Quotes of All Topics . Occasions . Authors
I have more than 4 million followers on Instagram. All the companies I work for want me to guarantee how much I'll post for them, but I'm not going to force my career onto the people who follow me. I refuse to do 40 Instagram posts about any campaign.
We always talk about how the first several seasons were faithful to the books, and anybody who wanted to could go onto Wikipedia and learn Ned Stark gets beheaded or about The Red Wedding, and most people don't want to know - because why ruin a story?
We have so much pride in welcoming these passengers onto the plane, and they have so much pride in travel. It's something that I definitely always remember, when I'm playing a scene on the plane, just to imbue everything with that sense of excitement.
Sticking to a routine helps you get in the zone for the match. I always put my left shinpad on before my right. When I go out onto the pitch, I take three hops on my left leg - but I don't know why I started. I must have seen Messi do it or something.
As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
A novel quite possibly won't be good and, even more possibly, will have not-good parts, but at least it won't shape-shift on you; at least you can say that you're halfway through and know that this maps onto some clear, visualizable chunk of narrative.
I realise that certain actors project their own image onto the screen - those who are the same on as they are off. But I've never had the necessary statistics to be able to do that sort of thing, and so, anyway, I always wanted to be a character actor.
My dad is a big Outlaw country guy - Johnny Cash, Johnny Horton, Waylon, Willie. He loves Elvis and turned me onto Elvis. He was always playing me stuff. He and I would sing and entertain the family. We'd have a little skit on Thanksgiving or whatever.
If I'm writing a song for Karen Harding, I know I can't impose what I want to say onto her. I literally have to get into her headspace and think, 'what does she want to say?' When it comes to my stuff, it's the same. What can I write that's true to me?
At times, we forget the magnitude of the havoc we can wreak by off-loading our minds onto super-intelligent machines, that is, until they run away from us, like mad sorcerers' apprentices, and drag us up to the precipice for a look down into the abyss.
Okay, I'm going to let you in on a little secret: I'm a very superstitious person. I'm walking onto the plane as we speak. I'm putting my hands on the outside of the plane and my feet are on the lip of the plane. I have to do it every time before I fly.
When I step onto the mound for the first time in a game, I remove my cap and look under the brim to read a message I write to myself with a Sharpie each season. It's a private reminder to stop and reflect on how lucky I am to play professional baseball.
I didn't really think too much about being any kind of pioneer. The truth is, I actually kind of caught onto a couple of really great coat tails in my career. The things were already moving when I got involved in both cases, really - Poco and the Eagles.
Nathaniel Rich wrote 'Odds Against Tomorrow' well before Hurricane Sandy and its surge crashed onto the isle of Manhattan, well before the streets were flooded and the subways drowned, only the Goldman Sachs building sparkling above the darkened avenues.
After I was cast, I decided to read 'Sharp Objects'. I ended up drowning it in sticky notes, highlighter and pen. It became my little diary I could refer to. I took little quotes out of the book and transferred them onto this scrapbook I kept about Amma.
Thirty years ago, this promise, this allure of democracy, drove hundreds of thousands of people in East Germany onto the streets. What courage they showed! It was these brave people, these peaceful heroes and heroines, who brought the Wall tumbling down.
I remember, after the New Year's Eve 1991 show, somebody running onto the bus and saying Nirvana had just hit No. 1. I remember thinking, 'Wow; it's on now.' It changed something. We had something to prove - that our band was as good as I thought it was.
You can make yourself feel better about yourself if you project your shadow side, if you project your own potential for evil onto someone else. By annihilating them and, therefore, your shadow, you bring yourself into some state of purity or reformation.
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
I mean, this whole digital revolution is really eroding the director's importance on a movie because, number one, just from a practical standpoint, with floppy disks and the ability to put all of the film onto a disk, more people have access to the movie.
Everyone is an entrepreneur. The only skills you need to be an entrepreneur: an ability to fail, an ability to have ideas, to sell those ideas, to execute on those ideas, and to be persistent so even as you fail you learn and move onto the next adventure.
To be honest, I haven't seen much serious budget planning since the Republicans took control of the House after the 2010 elections and grabbed onto the Senate filibuster. It's not the White House's fault that John Boehner couldn't deliver on a bigger deal.
Toddlers need to get off the soccer field and onto the playground. Children need to get out of the gym and into neighborhood stickball games. We need to give kids room to create their own rules, set their own terms, and move their bodies in their own ways.
I thought, well of course, Kinsey absolutely adored teaching. He was a wonderful teacher. So these kids really inspired me. So that was a clue I hung onto. He loved young people, he absolutely loved them. And he loved teaching them and trying to help them.
