Quotes of All Topics . Occasions . Authors
I love high heels from the age of 10! Short skirts and then high heels. My classmates used to make fun of me. Like, 'Ooh, she's so skinny and she's wearing high heels.' But I just wore what I like, and I didn't care about people's opinions, the same as I don't care now.
Why are people afraid of ghosts? 'Ooh, no, I wouldn't want to see one! I'd be too scared' - accompanied by a tremolo of fear in the voice - is the common reaction. This puzzles me. I'd think anyone would welcome he opportunity. I've never heard of a ghost hurting anybody.
I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.'
One of the things that's fun about TV is it grows, and you set goals and aim towards stuff, and one of the writers has an idea, and you say, 'Ooh, that's so much cooler. Let's do that instead.' It's so much more fluid and organic that way, and that's the most fun part about it.
What does it mean when I wear something that makes me look like a Disney Princess? Versus something that's like 'ooh, maybe Kiki Layne can be a sex symbol.' Because these are things that, sometimes dark skin actors with natural hair, we don't get put into those types of conversations.
Ooh, it's too embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well-received but that was before she started studying Shakespeare at drama college. Now I feel so inept.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
If I start a film of my own, then what I eliminate is acting in other people's movies. Because once I start, and I go raise the money, it's about two and a half or three years, and I can't stop. I have people hired. I can't say, 'Ooh there's a good part called 'Drive'; I'll see you in three months.'
There's always apprehension whenever I launch anything, it seems. When I launch a tour, people are always, 'Oooh, is this gonna work?' And when I launch an album: 'Ooh, is this gonna work?' Or a new video. 'Really?' It's always like that - but I've always acted on the impulse that I have nothing to lose.
We were probably the last people in the country to get a VCR and we didn't have cable. There wasn't any admiration of glamour, no, 'I want to look like them or have that lifestyle', because everyone in my town had the same lifestyle. So I didn't think, 'Ooh, a movie star's birthday!' I just thought, 'What?'
I actually did an Agatha Christie monologue for my audition showcase at Guildhall, and that's how I got my agent. Some people said 'ooh it's old hat' and 'too risky'. Some people think she's all about the narrative and thriller aspect at the expense of character and I disagree. I did it anyway and it worked well.
A lot of things I have turned down ended up being a big embarrassment. Like that script, 'The Beaver.' I thought that was one of the worst scripts I had ever read. But everyone said, 'Ooh it's on the Black List.' Yeah, well, good for it. They're a bunch of idiots. I saw the final film, and there were no surprises.
I long for the day when we can all be ourselves, whoever we are, and express ourselves in whatever way we like, and we don't have these kinds of funny constraints in our heads that make us feel 'Ooh, there's a different power relationship because that's a man and that's a woman'. And we still get that. It's not helpful.
There was a wonderful little short four-year time period when marvelous things happened. It started in 1908, when the Wright brothers flew in Paris, and everybody said, 'Ooh, hey, I can do that.' There's only a few people that have flown in early 1908. In four years, 39 countries had hundreds of airplanes, thousands of pilots.
I never really grasped how big it was when I initially got 'Alexander'; I thought, 'Ooh, this is exciting,' but after I got home, I looked back and thought, 'That was an incredible experience.' I got to work with some massive names in Hollywood, and I learnt so much, and then it really kind of struck me how life-changing it was.
I got scouted for modeling on the street. I'm such a tomboy - still am. I just never thought about modeling before, but I thought, 'Ooh, interesting, similar world, perhaps it's a way into something.' Then, I was on my third photo shoot ever, and Adam Leech from 'Downtown Abbey' saw me reading poetry and asked me to recite some.
So as long as I'm a human being and I'm not perfect, I'm able to say I'm having some growing pains. Because in order to sustain where you are once you made such a breakthrough that everyone is looking at you, now everyone is like, 'Ooh, is she gonna make a mistake?' Yes, I'm going to make a mistake. Yes, I'm still gonna do things.
One of the main secrets to staying young is staying healthy. I've sometimes had to suppress a smile when some young lady, who has obviously not taken care of herself through diet or exercise, says admiringly, 'Ooh, I hope I look as good as you do when I'm your age!' Although it's intended to be complimentary, it's actually a back-hander.
You look at a horse, and he's such a majestic, beautiful, powerful creature that you can't not be impressed. I love scraping the water off them when I wash them down because you go all round the contours, and its muscle and body, and you just think, 'Ooh, isn't this a magnificent creature.' You're touching it, and it's just solid, carved muscle.
