I'd always been a great fan of George Orwell.

Orwell has always been a huge influence on me.

Imagine a world without art: it's George Orwell's nightmare!

I want to read Keats and Wordsworth, Hemingway, George Orwell.

Orwell is almost our litmus test. Some of his satirical writing looks like reality these days.

George Orwell is a pinnacle writer, for his combination of moral insight and literary writing.

Orwell had a very accurate foresight of today's dystopian world we live in. If only he was around to see it.

Every street in London has a camera, and if you ever travel up the M4, it feels as if George Orwell should be your chauffeur.

I've always been interested in those Orwellian dystopian novels, like 'Fahrenheit 451,' 'Brave New World,' and obviously Orwell's '1984.'

When I was a kid, there were really only two possible futures in the foreground, which were Orwell's '1984' and Huxley's 'Brave New World'.

In 1939, Orwell wrote a long essay titled 'Inside the Whale,' about modernism, the nineteen-thirties, Henry Miller, and 'Tropic of Cancer.'

Dystopian novels, such as Orwell's 'Nineteen Eighty-Four,' often tend to site their despotised or deformed civilisations in urban environments.

One of my favorite books is 'Nineteen Eighty-Four' by George Orwell, and 'Catcher in the Rye,' obviously, is a big influence and is one of my favorites.

Orwell was the sort of man who was full of grievances. He was very loyal. Once he got to know you, he was extremely loyal. He hated passionately and irrationally.

George Orwell's contention was that it is a sure sign of trouble when things can no longer be called by their right names and described in plain, forthright speech.

I read all the time so it's difficult to say who my all-time favourites are. One is George Orwell, because he makes political writing so simple a child could understand it.

I think that the basement where Orwell washed dishes in Paris was his first lesson in anti-humbug - and part of the lesson is that you have to keep renewing it. And Orwell did that.

I grew up in adoration of writers like Hemingway, George Orwell, Anna Akhmatova, and that has always been my idea about the artist - that you have to be a brave and freedom-loving person.

After spending so much time in America, I started travelling with 'In Defence of English Cooking' by George Orwell. It's archaic and old-fashioned in its Englishness and reminds me of home.

Well, like in Orwell books, whom I cherish very much as an author, in classical totalitarian regimes, you always have to make people hate someone. And this hatred is all around the Russian politics.

Trump did not spring out of nowhere, and I was struck by how prescient writers like Alexis de Tocqueville and George Orwell and Hannah Arendt were about how those in power get to define what the truth is.

With the Patriot Bill in place, the NSA no longer needed to get a warrant from a judge to tap into anybody's electronic information. A Surveillance State that would have boggled the mind of Orwell was born.

George Orwell's science-fiction classic 'Nineteen Eighty-Four' wasn't a failure because the future it predicted failed to come to pass. Rather, it was a resounding success because it helped us prevent that future.

I was obsessed with George Orwell for years. I remember going to the town library and having to put in interlibrary loan requests to get the compilation of his BBC radio pieces. I had to get everything he ever wrote.

Read with care, George Orwell's diaries, from the years 1931 to 1949, can greatly enrich our understanding of how Orwell transmuted the raw material of everyday experience into some of his best-known novels and polemics.

It seems appropriate that the author of '1984' was a British citizen. George Orwell must have seen how easily the great British public's lamb-like disposition toward its leaders could be exploited to create a police state.

People until I was 60 would always say they thought I looked younger, which I think, without flattering myself, I did, but I think I certainly have, as George Orwell says people do after a certain age, the face they deserve.

My father had inklings of my cultural aspirations. He would take me to the library, things like that. But he wasn't one of those dads who had read George Orwell and was a member of the Communist party. We had no books at home.

We humans are still a very primitive culture, and it's one of the traps we've fallen into over the course of our lives - to forget our history. That's why George Orwell's 'Animal Farm' is so profound. It chronicles our short memory.

Orwell's '1984' convinced me, rightly or wrongly, that Marxism was only a quantum leap away from tyranny. By contrast, Huxley's 'Brave New World' suggested that the totalitarian systems of the future might be subservient and ingratiating.

