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My greatest fear is fear. Ooh, meta.
Ooh Poo Pah Doo' was a monster song.
I would never say, 'Ooh, let's do something really dark.'
There's never a case of, 'Ooh, I touched a nerve there.' It's make believe.
Dunk, and people anywhere will ooh and aah. But you can wow a crowd in New York with ball handling and passing.
I'm not a gossip. The worst thing anyone can say to me is, 'Ooh, I've got some gossip.' I'm like, 'Oh, shut up.'
People want to look taller and thinner. No one says, 'Ooh! Let me buy that dress because it makes me feel matronly!'
I came into the music world in 1988 with a song called 'Ooh La La,' that was like a breath of fresh air in Haitian music.
When a kid comes next to you, and she's like 'Ooh, one day I want to be like you!' you're like 'Wow, that's so nice to hear!'
A lot of series tend to go on for one series too many, especially with comedies, and I think people say 'ooh, it's gone off, that.'
I don't intentionally go: 'Ooh, what is provocative,' and try to do that. I just do stuff, and people go: 'Ooh, that's provocative.'
I feel like people are like, 'Ooh, French beauty, they don't do anything.' But I think it's more about looking as natural as possible.
My goal is for 'The Bill Engvall Show' to be a show the networks look at and say, 'Ooh, maybe we should get back to the family sitcom.'
You look at 30 Seconds to Mars, and you don't think, 'Ooh, I bet they're angry.' No one really does anger these days. I suppose it's a turn-off.
If I'm in the bookstore, and I see a 700-page novel, my first thought is, 'Ooh, how could you cut this down to size and make a movie out of it?'
We shouldn't still be asking, 'Have you got children? Why've you not got children? Ooh, you must have children!' Bog off, d'you know what I mean?
I think my mantra for saying yes to anything is just, 'Oh, I think that'll be a cool, interesting project,' or - sadly! - 'Ooh, this will help my career.'
Being bored by clothes shopping feels smart and intellectual: 'Ooh, get me, insufficiently entertained by racks of skinny jeans; my mind is on higher things.'
When you drive by Radio City and you see your name up there and it's only 'your' name. I just went 'ooh'. I thought this is really like looking at another person.
I remember when the first police scary video thing came out, and you thought, wow, ooh, look at this, come and look, come and look. And now it's on every channel.
People say to me, 'Ooh, L.A. is so plastic.' Sure, it's mountains to the right, oceans to the left and pretense in the middle, but who... has to hang out in the middle?
I get frustrated by the way camp is portrayed sometimes. Camp, for me, is a nice 'everyone is welcome' kind of thing rather than an 'ooh, what's she wearing' kind of thing.
If I see something new, I'd be like, 'Ooh, I want to do that.' The hunger to learn and do better never goes. Your mind is always working. You want to do so many creative things.
I showed everyone the medal and they said, 'Ooh, I can't believe how heavy it is,' Sometimes they were more interested in the medal than in me. I was like, 'Hey, what about me?'
When I first got into the entertainment industry, I would always watch Rihanna and all those people, so I was like, 'Ooh, I have to be this.' So my mom was like, 'Just be yourself.'
Ooh, I'd love to be in a movie with Meryl Streep or Martin Scorsese. There are so many different things I want to do, maybe like a possessed child or an evil something... I don't know!
I said, 'Ooh, Dad, I want the yellow ones.' He said, 'Where?' I said, 'Right there, Dad. I want the yellow ones.' Everybody goes, 'Those are green'. That's how I knew I was colorblind.
I don't think of being a woman in an industry of men. I didn't walk into the kitchen and go, 'Ooh, I'm a girl!' I didn't get into my chosen profession. I wanted to be good at something.
Even after I got my divorce, the ink wasn't even dry on the paper, and I said, 'Ooh, the next time I become a wife, I got this thing down pat!' I always believed that there was someone built for me.
We put water down into the earth to push up gas, then we say, 'Ooh, we're having a water crisis.' This is foolishness, and this kind of foolishness, where we try to excuse human behavior, is dangerous.
Some people think that I would be afraid of them, but I'm never, ever afraid of an animal. I just get excited, and some that are dangerous, I think, 'Ooh, what's going to happen?' and things like that.
You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
I really want to do a dark character. Not really a bad guy, but someone dark and mysterious. Where everyone says, 'Ooh, it has to be her!' and at the end you find out it isn't. Just someone who looks guilty.
I'll think I have a few wonderful friends and all of a sudden, ooh, here it comes. They do a lot of things. They talk about you to the press, to their friends, tell stories, and you know, it's disappointing.
People are going to make their own minds up, and seeing how happy people are together and how much fun they're having, people are always going to think 'ooh are they in a relationship? They look so happy together.'
The day I decided I didn't want to be a 19th-Century European curator, I knew I would never have the experience of people coming and going 'ooh' and 'aah,' the way they do around the Monets. It just doesn't happen.
I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
With my first pay cheque I sent my parents to Jamaica, so they actually got passports! They're pretty grounded; it wasn't until they saw the trailer for 'Battleship' that they were like, 'Ooh, this is a big movie, isn't it?'
My nan, God bless her, used to buy the NME, then go to the chip shop and be like 'ooh check out that' every week, she'd be saying, 'Oh have you heard the new single by Arctic Monkeys?' and it's like, I haven't even heard this!
I'm amazed by just constantly - there's not a week that goes past where there's not someone in Ulan Bator or Rio De Janeiro suddenly says, 'Ooh, 'Downton' started this week.' You completely forget it's staggered across the world.
I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it.
Everyone comes up to me saying, 'Cooee, Julie! Hello!' as if I know them. Of course I don't bloody know them. Am I flummoxed by it? Sometimes. I think, 'Ooh, love, go easy.' For a time, I did feel this pressure that I had to be funny, but it passes.
Some people are instantly brilliant. The Kenneth Branaghs of this world are ready-formed actors at 23 - he has used his success in lots of different ways - but there are people out there for whom acting is: 'Ooh, I can get on the telly and be famous.'
I had always been pegged for being feminine. People would always say, 'Ooh, that's a pretty little girl.' They would talk about my eyelashes or that I was sensitive or that I was crying all the time. I didn't want to play in the dirt outside with the boys.
Insatiable,' the album, was more of a project, really... it was more like a songwriting excursion and an exclusive deal that hadn't really ever been done that often before... me being like, 'ooh I'm an entrepreneur,' rather than 'this is my singing career.'
I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.
It wasn't until my late teens that I really got into soul music and then I was like 'Ooh, this is good!' You'd always here it at old family parties, like, Gladys Knight and I'd always love it but I didn't really get to know it and respect it until I was a bit older.
It's a lot harder to get people to 'ooh' and 'aah' over beets and carrots than it is to get them to 'ooh' and 'aah' over artichokes or asparagus, and I enjoy being able to take these humble, 'lowbrow' foodstuffs up a few notches and serve them with great exuberance.
I think my thing is that... I don't know. And that's why I don't wanna sing about 'This is me, this is who I am' because, like, even the question, 'Tell me about yourself' - what are you supposed to say? 'Ooh, I'm a happy girl, but I'm sad, too'? People are so complex.