Quotes of All Topics . Occasions . Authors
My birthday is always around Thanksgiving, and I always had to have turkey on my birthday. My mom was always, 'Let's celebrate your birthday on Thanksgiving.' My other siblings got to have special dinners they liked. I resented turkey. For a long time, I hated turkey. I've kind of gotten over it.
Part of us believes the new car is better because it lasts longer. But, in fact, that's the worst thing about the new car. It will stay around to disappoint you, whereas a trip to Europe is over. It evaporates. It has the good sense to go away, and you are left with nothing but a wonderful memory.
Technologically, I live in the 17th century; I don't have a computer, I don't have any of that stuff. I don't look at the Internet, although I know people tell me I'm all over it. Somebody told me they Googled me, and they said I was mentioned two million times, some stupid thing... but who cares?
Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire.' That's a chill song with kind of a military drum thing going on, like a drummer boy.
If, you know, all your life you're making films or whatever, and somehow along the way you lose meaning in whatever you're doing when you're making the films, they're just not the same as they used to be to you. That doesn't mean your life is over; it just means maybe go try to live a different life.
The idea of windows, that's so symbolic to me within labor. And I'm always opening windows during a birth. If someone's been in labor all night and they're exhausted and sort of over it, opening a window or drawing a curtain can change the game. And sometimes the doula is the first one to suggest it.
For narrative games, and also for the sake of the medium, we have to treat performance that way, as actors. You have to have a sense of ownership over it and believe that you're bringing something meaningful to it - because that's what all of the developers are doing, and that's what the story demands.
The physical part was one thing. Whatever - I broke my face; that'll heal. The mental aspect was the biggest shock to the system. You just don't know how to experience stuff like that. You don't have any control over it, either. It's just how your body and brain reacts to something like that happening.
For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
When I got to Activision, it was like a carnival. They had a recycling container filled with cans and a sign over it that said 'Activision Takeover Defense Fund.' Activision was making games based on passion and gut instinct. We needed to develop games based on P&L statements and what was going to sell.
Building a bridge, in my opinion, is a symbolic gesture, linked with the needs of people who cross over it, and with the idea of overcoming or surmounting obstacles. A modern bridge can also be a work of art. It helps to shape our daily lives and becomes a vital experience for all the people who use it.
For the first time in my life I tried whale. It was very chewy and quite fatty. My friend had had whale before, so I knew it would be quite blubbery. It was delicious. I loved it. It was smoked, so it had a lovely kind of tangy taste to it. We had it a couple of nights. I was won over. It was very yummy.
I was forced to lie to my father by doctors and relatives. I made that choice and agreed with them, and I will never, ever get over it. If I hear a lie in my life with my children, with my wife, my work, my audiences, I want to annihilate myself, vaporize myself, and wipe myself off the face of the earth.
I might even go for walks, just kind of come up with ideas in my head and then even sleep over it. And, yeah, the next day, when I wake up in the morning, I feel like that's when the ideas come, because you kind of wake up fresh and clean. You're not influenced from music on the radio or any other source.
In 1987 I got dartitis, a psychological condition which means you can't let your darts go properly. For a time, I wondered what the hell I was going to do if I didn't recover. But I remained positive and, thankfully, got over it. It occurred during the Swedish Open when I found I couldn't let the darts go.
A lot of times, somebody will say something and it will give you a good title. So you carry a pencil with you and jot that down. You don't just write a song right quick, though. You fool around and work with it. You have to keep going over and over it and see if you can't write a song that means something.
One of the things that happens to everyone who is grief-stricken, who has lost someone, is there comes a time when everyone else just wants you to get over it, but of course you don't get over it. You get stronger; you try and live on; you endure; you change; but you don't get over it. You carry it with you.
If I have my opinion about something, you have your opinion about something, we don't have to fight over it. And we can have a conversation. We can also disagree without being disagreeable, and we can just disagree, which is fine. It doesn't mean that I don't like you, or you don't like me. We just disagree.
My two best friends have gone through break-ups that were really hard, and I remember thinking, 'How could this be so hard and important to them?' Literally for months they were really upset and they couldn't get over it. I had no idea what it was like. And now that I've been through it, I totally understand.
I'll never forget the moment in 1985 when I was riding my motorbike down the King's Road and I first saw the words David Linley on the sign on my first shop. I nearly came off my bike. It was so incredibly public; I suddenly realised there was to be no stepping away from my work because my name was all over it.
I was onstage one night and was singing. I hit one note, and I just doubled over. It was like being punched hard in the back. I couldn't put my back up on the plane seat because of the pain. I got massages, thinking it was muscle spasms. The doctor told me at the time that it was my pancreas. I didn't even know.
I've been around long enough to know that a good deal of the praise heaped on me I had nothing to do with. The only thing I did object to was the fact that where the criticism was actually wrong. Did it bother me? Of course it bothered me. But I've been around long enough to have ups and downs. So you get over it.
