there are times when your fuel tank's low, but even on the hardest days, you are on a film set. You are doing something creative.
I used to take it personally when a casting director didn't like me or I didn't get picked for something. Now I realize you can't do that. It'll mess with your self-esteem. Don't take rejection overly personally. If that doesn't work out, there's something else waiting for you.
The reason it was so bruising when someone said I was from a rich family is that, like many of us, I'm deeply invested - probably overly so - in the myth of my own self-creation. I like to believe that I got where I am, such as it is, by working hard and charting my own course.
I'm Jewish, but not overly religious, and have certainly never formally observed the Fourth Commandment, other than via the tradition of wearing white on Friday nights at summer camp, which never seemed to dovetail with the fact that Fridays were also the night for grape juice.
Let's just start with the word 'diva.' It is obviously a sexist slight - a term that is only applied to women, almost always in a derogatory way. It's usually applied to women who are viewed as overly ambitious. It is applied to demanding women, to women who follow their own path.
It's funny; it's a real balancing act. In TV, everybody's talking about authenticity. In order to make 'Dirty Jobs' authentic, I really can't be overly informed. The minute I am, I become a host... It's a very tricky business paying a tribute to work, because TV is very bad at it.
I don't think I could, with a straight face, describe myself as a completely positive person, but I'm not overly negative, either. On the whole, most writers think plots through to their consequences, and it's not always a sunny place. I have an occupational temperament for anxiety.
Personally, I can't see the appeal in trekking down to D.C. for a networking extravaganza, even if it is built around a special moment in American history. While I find the election of Barack Obama inspirational, I don't have a desire to memorialize it with overly effusive celebration.
Ice Cube went straight outta Compton to hearing, 'Are we there yet?' Eddie Murphy blew up striding across the stage in a red leather ensemble that would have made Elvis Presley chuckle, yet is probably best known to anyone born in the 21st century as the overly chatty donkey from 'Shrek.'
I don't want to make any general statements, but I feel like so many stories that are presented as being about humanity and human emotion are just so convoluted and overly dramatic and focus on these certain little things that are supposedly meaningful, but just don't really mean anything.
Women pay attention to how men drive because it's a good indicator of what kind of character you have. They want someone who's going to be intelligent and cautious and assertive and confident when you need to be, but not overly aggressive and reckless, and also not timid and overly paranoid.
I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.
You first and foremost need to be honest with the script because you don't want to do anything to screw up the basic fundamentals of the story. You don't want to create anything overly dramatic when you don't need to, and you don't want to create anything less dramatic than necessary, either.
Some golf instructors get overly technical and teach the mechanics of the ideal swing. That approach didn't work for me. So, I found a pro that didn't insist that I learn Tiger's swing. He accepted my physical limitations and improved my game by focusing on the minimal golf skills that I have.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
Maybe it was the home tutoring, or the late start to formal schooling, or an overly cautious and protective upbringing, but in any case, I never became a talkative person. As an adult, I am not always comfortable in social gatherings with small talk. I must have inherited my father's gentle nature.
There was a show at the Mayan in Los Angeles where I got overly enthusiastic and jumped into the crowd, and I know they weren't thrilled about that. When I got offstage the manager told me not to do that again. I said, 'Really, for my own safety?' And he said, 'No, because the Pixies don't do that.'
I became a master of disguise and could play the straight man down to a tee, sometimes over-compensating by getting into fights or being overly aggressive because I didn't want the real me to be found out. So I created this alter ego, knowing full well that I was living in my little fantasy bubble, my shell.
I am, of course, directly descended from Brian Boru, the last king of Ireland, a fact certified by my mother and therefore beyond dispute. But as everybody else with a drop of Irish blood in his carcass is also a guaranteed descendant of the old billy goat, I am not overly arrogant because of this royal strain.
We've always been modestly leveraged, and we've never believed in a great deal of leverage on either our private equity business or on our investment banking business. And I think it really goes back to my uncle and dad growing up in the Depression and just seeing what happened to people who were overly levered.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.
I get very tired of books that feel emotionally empty. I would much rather have writers err on the side of being overly sentimental than not. I think that the perfect balance is a story that moves you without being maudlin, but I don't enjoy books that are empty of emotion and there's no connection to the characters.
If you work with a subject matter beloved by a hardcore fan base, then there's going to be a huge amount of discussion of what you've got wrong or right. In some ways, you can never please overly obsessive fans; it's just impossible. That doesn't mean to say they're not going to go to the movie and thoroughly enjoy it.
Actresses can get outrageously precious about the way they look. That's not what life's about. If you starve yourself to the point where your brain cells shrivel, you will never do good work. And if you're overly conscious of your arms flapping in the wind, how can you look the other actor in the eye to respond to them?
The piano is an instrument that can easily sound overly thick, and I love to think that I can work with textures - particularly the inner textures inside the melody or the bass line. There is an analogy there with painting; I love paintings where you see colour underneath the colour and, underneath that, more texture and shape.
Special operations are small, highly specialized. They do amazing work when they're put into the fight, but it's a limited resource. And so if we become overly dependent on an organization that's designed for a very specific mission and expect them to solve all problems around the world, you're naturally going to overextend it.
Overly simplistic suggestions that we ban people from entering this country, based on religion, or ban people from an entire region of the world is counterproductive. It will not work. We need to build bridges to communities, to American-Muslim communities right now, to encourage them to help us in our homeland security efforts.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
So much of Hollywood is this kind of overly machismo, nonsensical view of masculinity, which I just don't find honest. I think it's this idea of - you know, we're told, well, 'Be a man, be a man.' But what does that mean, exactly? Does that mean you can't carry yourself with any fear? That you can't acknowledge that you're scared?
If you're going to have a book published in China, that means that you're going to be subject to in-house censorship at the publisher, and then also, of course, the government has an apparatus that is in charge of making sure that ideas that are considered disruptive or overly critical, that those don't get onto bookstore shelves.
I think there need to be more female action heroines out there that are intelligent and not overly masculine and things like that so I'd love to find - and real too. Not necessarily the superhero perfect archetype of what an action hero is represented as a lot of times. I would love to find that kind of action heroine role to play.
If there is evidence that an employee has broken the law, caused harm to veterans, or have violated the public trust, they should be terminated immediately. Instead, due to overly cumbersome and lengthy arbitrations as well as extensive bureaucratic red tape, VA has not been able to remove employees as quickly as we would have liked.
I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out.
I think, regardless of gender, women and men need to be brave, take chances with their work, and be open to feedback. But I do think 'politeness' is an issue that can hinder your work if you aren't careful. Kindness is important, but being overly polite - thinking you can't disagree with someone about your own work - be careful about that.
Wolves and women are relational by nature, inquiring, possessed of great endurance and strength. They are deeply intuitive, intensely concerned with their young, their mate and their pack. Yet both have been hounded, harassed and falsely imputed to be devouring and devious, overly aggressive, of less value than those who are their detractors.