Definitely, as an Indian, I'm seen as an outsider, and definitely, the jeers come from that. But I enjoy it; I even encourage it. Whatever noise they make when I'm in the ring, it motivates me, drives me to do better.

When you come into the industry as an outsider, you need to have an entrepreneurial spirit to succeed. In Hollywood, it's very clear that you either play by the rules or make up your own. And I wanted to do it my way.

I've always been an outsider. When I did magic, I was the only kid. When I worked with Johnny Cash, I was completely out of place in Nashville. And when I started Def Jam, I was the only white guy in the hip-hop world.

I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.

I allegedly am an outsider writer, so I write from the perspective of somebody who doesn't completely fit in. But at the same time, I can state the fact that I don't know of any good writer who is not an outsider writer.

Whenever a Gujarati or Sikh businessman comes to a Republican event, it begins with an appeal to Jesus Christ. While the Democrats are really good at making the outsider feel at home, the Republicans make little or no effort.

When you're an outsider, you don't have loyalties to anyone, so you can be cruelly honest if need be. The more you get inside, the more you are involved in polite networks of professional coercion that make people less honest.

In preseason camp, there are no friends. when newcomers arrive trying to take not only your job, but maybe your best friend's job, you work together to try to help each other. Everyone is an outsider until you're given a uniform.

I am an outsider. I was never offered the kind of roles where I could play the glamorous diva, because there are already so many of them doing it - and doing it well. So I had to bring to the table much more than just looking good.

They see you as one thing, and you continue to do that. Do you want to play this really awkward, offbeat outsider? Yeah. I can - but I can do other things. It's having people trust that you can do other things, or proving it to them.

On 'Dawson's Creek,' those kids were supposed to be outsider kids - you know, wrong-side-of-the-track kids, weirdo kids. And I just felt like there's no universe out there where Katie Holmes isn't the prom queen, hottest girl in school.

I was always in new schools and had British parents, which was not the norm, and I think there was also... I'm not particularly religious, but I was born Jewish, and I always felt like the outsider because I wasn't Christian or Catholic.

I found it very easy to transform into creeps and weirdos and losers and goof-balls, and I'm happy to play eccentric kinds of characters, and I have a great affinity for the outsider, but I definitely am about expanding my range as well.

During my childhood in Cyprus, the British talked about the Cypriots as if the Cypriots were outsiders in their own country. And even though I was born in Cyprus, my parents were American, and so I was an outsider in the land of my birth.

My father was in the service. His job was to integrate the Armed Forces overseas. So that meant we showed up at military bases in Okinawa or Germany, racially unannounced. That made me, in that particular society if you will, the outsider.

As a songwriter, pop music really is a love and a joy and a science, and I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural.

When you work this intensely on something, the recording process becomes a bit like cabin fever. I shut everything out and, for a while, I totally lost perspective. To an outsider, I imagine the whole recording process sounds like torture.

As teenagers, we all see ourselves as outsiders... and it's very easy to look at other people who are more popular, who have more pocket money, and it makes you feel even more like an outsider, and it does shape who you become as a person.

I think I became an entrepreneur because I have my way of doing business... to do that, you have to have your own company. But if you have your own company, you're an outsider in the Japanese business world. It's difficult. But that's life.

Turing was always a legend among computer/geeky kids. He was such an outsider in his own time, and because of that, he was able to see things differently. It was a story that had been well told in books, onstage and on TV, but never on film.

In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.

I've always felt a bit of an outsider. It used to worry me that, in terms of TV, I did not look like 'the girlfriend' or 'the daughter'. That pushed me to write my own stuff, as I thought no one else was going to write me a lead in the sitcom.

I don't know if I was so much of an outsider until after I started doing films. That put me on the outside. I grew up in Texas, and I wasn't the child of industry parents, and I didn't have a lot of friends in the industry or anything like that.

This paranoid Islam, which blames outsider, 'infidels', for all the ills of Muslim societies, and whose proposed remedy is the closing of those societies to the rival project of modernity, is presently the fastest growing version of Islam in the world.

Comedy is a reaction to the world, and I think it really helps to be an outsider. I've always been very interested in people's behavior, to the point of being obsessed - seeing what people needed and reading them, I think that's the backbone of comedy.

