I'm a great believer in outlines.

Don't write outlines; I hate outlines.

Nature has no outline. Imagination has.

I have an outline but never use a teleprompter. That kills the connection.

I'm slightly in awe of writers, such as Sophie Hannah, who follow outlines.

I'm a regular guy; I like well-defined outlines. I'm old-fashioned, bourgeois.

I never know what's going to happen in a novel. I don't have a plan or an outline.

There was hope in him, and soon perhaps the outline of his journey would take form.

I always work from outline and almost always write out of sequence. It just works for me.

I always begin [a novel] with outlines, but they change and so do my endings and beginnings.

I remember on 'Dr. Katz,' there was no script really at all. There were just scene outlines.

I don't think I'm anything like the improviser. I'm not. I do better with at least an outline.

There is an eternal landscape, a geography of the soul; we search for its outlines all our lives.

I do outlines when I'm writing with someone, but they also need to have a certain amount of freedom.

Color in certain places has the great value of making the outlines and structural planes seem more energetic.

I am not very good at sticking to outlines, and I double back all the time to revisit scenes and change things.

To all that he touched he gave a new meaning, a new color, a new outline, a new loveliness, and a new poignancy.

My outlines can be 10-20 pages in length and focus primarily on the physical active plot over the emotional plot.

The future is an opaque mirror. Anyone who tries to look into it sees nothing but the dim outlines of an old and worried face.

I make extensive outlines before I write a book. I usually know what will happen. I know the characters, and I know what they are about.

My mum was methodical in making sure we did our homework perfectly. She would do outlines to help us. When we were younger, she used flash cards.

I've often wished when I started a book I knew what was going to happen. I talked to writers who write 80-page outlines, and I'm just in awe of that.

Every book is like starting over again. I've written books every way possible - from using tight outlines to writing from the seat of my pants. Both ways work.

I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.

I get to listen and enjoy music that is partially mine. Maybe influenced and guided. I created some simple outlines, but ultimately, I'm hearing a derivative work.

When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.

On 'Modern Family,' we have outlines, really strong outlines, when we go off to draft, so you have a reasonable expectation that that will be the story of your episode.

Our retinas and brains have been wired by a hundred million years of evolution to find outlines in a visually complex landscape. This helps us to recognize prey and predators.

I'm one of those writers who tends to be really good at making outlines and sticking to them. I'm very good at doing that, but I don't like it. It sort of takes a lot of the fun out.

For 'The Big Wander,' I probably had ten different outlines before I made myself start writing. I would sleep on each one, thinking it was wonderful, but I would always awake perceiving some flaw.

That's why I hate the outlines and treatments, because all you get are cliches. If you put things down on paper as your plan, it's very hard to get those ideas out of your head and do something better.

Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.

As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.

I used to always make art for girls. That was the thing I did for girls to like me. I did portraits, drawings, letters that formed outlines of significant things in our relationship. Art. I just used art in general. It usually worked.

The outlines of the needed psychology of becoming can be discovered by looking within ourselves; for it is knowledge of our own uniqueness that supplies the first, and probably the best, hints for acquiring orderly knowledge of others.

Wikipedia's a collaborative experiment akin to Simon Winchester's account of the creation of the Oxford English Dictionary in 'The Professor and the Madman,' which outlines James Murray's mission to produce the tome in the 19th century.

The broad outlines of the Double Cross deception have been known since 1972, when Sir John Masterman, the former chairman of the double agent committee, controversially published his account of the operation in defiance of official secrecy.

Our citizens and those who have gone before us charted the broad outlines of where we need to go, and they would envy our opportunity to translate those dreams into action. And I believe they will judge us very harshly should we fail to act.

There are issues the EPA should be dealing with. When I talk about the EPA and its role with the states, it's not an abolitionist view, that we don't need that agency. It's that the agency should act within the outlines established by Congress.

Due to the sweeping time frame and the voices moving back and forth, the outline for 'The Invention of Wings' was the strangest one I've ever done. I created six large, separate outlines, one for each part of the book, and hung them around my study.

In effect, Saudi Arabia legitimizes fundamentalism, religious discrimination, intolerance and the oppression of women. Saudi women not only can't drive, but are also told by some clerics that they mustn't wear seatbelts for fear of showing the outlines of their bodies.

Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.

It's been vindicating to see the reaction from lawmakers, judges, public bodies around the world, civil liberties activists who have said it's true that we have a right to at least know the broad outlines of what our government's doing in our name and what it's doing against us.

As soon as you come into the England team, the ICC get hold of you; you're put through this video, which is very watchable, very clear - it takes you back to when you were five or six, that's how clear it is. It outlines everything you're not allowed to do, everything you are allowed to do.

I have notebooks and sketchbooks for ideas. I also have drawers full of envelopes covered in quick outlines, scenes or scraps of dialogue that I don't want to forget. I tend to grab whatever's to hand and just get the thing down before it's lost. It's not what you would call a streamlined system.

Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.

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