Quotes of All Topics . Occasions . Authors
I believe it is important to speak to your readers in person... to enable people to have a whole picture of me; I have to both write and speak. I view my role as writer and also as oral communicator.
I probably didn't talk in public until eighth grade, and then in high school, I started doing oral interpretation - kind of like monologues. Through theater and plays, I started coming out of my shell.
I read Pamela Colloff's oral history about the campus shooting, '96 Minutes,' when it was first published, and my wheels immediately starting turning toward making a film and making it an animated re-telling.
Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going.
Language pedants hew to an oral tradition of shibboleths that have no basis in logic or style, that have been defied by great writers for centuries, and that have been disavowed by every thoughtful usage manual.
Deep down I knew that if Hell existed, it was a real place full of ruthless, venal people, like the commodity pits at the Chicago Board of Trade, Disney World, or oral arguments before the United States Supreme Court.
I love learning about different dialects and I own all sorts of regional and time-period slang dictionaries. I often browse through relevant ones while writing a story. I also read a lot of diaries and oral histories.
My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
Mushy food is a form of sensory deprivation. In the same way that a dark, silent room will eventually drive you to hallucinate, the mind rebels against bland, single-texture foods, edibles that do not engage the oral device.
Typically, when you read, you have more time to think. Reading gives you a unique pause button for comprehension and insight. By and large, with oral language - when you watch a film or listen to a tape - you don't press pause.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.
Burning the flag is a form of expression. Speech doesn't just mean written words or oral words. It could be semaphore. And burning a flag is a symbol that expresses an idea - I hate the government, the government is unjust, whatever.
There is no real agreement among scholars as to whether Homer and Hesiod were contemporaries or whether Homer came a hundred or so years later or earlier. How could there be, given that both poets recited and sang in an oral culture.
Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.
The Veteran's History Project, a nationwide volunteer effort to collect oral histories from America's war veterans, provides an avenue to do just that. Now in its fifth year, the Project has collected more than 40,000 individual stories.
In the non-Greek stories, Persia, Egypt, even China, Central Asia, in oral traditions and written literature, anyone who fights Amazons admires their courage and beauty, and they want to be allies of the Amazon; they don't wanna kill them.
To the best of my knowledge and of my effort, every lineage statement within 'Roots' is from either my African or American families' carefully preserved oral history, much of which I have been able conventionally to corroborate with documents.
I am on the power toothbrush train and I'm asking people to try to using an Oral B power toothbrush. I just started using one and I cannot believe that I waited this long to use a power toothbrush. It's so much easier than using a manual toothbrush.
In third grade, I had to an oral report on the state of Oregon. I brought up Big Foot sightings, and I remember there was an argument about whether or not Big Foot was valid history. Ever since then I've been thinking about how subjective history is.
If on the one side we do not harbor the illusion that the entire proletariat must be enlightened before it can be called into battle, so on the other we do not doubt that as much enlightenment as possible must be produced with oral and printed agitation.
I've heard from pre-K and kindergarten teachers alike that the Common Core is inappropriately pushing written literacy standards when the focus should be on the development of oral literacy skills. And that's actually delaying the development of literacy.
There are fast chewers and slow chewers, long chewers and short chewers, right-chewing people and left-chewing people. Some of us chew straight up and down, and others chew side-to-side, like cows. Your oral processing habits are a physiological fingerprint.
I've always thought stand-up comedians were the oral storytellers of our time, because they know rhetoric, they know delivery, they know timing, they know all of these things that you can only learn by telling a story out loud and interacting with an audience.
Much of my experience with language was formed in the church, which has an oral tradition. There are lots of repetitions in prayers and song refrains. There's a sense of incantation, that if you call not once and not twice but for a third time, the spirit appears.
I've always been interested in oral traditions and mythological stories and legends from antiquity that have to do with nature, attempts to explain mysterious or puzzling, or very striking phenomena from nature. Things that people observed or heard about in nature.
Everybody in my family were great storytellers. My dad and his brothers would just go on and on; they could tell amazing stories. I think it was something to do with the Celtic, oral storytelling tradition. People very much had that propensity towards telling tales.
