Quotes of All Topics . Occasions . Authors
I feel many responsibilities - to our customers, to our employees, to the environment, to the world at large. But I don't want to feel responsible to investors, to outsiders with financial concerns that may differ from those of the welfare of IKEA.
Economists have put themselves in a position where what they are doing is supposed to be impossible to understand for outsiders, so they don't even talk - sometimes not even with their girlfriend or boyfriend or friends - about what they are doing.
People who are feeling bullied and people who feel like outsiders should talk to their parents and guardians about finding a place with likeminded people where they can feel accepted. That's what I needed, and that's what I found with musical theater.
If I were a star kid, I wouldn't have tried so many things. I would have done theatre and directly joined movies. I did radio and TV shows because I had to carve my own way. Outsiders like me have to reach Bollywood through modelling, theatre, or radio.
I've always - and not always happily - considered myself an outsider. Certainly at Fettes. And then the Scots are always outsiders in England. They are always putting you in your place in one way or another, and there is this pretty rigid class hierarchy.
Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
The Ocaina and many of the other indigenous peoples of the Amazon were nearly wiped out during the rubber boom in the late 19th and early 20th centuries. Outsiders came into the jungle, enslaved the tribes to harvest the rubber and killed those that resisted.
We knew we were doing something that would make an impact, because of Francis [Ford Coppola], but I don't think we were surprised by how well the movie [The Outsiders] did, but I think we would all say we were surprised at how well we all did coming out of it.
A lot of the main characters in horror movies are outsiders as well, so that outsider syndrome reverberates within horror fans and geeky collectors. It's kind of a rallying call that brings fans and collectors together who are a little socially retarded, maybe.
I go through phases where I'll overuse words. S.E. Hinton, who wrote The Outsiders - she and I have been in contact for the 50th anniversary of the book - and she said, "You still owe me the 10 dollars that we bet that you couldn't stop saying the word 'gnarly.'"
Audiences want great story telling; it's why white people watch my show 'Black in America.' It's why black people watch 'Latina in America.' All of that is statistically shown and proven but it was because it was good story telling about people who were outsiders.
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
The only news most people ever hear about the inner city comes from grim headlines; the only residents they can name are characters on 'The Wire.' Of course, ignorance of a community doesn't stop outsiders from having opinions about it or passing laws that govern it.
It was easy to believe, between lessons on Shakespeare and Dickens and Austen, that all of the great stories had already been written by dead Europeans. But every time I saw 'The Outsiders', I knew better. It was the first time I'd realized that real people write books.
For the better part of two centuries, outsiders have been offering explanations that range from racist to learned-sounding - the supposed inferiority of blacks, the heritage of slavery, overpopulation - for why Haiti remains the poorest country in the Western Hemisphere.
One of the saddest things I've seen in Amazonian cultures is people who were self-sufficient and happy that now think of themselves as poor and become dissatisfied with their lives. What worries me is outsiders trying to impose their values and materialism on the Piraha.
Being an outsider to some extent, someone who does not "fit in" with others or is rejected by them for whatever reason, makes life difficult, but it also places you at an advantage as far as enlightenment is concerned. It takes you out of unconsciousness almost by force.
And I was very comfortable with this band even when we disagreed. It takes a long time to feel comfortable enough to disagree with somebody. When everything happened, it just was really confusing. It's like our weaknesses were nurtured and brought out front by outsiders.
From a purely external point of view there is no will; and to find will in any phenomenon requires a certain empathy; we observe aman's actions and place ourselves partly but not wholly in his position; or we act, and place ourselves partly in the position of an outsider.
I was not familiar with the book [before filming in The Outsiders] , though. Interestingly, The Outsiders had not reached the point where it is now, where it's required reading in sixth and seventh grades. In my sixth and seventh grade, we did not, but today everyone does.
Things are difficult for outsiders in the industry, and it is very evident, too. It does not mean that insiders have it easy or that it's impossible for outsiders to break in. More often than not, the difference is about how successes and failures are viewed and magnified.
To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.
I'm trying to be more put-together. My closets are very messy. I like Rebecca Minkoff; her clothes are casual, but cool. I love Band of Outsiders. And ASOS makes a lot of good stuff. I can get lost on their website for hours. I don't like to spend a lot of money on clothes.
The consequences for failure are very different if you're a woman or a person of color than they are if you're a guy. If you're a guy who makes a mistake, you get a second chance. Often, for those of us who are outsiders, we make a mistake, and that's the end of the conversation.
Because of the dynamics on the picket line all my life, I had these expectations of people. It was all the things that I had learned about outsiders from the time I was tiny, that they were evil, that if they were being nice to me they were trying to seduce me away from the truth.
'Outsiders,' I guess, is sort of dark, but I don't really think of it as dark. The world up there on that mountain, it had the potential to have a lot of fun as well as a lot of drama, these guys raiding the town in their ATVs with their tattoos. It seemed like something different.