The Midnight Express and the Rock 'n' Roll Express were the greatest tag team rivalry of all time and drew more money than any other tag team rivalry probably in history, and I did manage the WWF champion and WWF Tag Team champion at different points in time but my phone hasn't rung and I haven't lost sleep over it.
If the shot is going to be epic, if it's going to be awesome, and to make it epic and awesome you have to hit the ground and possibly hurt yourself, I choose to hit the ground and possibly hurt myself. Because in my silly stunt man mind, an epic shot that lives forever on film, I'll get over it in a couple of months!
I sit my three sons down and say, 'Listen to me. When the police stop you, immediately comply. Don't walk away, don't smart-mouth; get your hands up and get down on the ground.' If you're not black, you might not have to have that conversation, but I go over and over it with them because I don't want that phone call.
Believe it or not, I loved my Jheri curl and thought it was beautiful on me. It actually made my hair grow like crazy. What they didn't tell you back then was that once you get the Jheri curl, there's no way of getting rid of it, so when I was over it, I ended up having to cut off all my hair and start all over again.
I think it's harder to forgive ourselves for mistakes that we made because we keep dwelling on it. We want to know how it affects other people, if they liked us for it, if they didn't like us. I think we stress over it, we replay it in our mind. It becomes an old tape that years later we continue to play it in our mind.
I don't sing now, because I had polio when I was 15, bulbar polio. This was when the epidemic was happening. And I was lucky that it didn't affect my lungs or my legs. It went to my face and kind of paralyzed my vocal chords, and I wasn't able to sing. And they said I was very lucky that I would get over it, which I did.
In Tanzania, the chimps are isolated in a very tiny patch of forest. I flew over it 13 years ago and realized that, basically, all the trees had gone, that people all around the park are struggling to survive. It became very clear that there was no way to protect the chimps while the people were in this dire circumstance.
I spend a lot of my time thinking about how to spend my time. Probably too much - I probably obsess over it. My friends think I do. But I feel like I kind of have to, because these days, it feels like little bits of my time kind of slip away from me, and when that happens, it feels like parts of my life are slipping away.
I went back to my ex a couple of times, and regardless of how many times you hear from your parents or your best friends or whoever that 'Oh, you should let it go and be over it and let him go. Move past it and find somebody new.' Regardless of the advice that you're given, you kind of have to do whatever makes you happy.
It doesn't eat at me. As a competitor, it drives you. It's hard to say this without someone saying, 'Golly, he doesn't care that much.' I want to win a championship for our team, for our organization. I want us to win one bad. But do I lose sleep over it? Or would I be miserable one day if I never did it? The answer is no.
A woman's body never really belongs to herself. As an infant, my body was my mother's, a detachable extension of her own, a digestive passage clamped and unclamped from her body. My parents would watch over it, watch over what went into and out of it, and as I grew up, I would be expected to carry on their watching by myself.
I think that there should be this thing for cover-ups on tattoos. I want to develop it. It's like a skin-toned transfer, and then all the make-up artist has to do is airbrush over it to blend it into the skin. There's nothing like that. At the moment, you literally have to go red and get it to skin color, which takes forever.
My mother did like to make clothes, and in I think the worst picture I've ever seen of myself - I must have been eight or nine - she'd dressed me in a matching t-shirt and Bermuda shorts ensemble which I think looked like somebody had thrown up all over it. I was so glad when that sewing machine stopped working, I have to say.
I do have a treadmill desk in my office, and for a while, I would walk on it while checking email and going through jokes. I haven't walked on it in probably four months. Now it's more of an upright dining table for me. At some point, moss will grow over it, birds will build nests, and nature will reclaim the treadmill as its own.
I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.
Hmm... my bedroom's really messy. It's probably the messiest bedroom you could ever think of. Like, you think it's messy, but when you go there, you can't see one bit of floor anywhere. Clothes, makeup... I'm getting sent loads of clothes and stuff, so it's just piling up everywhere. I've to jump over it in order to get into my bed.
I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
Once you just tell yourself, 'OK, I'm going to have a breakdown right now, and I'm going to cry for an hour, put my phone away. I'm going to go swimming, and then I'm gonna make my family dinner and lay on the couch and watch 'Ru Paul's Drag Race,' once you accept that it's not the day and you can just have a breakdown, you're over it.
The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil.
When I started my career in television, there was a certain type of stories that were told. Who would have thought that one day I would get a chance to make a film on a story that is based on nothing, just a slap - a habit or practice that has been normalized for so long that if the woman gets upset over it, society says she is 'over-reacting.'
A lot of people probably get the idea that I'm this extremely calculated kind of guy, and in a lot of ways, I am. But when it comes to music or artistic expression, I'm very uncalculated and do things very spontaneous. If I didn't do that, I wouldn't want to do this anymore. I can't just play the same thing over and over; it would drive me crazy.