I remember when I first saw Whoopi Goldberg doing standup, and she was wearing a sheet on her head, basically pretending to be this little white girl with long luxurious blonde hair. Everyone can relate to that. It's an oral history of black women's lives through laughter.
I am trying to inspire people to just take control of their oral health, because if we don't take care of our oral health, it affects so many different aspects of our lives. If your smile and mouth is not together, it affects your relationship, your self-esteem, your health.
There is nothing terribly difficult in the Bible - at least in a technical way. The Bible is written in street language, common language. Most of it was oral and spoken to illiterate people. They were the first ones to receive it. So when we make everything academic, we lose something.
Abraham was extremely wealthy and he had a covenant with God. It's not the Jewish blessing, it's the Abrahamic blessing. I get excited talking about it 'cause I love it and I started out deep in debt with nothing. I had to learn this from the Bible and from my spiritual mentor Oral Roberts.
The values transmitted through oral history are many - courage, selflessness, the ability to endure, and to do so with humor and grace. I got those values listening to my dad's stories about the Depression and how their family survived. It gave me courage that I, too, could survive hard times.
I wouldn't even go into the history of the last days of the Soviet Union, the withdrawal from Europe, and what promises were given at that time, because those were oral promises, and our leaders of that time strongly believe that, like in ancient Russia, a word given is better than any treaty.
People are always saying it's the end of the Gutenberg era. More to the point, it's a return to an oral era. The Gutenberg galaxy was about the written word. At its best, the digital era is part of the rediscovery of the oral. At its worst, it's a Kafkaesque victory of the bureaucratic over the imagination.
I liked school, but I used to dread those moments when the teacher would call me up to give an oral report. I forced myself to deal with it and not dwell on the class in front of me - to keep a straight face, give the report and concentrate on getting it right. That's normally how I perform. That's how I am.
When I was in 4th grade, my mom was diagnosed with oral cancer. It was not looking good, it was serious when they found it. Obviously, I didn't know much about what was going on. I remember feeling a lot of guilt about it, feeling like I somehow contributed to it. I think that's just something that kids often do.
I grew up in Sierra Leone, in a small village where as a boy my imagination was sparked by the oral tradition of storytelling. At a very young age I learned the importance of telling stories - I saw that stories are the most potent way of seeing anything we encounter in our lives, and how we can deal with living.
There's been resistance to every new technology that's ever been introduced. When books came out hundreds of years ago, there were complaints that it would destroy the oral tradition. Some of those fears were justified, but it didn't stop the rise of the written word. And books have proven to be incredibly useful.
The blues are important primarily because they contain the cultural expression and the cultural response to blacks in America and to the situation that they find themselves in. And contained in the blues is a philosophical system at work. And as part of the oral tradition, this is a way of passing along information.
A good part of 'The Information' is about the transition from an oral to a literary culture. Books effected such a great transformation in the way we think about the world, our history, our logic, mathematics, you name it. I think we would be greatly diminished as a people and as a culture if the book became obsolete.
If you read the fables, 'Beowulf,' for example, you will know something about the person who writes them, and I like that. Secondly, they will not be about individuals; they will be about community. Thirdly, they're all about moralizing. Fourthly, the way they express themselves takes its tone from the oral tradition.
I made some friends at Listerine and they taught me a little bit about oral care. That half of adults suffer from oral disease, that the number one chronic disease among children is oral disease, that we're only taking care of 25% of our mouths when brushing alone and there are more germs in your mouth than there are people on the planet.
I have been given something really, really special and really unique, and it is not just in and of itself having learned from my father, who is the greatest exponent of this musical style. But it is an oral tradition that is only generally passed on in that manner, and so without the people who continue to... learn it and perform it, it dies.
It is hardly an exaggeration to say that oral teachers and sign teachers found it difficult to sit down in the same room without quarreling, and there was intolerance upon both sides. To say 'oral method' to a sign teacher was like waving a red flag in the face of a bull, and to say 'sign language' to an oralist aroused the deepest resentment.