Barack Obama has brought glamour back to American politics - not the faux glamour-by-association of campaigning with movie stars or sailing with the Kennedys, but the real thing. The candidate himself is glamorous. Audiences project onto him the personal qualities and political positions they want in a president.

With physical prep work, you know if you go to the gym, you will get size. There's no chance it won't happen. The emotional prep work is a variable. You could step onto the set one day and have a disconnect with your thoughts and feelings and have a rough day acting because you can't quite tap into what you need.

There was a kind of infiniteness to fiction that I found sort of... disconcerting. I remember having these really panicky thoughts, like, 'I can make this person say anything. I could make him do anything! I could put a jetpack onto his back and shoot him into space!' I don't like this feeling of having no rules.

Some millennials have completely stopped watching TV. So for them, we've created special digital content for handheld devices only. We've paid close attention to how to present online content effectively. We try to catch their attention within the first five seconds - otherwise, they click onto a different content.

I would go into a place that was quiet and isolated and think about how my character would feel in the situation, considering who he was and what he had been through. I would think about that even up to 30 minutes. And when I felt the character was in my body and I had left, I could walk onto set or into rehearsal.

I do have faith. I don't have faith that a God exists, nor do I have faith that one does not; I have absolute faith that I do not know, cannot know, am only human, am an infinitesimal creature packed onto a cramped planet crowded with seven billion bodies, and as many yearning hearts, and as many questioning minds.

At the heart of anti-Semitism lies Moses. He made a catastrophic error, a terrible mistake, and all anti-Semitism for two thousand years stems from his misjudgement. Moses said we Jews could remain a people without having a land. He said we don't need territory to hold onto our Jewish identity. This was a disaster.

I'd come to the country to do my Thoreau bit, so I needed an office that looked out onto the woods for inspiration. I converted one of the bedrooms into my workspace and through its windows watched the wildlife appear each morning with the sunrise. Many were the days I would sit in wonder, coffee in hand, for hours.

It's glorious to be able to go onto the Internet and hear any kind of music anywhere, from anywhere, and get it instantly. But there's also something glorious about having a record with a sleeve and looking at the artwork, putting it on the turntable and playing it, there's still something romantic to me about that.

We are still fearful, superstitious and all-too-human creatures. At times, we forget the magnitude of the havoc we can wreak by off-loading our minds onto super-intelligent machines, that is, until they run away from us, like mad sorcerers' apprentices, and drag us up to the precipice for a look down into the abyss.

I'm always involved with the Aerospace Program and NASA and Goddard Space Flight Center. And if kids feel so inclined, they can log onto NASA and the Optimus Prime Spinoff Award, which we present every year to some of the brilliant young minds that are taking up into the academics of space, science, technology, math.

No, no, I don't watch football. The last time I tried watching was the last Super Bowl. The problem I have is, you know, the graphic nature of my imagination; when I watch and see them meeting head onto head, helmet onto helmet, what flashes through my mind is what's going on in their brains. It's like torture to me.

After my first week of no wheat, my stomachaches were gone, my mucous cleared up, and I felt incredibly energetic. My headaches were also less frequent and less severe, and I had lost 3 pounds, most of it swelling and water weight my body had been holding onto as part of its response to the wheat products in my diet.

The ideal job letter starts with a brilliant light. Then we realize that this brilliant light is actually sunlight, shafts of it, pouring through trees onto a thick bed of pine needles. Soft dusty resin floats in the sun shafts, invitingly. The smell of pine and sap rises from the forest floor. A twig snaps underfoot.

I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'

I always gravitate towards the independent side of things, just because those are the stories I always fall in love with, but you don't really get paid, and living in Los Angeles is expensive, and I have a mortgage to pay. So it's good to jump onto a studio film and then in all my other time do small passion projects.

I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.

Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me.

Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.

I'm particular about the projects that I've chosen. Each one of them, I've taken a step up, like climbing a ladder. Before, it was baby-steps, up to 'Riddick.' Then I took this huge leap onto 'Guardians!' It was such a higher level, this huge project which originally I never thought I'd have a chance in hell of getting.

One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.

TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'

There's no secret, but inspiration has to find you working. And that's one of the key things that I've always remembered. And if I put my mind to it tonight, I think I could take a guitar, and by 2 or 3 o'clock in the morning, something will have happened - I'll have had something to hang onto. But I think that's the key.

On one level, all of the characters in 'Game of Thrones' grow out of George R.R. Martin's imagination. Therefore they are his. As long as they are in the novels they are his. But the moment they step forth onto the TV screen, they become filtered through the showrunners. In a business sense, it's the same way with comics.

April Fool is widely considered one of the top yachts ever built by Feadship, the famed Dutch shipyard. Launched in 2006, April Fool has a huge master stateroom, a Jacuzzi on the fourth-level sun deck, a sauna, and sprawling outdoor dining lounge. The yacht first came onto the market in 2011 with a price of $69.5 million.

'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.

That would be a huge honor, if I ever were to become the No. 1 American. It's something that I've always wanted to, you know, achieve that. For me, if were to happen, it'd be great. I'd try to hold onto that spot as long as possible, but I know there'd be a lot of people nipping at my heels to try to get to that No. 1 spot.

Instead of turning loose these bogus asylum applicants onto the American streets never to be seen again, let's put them into mobile homes. Let's process their claims. Let's ship the judges in. Have the claims processed right there. As soon as their claim is denied, put them on a passenger plane and fly them right back home.

