Quotes of All Topics . Occasions . Authors
One of my favorite things about working on 'Glory Daze' is getting to wear amazing '80s outfits coupled with fabulously over-the-top hair and makeup. My wardrobe usually consists of colorful sweaters, denim skirts, high-waisted shorts, crop tops, dangly earrings, jean jackets, and, of course, panty hose and shoulder pads.
Ever since I was a kid I just thought that women had the better outfits, women had the better hair, women got to wear makeup. I just got jealous of what women got to do onstage. You dress up a man and ultimately it's just a different variation on the same kind of suit. There's a whole wide world of what women wear onstage.
In one week, I went from being a girl who owed a guy thousands of dollars - my manager Anthony was paying for my outfits, paying for my food; I was sleeping in his parents' basement - to taking meetings with every major label in America. The next morning, I had a record deal and wrote him a cheque to pay back all that money.
I wear pink on Saturdays for breast cancer, and I wear blue on Sundays. I'm superstitious. At the Evian tournament in 2010, in which I came in second, I wore baby blue on a Sunday. And ever since then, I've worn it every Sunday. Puma sponsors me, so I wear all their outfits in bright colors. I wear matching hair ribbons, too.
Colorful garments - ball gowns, kimonos, evening pajamas - made from yards upon yards of iridescent silk or velvet. I own an unjustifiable number of such outfits and jump at the chance to wear them. Against the etiquette about which I am otherwise all too conscious, I frequently, and unrepentantly, overdress for the occasion.
My mother had found this album of all these old slides from the '50s of me as a kid and I said, 'We should have these made into pictures because the color's so beautiful.' There were pictures of me from 1955 as a little baby wearing all these elaborate outfits, and in these pictures was this amazing story of a gay man and his mother.
I think 'Heroes of Cosplay' will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.
The death industry markets caskets and embalming under the rubric of helping bodies look 'natural,' but our current death customs are as natural as training majestic creatures like bears and elephants to dance in cute little outfits, or erecting replicas of the Eiffel Tower and Venetian canals in the middle of the harsh American desert.