It's like you always have to put on a happy face, be the phony baloney, and I'm so not that. I never was that; I'll never be that. That is part of the business that I don't like. Maybe that will always keep me an outsider, I don't know. But that's fine.

Once I started to retire, I was telling all of the girls in my generation, 'Wow I feel like an outsider in this locker room because this whole new generation of women has stepped in,' and that was one of the signs where I said maybe it's time to retire.

It is okay to be an outsider, a recent arrival, new on the scene - and not just okay, but something to be thankful for... Because being an insider can so easily mean collapsing the horizons, can so easily mean accepting the presumptions of your province.

I've always - and not always happily - considered myself an outsider. Certainly at Fettes. And then the Scots are always outsiders in England. They are always putting you in your place in one way or another, and there is this pretty rigid class hierarchy.

I was such a wallflower in high school. I did a lot of extracurricular theatre shows, but at school, I spent a lot of time by myself. I ate lunch by myself, and I was always okay with it. But I was definitely made fun of, and I always felt like an outsider.

I would say that although my music may be or may have been part of the cultural background fabric of the gay community, I consider myself an outsider who belongs everywhere and nowhere... Being a human being is what truly counts. That's where you'll find me.

I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.

I feel like my life experience is that of an outsider. Let me explain: my parents are from Panama, and they moved to the United States the year after I was born. They moved into an all-white neighborhood, where the previous black family had a cross burned on their lawn.

I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland.

I grew up in the Fifties, and the majority of people in my class had fathers living at home. I was very aware that I was in the minority. I had a foreign name, and my daddy didn't come and pick me up from school. I felt like an outsider, which probably helped me as an actress.

I'm just trying to have fun, and maybe the way I hold myself kind of freaks people out. I don't feel like an outsider, and I think my friends feel the same way I do. Now that we're playing to larger audiences, maybe we're weird to some people. But I'm trying to express what I am.

If you look at why many Kentuckians voted for President Trump, for example, they voted for an outsider. They voted for somebody who was gonna shake up the system. He promised to drain the swamp. And, you know, my message is you can't do that until you get rid of Senator McConnell.

Among tech-minded kids, I think Alan Turing was a tremendous inspiration. He was a guy that was so different than the people around him. He was an outsider in his own time, but because he was an outsider is precisely why he was able to accomplish things nobody thought was possible.

My characteristics as a scientist stem from a non-conformist upbringing, a sense of being something of an outsider, and looking for different perceptions in everything from novels, to art to experimental results. I like complexity and am delighted by the unexpected. Ideas interest me.

Difficulty empathising translates into a whole set of hurdles. You might be last person to get the point of a joke, which can leave you feeling like an outsider. You might end up saying something that another person finds hurtful or offensive, when that was the last thing you intended.

I grew up in a small town in a low-income family and was the only black kid in my elementary school. I felt like an outsider, and since I didn't know of LGBT people - much less LGBT black women - living happy, healthy, and successful lives, I didn't believe I could ever marry or have a child.

The character we've always thought of as the Wicked Witch of the West is a green girl who's actually very good, misunderstood, and trying to make her way in the world. She's an outsider looking in, wanting to be loved. That's a universal experience that everyone's felt at some point in their lives.

I don't have any authority to talk about the domestic policies of America. But as an outsider, I am mystified by the fact that you are encouraged to buy a gun, but if you use it for the purpose that it is expressly designed for, you get the death penalty. That aspect of America is kind of mystifying.

Mainstream American society finds it easiest to be tolerant when the outsider chooses to minimize the differences that separate him from the majority. The country club opens its doors to Jews. The university welcomes African-Americans. Heterosexuals extend the privilege of marriage to the gay community.

In Europe, I am an outsider. I don't really understand anything that I am seeing. I can be welcomed into people's homes, I can be met with suspicion, I can be taken somewhere else altogether. There is always wonderment there for me, even if the person I am photographing may not see it or be aware of it.

There are many countries where you can only believe more or you can believe less. But in the United States we have this incredible smorgasbord, and it really interests me why people are drawn to one faith rather than another, especially to a system of belief that to an outsider seems absurd or dangerous.

Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.

The problem with the Dorises and the Nicki Minajes and Mileys is that they reach their goal very quickly. There is no long-term vision, and they forget that once you get into that whirlpool, then you have to fight the system that solidifies around you in order to keep being the outsider you claim you represent.

Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.

For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'

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