I keep getting asked out by really young, good looking boys and really ugly lesbians. So, even if I wanted to jump onto the tuna boat, I wouldn't because I'm not getting high-class babes that I should get at this level of my career. And I always know the ugly ones are serious and that the good-looking ones are goofing on me.

I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.

I was the executer of our mother's trust. She asked me to hold onto the house for 10 years and then sell it. I think that was because it was so hard to face dying and think of all her most prized possessions no longer being a part of our lives as well. Business wise, it was a terrible investment, because we were losing money.

Books were the window from which I looked out of a rather meager and decidedly narrow room onto a rich and wonderful universe. I loved the look and feel of books, even the smell... Libraries were treasure houses. I always entered them with a slight thrill of disbelief that all their endless riches were mine for the borrowing.

I play with a lot of emotion because I'm a passionate guy, and I play with that passion. I love playing that way. Sometimes you're late onto the ball, sometimes you're not. Sometimes you make contact with the guy when you tackle him, sometimes not. It's a sport where individual duels are vital, so I don't see it as a problem.

Of course, the American education system is very inefficient in many ways compared to other countries in Europe or Japan, but it works in such a way that at least the few people who are going onto unusual careers and science can manage to get into that, even though they go through an earlier stage that doesn't give them much.

I remember getting this scrapbook that this girl made, that I actually gave to my mom to hold onto because she has a 'Twilight' shrine in their house in Florida. It was just this scrapbook of me, starting with 'Twilight,' and the whole progression of me and my career throughout that, and other stuff that I had done in between.

I've seen kids turn their lives around. It's usually a kid who's outside of the team-sport world, or maybe has a darker personality or doesn't fit in. Skateboarding ends up being something they latch onto. It sounds hokey, but finding a focus on something - whether it's skateboard or playing your guitar - can be life changing.

I had a conversation with John Cena, and I told him, 'If only I could be a giant with abs,' and he said, 'Maybe you could be a giant with abs.' That kind of got me thinking that maybe John was onto something, because when it comes to obviously being successful and marketable, John is one of the smartest people I've been around.

Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.

Athletes and musicians make astronomical amounts of money. People get paid $100 million to throw a baseball! Shouldn't we all take less and pass some of that money onto others? Think about firefighters, teachers and policemen. We should celebrate people that are intellectually smart and trying to make this world a better place.

Unless taught otherwise, children are the most selfish, oblivious little Philistines on the planet. They have no family, no job, no responsibilities, and nothing but time to think about their gluttonous, sticky selves. We should be teaching them to take some focus off of themselves and onto how they can best serve/treat others.

Even though you may want to move forward in your life, you may have one foot on the brakes. In order to be free, we must learn how to let go. Release the hurt. Release the fear. Refuse to entertain your old pain. The energy it takes to hang onto the past is holding you back from a new life. What is it you would let go of today?

I just think that there's so much judgment in the world, whether it's coming from women in general or from men onto women - it's a lot. And when it comes to being a mom, I wish everyone could band together and realize that everyone has different beliefs, different styles, and different things that work for them and their family.

Anthropomorphism is such an interesting concept. It means projecting human thoughts and emotions onto an animal. Which implies that thoughts and feelings belong to humans alone. Of course, if you believe in evolution, or if you believe in the Bible, that's not so. Both evolution and the Bible tell us that we're part of a family.

If you're a Texas Supreme Court Justice hopscotching across 254 counties, trying to tattoo your name onto the noggins of millions of voters, you must find creative ways to raise visibility and build awareness. Twitter, Facebook, etc. are low-cost but high-yield ways to leverage the support of key influencers and opinion leaders.

The level of dynamism is a matter of how fertile the country is in coming up with innovative ideas having prospects of profitability, how adept it is at identifying and nourishing the ideas with the best prospects, and how prepared it is in evaluating and trying out the new products and methods that are launched onto the market.

Once, at Thanksgiving, a neighbor wandered in while my cousin Lisa worked on a turkey, shearing meat off its frame and sliding the steaming slices onto a big flowered plate. 'Hey, that's the man's job,' she yelped, in between slurps of her Big Gulp. No one even paused to acknowledge the comment; everyone just laughed and laughed.

When I was twelve, Uncle Randall looked up long enough to see that I was a reader as well, so he walked me down his hall to a linen-closet door and opened it up onto a wall of paperbacks. There were books behind books, as deep in as I could reach. He told me to take three, and when I was done, bring them back and take three more.

Some guys didn't have fathers. Some guys grew up with great dads but the weight of fatherhood shifts onto their shoulders because they make millions now. Some guys are away from their kids or divorced. I'm letting them all know they aren't alone when it comes to fatherhood issues and to encourage them to make time for their kids.

It's a trap I've fallen into earlier in my career - trying to be liked. Don't do it. When I watch TV and I see someone trying to make me like them, acting cute or quirky or goofy, I'm not impressed. Don't act like America's watching you. Just latch onto your character. Characters are flawed. Be unlikeable. Be flawed. Be a person.

Telling stories with visuals is an ancient art. We've been drawing pictures on cave walls for centuries. It's like what they say about the perfect picture book. The art and the text stand alone, but together, they create something even better. Kids who need to can grab onto those graphic elements and find their way into the story.

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