Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world.

The key for me with 'Star Wars' is to stay in their world. Don't get in the way of what is already known and what works. I think of the basic nature of the filmmaking process that worked so well for the original trilogy. No stylistic flights of fancy for the sake of showing off. Tell the story, get the shot, get the performances, and move on.

'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.

Motion comics are a medium all their own. It is certainly not animation, in which a large number of artists do tens and even hundreds of thousands of drawings. The animation, or 'the reality,' is created in a computer, and the work of the original artist is the work. Nor is it a comic book. You can't turn the pages. You can't read the dialogue.

I mistakably paid respect and condolences to the wrong Beastie Boy member King Ad-Rock when it should have been MCA. In light of this, I am redoing the song 'Hip Hop Speaks From Heaven' and I am pulling the original version off of my digital release. Historical accuracy is extremely important to me, so I accept all responsibility for this error.

Magna Carta only came into being in 1217, when the wording had been changed and parts of the original were extended in the Charter of the Forests. This complementary charter covered liberties granted to the common man, including rights to the commons, grazing, fishing, water, and firewood, and was perhaps the first ecological charter in history.

In general, the straight line of a joke sets up a premise, an expectation. Then the funny ending - the punch line - in a sense contradicts the original assumption by refusing to follow what had seemed a reasonable train of thought. Many jokes involve that simple matter of leaping outside what had appeared to be the rules of the game at the moment.

I just feel like TV takes more risks than film. Film has gotten very safe: it's very compartmentalized about what type of things will be successful. And whereas in TV, since all these new platforms opened, they're saying to writers, go out there, write the most different show that you can write. Write something that's really original and different.

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