I wanted the players to feel like they were part of a family, to be conscious of that controlled togetherness as they made that slow entrance onto the field. It had a great psychological effect on the opposing team, too. They'd never seen anything like it.
So many guys come onto the scene who aren't supposed to be there. You pull for one, and then you see there's another and another and another, and you start to say, 'Who cares where a player was drafted? He can play football, and he can play at this level.'
When you don't have sport, it's like, oh, what do we fall back onto? And I think Nelson Mandela was the first person to really say that: sport unites people in a way that nothing else does. And if you take sport away, then I don't know really what we have.
I think design means, for me, almost when man, back in time, decided to do something conscious. You know... to shape something and make something different from just using things that were lying around. So whoever designed the wheel were onto a good thing.
The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
A musical is really one of the most complicated beasts. It's a play, and there's music... and there's dancing... it's unbelievably satisfying to get something up out of your brain onto a piece of paper ... and start the process and then see it on the stage.
I wrote the children's books, and those were wonderful tributes to my life as a daughter and a mother and just a thank-you to my parents for all the lessons in life they had passed on to me that I could pass onto my child and to other kids around the world.
When I was a kid, I used to see apparitions and have hallucinations, and my entire perception of the world was badly disoriented. And I had kind of a chaotic childhood because of that. I've really hung onto it, though. Because I actually like those feelings.
Sometimes black people really want to hold onto our oppression - 'This is ours! This belongs to us.' You can't just talk about equality for somebody else. Let's pass it on. Let's pass it on to somebody else. At the end of the day, it is all about inequality.
If you look at the 19 hijackers who came to the United States in Sept. 11 to commit those acts, if you'd looked at them before they got onto a plane, you could probably say the same thing. There were various levels of expertise, various levels of competence.
A lot of what I've written that's made its way onto my records I've written in Kansas, which is interesting because I've never written about Kansas. But I go have these experiences. and I'll be back at my parents house, and it's like I'm in a safe incubator.
The spiritual ambiguity growing up made me really latch onto a faith - Protestantism - that was somewhat conventional. Everyone else was rebelling against traditions and institutions, whereas I was rebelling against the upheaval and uncertainty in my family.
For my seventh birthday, my parents gave me a plain, unfinished wooden dollhouse. It had six empty rooms, two floors, a staircase, and a door that swung out onto a little front stoop. The windows opened, and the roof retracted on one side, revealing an attic.
The thing I always try to hold onto with 'BoJack' and with 'Flaked' is that maybe there is a sliver of hope that they are going to turn it around. They are just having a tough time getting there. And that's the thing with 'BoJack' - he is obviously depressed.
I think I got turned onto The Beach Boys for the first time with the 'Endless Summer' album in 1974. The power of that music still, to this day, bypasses the brain and goes straight to the heart. You don't have to think about it; it's something that you feel.
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
One thing my mother did is that she never looked in the mirror and said, 'I'm so fat,'or 'I'm so ugly. I need to go on a diet.' Projecting that onto yourself is only going to make your daughter or son think that of themselves. Because they're a product of you.
Making movies is all about compromise, negotiation, and sacrifice, but the process helps you distill what's really important to you, and once you have identified what those these things are for any particular sequence, you hold onto them and don't let them go.
While I'm critical to the Bush presidency, it's been enormously beneficial for Salon because we're seen as kind of an aggressive watchdog on the Bush White House. Particularly since Florida, our readership hit a whole new level, and we held onto those readers.
Every player who plays at Bayern Munich knows that Bayern Munich is a particularly special club. Whenever we lose, then it is lashed onto almost immediately by the media, regardless whether it is a friendly or losing the away game in a Champions League tie 1-0.
I don't know why my lines that were cut from the film didn't make it onto the DVD. I have offered to go into the editing room with Christopher and work shoulder to shoulder with him to fit all my lines in. I think he thinks I'm kidding. I'm only trying to help.
You have to be very flexible and understand as a director, especially as a writer/director, that you cannot hang onto stuff really hard. You have to be ready to accept those happy accidents and to anticipate that they are going to happen and capitalize on them.
Social lets consumers talk about the products. You may pay your way onto the Facebook feed, but after that, it's conversations by the users. That's not sufficient because it leaves out what is possible for employees to talk, for R&D to talk, or the CEO to talk.
When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.
I think that's what's thrilling about leadership - when you're holding onto literally the worst possible hand on the planet and you know you're still going to win. How are you still going to win? Because that's when the character of the company really comes out.
I think 'Idol' has been such a wonderful platform for me to step onto, and be a part of, and they've always treated me very kindly, and have been very supportive of my music and myself. I will always keep that as a highlight in my career for the rest of my life.