It is not astonishing that there are many journalists who have become human failures and worthless men. Rather, it is astonishing that, despite all this, this very stratum includes such a great number of valuable and quite genuine men, a fact that outsiders would not so easily guess.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
People love to talk about the things that are important to them, but oftentimes as a journalist, if you're entering a world that's pretty esoteric and difficult to penetrate and has many barriers to outsiders, then the people inside that world just don't have the same language as you do.
I've been quite lucky in that the roles that I've been able to play are all kind of outsiders. And, you know, I belong to so many places and belong to none of them at the same time, so there's this sense of displacement - I very much understand what it is to not fit in or belong somewhere.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
I always tend to write about outsiders. And what's been fun for me is, as I travel around and visit schools, is that other kids that feel the same way relate to some of my characters, and so I hope in some way that's helping them when they want to read about somebody that they can relate to.
We have experienced the truth of this prophecy, for England has become the habitation of outsiders and the dominion of foreigners. Today, no Englishman is earl, bishop, or abbott, and newcomers gnaw away at the riches and very innards of England; nor is there any hope for an end of this misery.
Given the importance of Washington, outsiders probably have an unrealistic perspective on how large the city is. The fact is, Washington D.C. is a small town, and most everyone knows most everyone else. That person of the other party who you despise will someday be at your daughter's birthday party.
Working on 'NYPD Blue' and '24', those two series, I did full runs on those. It's great work, but everything has to align. The producers have to want you; the network has to want you; there has to be great writing; and it's not as easy as it may appear to the outsiders to make all those things align.
The hero of the 'Peanuts' is Charlie Brown. I play the dog that sleeps on the top of his dog box who's a philosopher. I'm drawn to that. So I'm drawn to Barbossa as I'm drawn to Einstein, because they are outsiders, and I suppose, as a character actor, that's the turf that you're locked into, in a way.
I think a lot of people in their lives feel like they don't fit in, even if it looks like they do. People feel like outsiders even if others think we, the lives we live, have everything. If they are popular or they have everything they are supposed to have. Even then, people still don't feel quite included.
I believe in the utmost importance of one human being's actions toward another. This is actually what I believe in. How we handle one another, that's what makes us feel isolated, feel like outsiders sometimes. These questions are overwhelming. "What do you do in this world?" I believe in that more than anything.
One thing about hanging out with a bunch of clean drug addicts, everyone is just super similar to you. So that has been awesome. I've made a lot of friends who are coming from an extremely similar place, even if they seem externally very different. I know I am an outsider in a number of ways, but I don't feel weird.
I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'
I see parallels between Karachi and the cities that I was familiar with: a very different place, but in terms of its human stories not really very different at all. That was what excited me about the place - that it was so complex, as difficult to me as an outsider and yet so human in a way that was ultimately very familiar.
The thematic core of 'X-Men' is tolerance. It's that for those of us who are different in any way - in a big way, whether it's you're a minority, you're a woman, you're a Muslim, you are suppressed or marginalized - it can go the whole spectrum - but even if you are shy or you feel like an outsider - and X-Men are outsiders.
I'm not an insider. I'm not on the board. I'm an outsider. That implies a certain kind of separation ... because the company can't, without an appropriate nondisclosure and trading rules, share confidential data with me that it would not share with any other shareholder. You could say that implies a certain kind of separation.
One thing you learn about doing nonfiction is that you've got to get it right, fact-check, do your research. You've got to not only get the facts right but represent the subject to the world in a way that insiders feel like it's an access port and outsiders can access it. If you're too insider, you block access to anyone else.
Skaters, I think they tend to be outsiders who seek a sense of belonging, but belonging on their own terms, and real respect is given by how much we take what other guys do, these basic tricks, 360 flips, we take that, we make it our own, and then we contribute back to the community the inner way that edifies the community itself.
In period pieces or genre pieces, those have to be set in historical truths. But, science fiction has different game pieces. And with those game pieces come other stories we're not familiar with. So, science fiction teaches us how to relate to outsiders, to foreigners, and to not approach any of that with fear, but a genuine curiosity.
I suppose the book I really remember loving as a child was one called 'The Outsiders' by S.E. Hinton, about a gang of kids from the wrong side of the tracks in Sixties Oklahoma. I grew up in the Eighties in Nottinghamshire, but this tale of troubled, but essentially good, kids - or 'greasers' - was something I completely connected with.
I would like to remind you that both assimilation and integration apply to the working classes in the nineteenth century, at least in Britain and also Germany. Like most outsider groups compared with the establishment, the working classes were treated more or less with the same kind of stigmatization as immigrant groups are treated today.
In the era of Donald Trump the echoes of Westboro are undeniable: the division of the world into Us and Them; the vilification of compromise; the knee-jerk expulsion of insiders who violate group orthodoxy; and the demonization of outsiders and the inability to substantively engage with their ideas, because we simply cannot step outside of our own.
The outsider may indeed wonder at this seeming much ado about nothing. What a tempest in a tea-cup! he will say. But when we consider how small after all the cup of human enjoyment is, how soon overflowed with tears, how easily drained to the dregs in our quenchless thirst for infinity, we shall not blame ourselves for making so much of the tea-cup.