Quotes of All Topics . Occasions . Authors
My solo music - I get up onstage, I improvise and it's my improvisation. When I get up onstage with Fred Frith and Mike Patton, then we're improvising together. Then it's not my music; it's our music.
Don't get me wrong - we love our hip-hop, but in its own context. Rap has no place in our music. Is what we do rhythmic? Sure. Is it syncopated? Certainly. But our music has nothing to do with hip-hop.
As we grow, our music grows, and it's very natural and organic, and it's nothing that's forced, which is really, really important to us because we don't want to just do something drastic just to do it.
I'm certainly treated differently to the boys in the band. People make assumptions about what I do and don't do within our projects. We produce our music together and I direct and edit the music videos.
I mean, you go to the internet and you can see all these conversations and arguments that our fans have about our music and that's wonderful to know, that people would take the time to be that involved.
I think the idea is now for blacks to write about the history of our music. It's time for that, because whites have been doing it all the time. It's time for us to do it ourselves and tell it like it is.
It sounds kind of cliche, and a lot of people say it about our music, but I think a good place to hear our music for the first time is on vacation, or somewhere warm, on the beach or something like that.
If melody is going out of our songs, if meaning of lyrics are getting trivialized, if golden voice is missing from our music and bad content creeps in, all of us should fight it together to stem the rot.
It was easy for people to be derisive about our music because they saw what we were doing as retro. But we were like barbarians trying to crash the gates of the bloated progressive rock that we despised.
I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over.
Comedy is a live art, and the only way to record a comedy rock album is to do it live. The audience and their laughter is just as much a part of the album sound as our music. No retakes, no room for error.
I had this all-American cheerleader girl, in Georgia or somewhere, coming up to me and asking for guest list at a show. I never thought our music would reach out to such a broad variety of people like that.
The way people receive our music is different and some people may say that our music is not metal. But I feel that those reviews allow us to challenge ourselves and gives us an opportunity to grow even more.
We've matured musically, as well as in the way we think. We've also developed a higher sense of responsibility. This has refined us and these developments are really being reflected in our music and our dance.
We were never hip, which is fine with me. We aren't that interested in that whole situation. But all the times how we tried and failed to get across in our music, we actually succeeded on 'Superstar Car Wash.'
I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
It's definitely a hard pill to swallow; the son of John Lennon and a model having a band together is a cliche. But I think that once people get past that I think there's been a really warm reception to our music.
The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.
A lot of our music came out of a lot of weird psychology and weird emotions. When you play the whole body of work, you get tossed all over the place. It's not easy listening. It's not even comfortable to listen to.
When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.
Once a week, I don't eat for 24 or 30 hours. Your brain becomes very lucid about ideas. It also made me so grateful for food and for life, basically, and that's why a lot more joy is coming through our music, I think.
I want everyone to feel very welcomed in the space of our music and our songs, it doesn't matter what you believe or think, I just want to cultivate a space of peace and to touch on these things that bind us as humans.
Three 6 Mafia have been around for a long time; we've made a lot of music. Anybody's music can influence anybody. I've heard people say that our music has influenced such and such, and it could be true, and it could not.
But we got up there and decided to stick to this mix of power chords and funk and that's where it really started for us. In having the courage to take that decision. To take a gamble not just with our music but our lives.
Babymetal's music is something that no artist has attempted in the past, uniting people as one by crossing language barriers and national boundaries. It was a huge revelation when we realized that our music has such power.
Every day, we hear that somebody got saved to our music from all over the world. The music reaches people. It can encourage them. I feel like I have to do it because there's somebody out there who needs to hear the gospel.
I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.
Our music did not sound like the Beatles in any way, shape or form. I could never find it in myself to use those Beatles tricks in Styx records because they were sacred to me. But what they did always influenced my thinking.
I think it's because all our music videos have chubby girls wearing crazy makeup and crazy gay dudes and trannies that are overly stylized and over-the-top. Being compared to John Waters and girl groups isn't a bad thing, though.
Some of our songs are empowering, but I feel like more so than our music, it's who we are. We're four women who are completely different ethnicities, completely different body types, completely different walks of life and opinions.
There's a lot of spirituality and hope in our music that I think people are catching on to. It's not punk, it's not Green Day, not Offspring, not Soundgarden, not Stone Temple Pilots, not all of the other bands that are coming out.
This band is a real collaboration, and I'm greatful to anybody who can appreciate our music. It doesn't have to be a certain kind of fan or person or anything. I think there's a little bit of something for everybody on this record.
Most of our music is about how we perceive the world and how we try to persist as normal, average human beings. So our fans inspire us and give us a direction to go as musicians. And of course, their love and support keeps us going.
Well, to be honest with you, yes there is and there is not. But as I am a fan of this kind of music as well as the rest of the guys naturally are - and being a fan, we kind of get pleased by our music as fans and as being in SLAYER.
The only time we actually even think about our music is in interviews. We have to explain why we do what we do, even though it seems pointless to us to explain it. The rest of the time we just do what we do and don't worry about it.
Telugu and Tamil industries keenly watch Malayalam movies and are appreciative of the content, be it 'Ustad Hotel,' 'Premam' or 'Bangalore Days.' They've also been listening to our music. That's how I was approached for Telugu films.
The industry is starting to be more open to what we do. I just don't want us to be boxed in whatever people assume Christian rap should be. We're dudes who love hip hop, and we love Jesus, and that's going to be apparent in our music.
We've always considered our music to be a healing process. It's our 'tool' to work things out with each other and try to communicate with each other and learn things. And it's good for everyone - us and our audience - to get together.
When we were trying to come up with a concept for our music video for 'The Stage' we basically run through a lot of different ideas, and ultimately, I sat and studied the lyrics that Matt had written - and they really resonated with me.
We were worried at first that our music and message wouldn't get across because we were singing in Japanese. But as we continued doing world tours, we realized and felt that music surpasses such things as language barriers, countries and race.
Often, with our music, there's quite a lot going on, so people hear melodies that sound up and catchy, and production, and maybe don't really listen to what the songs are about, so it's nice to sing a song like 'The Currents' and really mean it.
And why is our music called world music? I think people are being polite. What they want to say is that it's third world music. Like they use to call us under developed countries, now it has changed to developing countries, it's much more polite.
Balance is key. Balance is a virtue. Balance is next to godliness, maybe. We should all aspire to better balance. Too much of what is said in this world is one-sided, and we need more balance - in our speech, in our music, in our art, in everything.
There's been times when I've been standing in a line at a movie and someone's hit me with something really heavy about someone really close and how our music has helped them get through it. Even in our darkest moments we try and find something beautiful.
Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
Mostly, whenever I'm booked to do instruction, I just play a little bit and get people to ask questions. We'll play some music for 'em, 'til somebody hollers out, 'Play 'Milk Cow Blues' or 'Play 'San Antonio Rose.' We play requests and demonstrate our music.
Jeezy just recognized my grind, and I jumped on board with him to enhance it. Artistically, we're in the same mind frame. We come from very similar backgrounds - poverty. That's something that we can both relate to, something that we can convey in our music.
We didn't want to just be a cover group, we wanted to do our music, to be a band. Once we were able to do it, it was a little scary, but it was also something inspiring - something new, fresh for us to get into. It was amazing to see the reaction of our fans.
I only get compared to women, which is crazy because often the women they compare me to... we just have a similar hairstyle. Whether it's Joni Mitchell or Florence and the Machine - our music doesn't always sound anything alike. But we just all have long hair.