George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.

Unless technology itself is drastically repressed, the idea of the dystopian monoculture like Orwell's 1984 gets harder to believe. But the danger of a solipsistic society will grow, of a disconnected society of mirror-watchers and navel-gazers.

What is it that unites, on the left of British politics, George Orwell, Billy Bragg, Gordon Brown and myself? An understanding that identity and a sense of belonging need to be linked to our commitment to nationhood and a modern form of patriotism.

'1984' is terrifyingly relevant. It generates a political conversation, but it's an exciting piece of theatre. Every day, there are things to be spawned from Orwell's mind, whether it's in England or America, terrorist-related or government-related.

Long ago, when I was in higher secondary school in Delhi, I read an essay by George Orwell in which he said there was a voice in his head that put into words everything he was seeing. I realised I did that, too, or maybe I started doing it in imitation.

In 1984, George Orwell wrote of a world where the only colour to be found was in the propaganda posters. Such is the case in North Korea. Images of Kim Il-sung are depicted in vivid colours. Rays of yellow and orange emanate from his face: he is the sun.

To be the windowpane - this is basically a bastardization of what Orwell said about good writing - so you can get the conversation going and frame it the right way and make sure people aren't lost. And then you let the candidates illuminate the issues themselves.

For much of the twentieth century, 1984 was a year that belonged to the future - a strange, gray future at that. Then it slid painlessly into the past, like any other year. Big Brother arrived and settled in, though not at all in the way George Orwell had imagined.

Much has been written about Trump's style of speech, which linguists have said is often unintelligible yet deeply compelling. Orwell's famous 1946 essay, 'Politics and the English Language,' centers on the use of abstract words, often by politicians, to obscure reality.

Well, I'm in my 60s now. I finally look it, I think. People until I was 60 would always say they thought I looked younger, which I think, without flattering myself, I did, but I think I certainly have, as George Orwell says people do after a certain age, the face they deserve.

Orwell wasn't right about where society was in 1984. We haven't turned into that sort of surveillance society. But that may be, at least in small part, because of his book. The notion that ubiquitous surveillance and state manipulation of the media is evil is deeply engrained in us.

For many, the recent disclosure of massive warrantless surveillance programs of all citizens by the Obama administration has brought back memories of George Orwell's '1984.' Another Orwell book seems more apt as the White House and its allies try to contain the scandal: 'Animal Farm.'

It wasn't until my teenage years that a book really left a mark, and that was George Orwell's 'Nineteen Eighty-Four.' It was on the syllabus at school when I was about 16, and I went on to read more of his books. It was the height of the Cold War, so a lot of the messages really resonated at the time.

George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.

In 'Nineteen Eighty-Four,' protagonist Winston Smith works at a propaganda department for the state called the 'Ministry of Truth,' where inconvenient news can be discarded down a 'memory hole.' Orwell was fixated on the idea that under certain governments, the past can be altered or documents rewritten.

One of the best and most challenging books about Orwell is by the socialist literary critic Raymond Williams. As a critic - and, in some ways, as a figure, at least within the academy - Williams was what England had in the generation after Orwell, and toward the end of his life, he became more critical of his predecessor.

Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.

If you rely on a more conventional understanding of the term 'left-wing' as being associated with gradations of socialism in the emancipation of the working class, the Leap Manifesto looks something more along the lines of what the great British socialist and essayist George Orwell was on about in 'The Road to Wigan Pier' in 1937.

Think about George Orwell's three-minute hate from the novel '1984' and how that left everyone sort of exhausted and able to live their boring humdrum lives. If our lives are going to continue being unfulfilled and boring, perhaps we do need some sort of short-term violent chaos incorporated into them, to make them more palatable.

I had amazing intellectual privilege as a kid. My mom taught me to read when I was two or three. When I was five, I read and wrote well enough to do my nine-year older brother's homework in exchange for chocolate or cigarettes. By the time I was 10, I was reading Orwell, Tolstoy's 'War and Peace,' and the Koran. I was reading comic books, too.

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