Quotes of All Topics . Occasions . Authors
I've put out a lot of stuff that just confused and alienated people: a huge chunk of songs that were verbal and musical challenges to myself, thoughts I was keeping myself busy with, nothing I had any intention of anybody grasping onto.
Kids leave us and go off on their own lives. Family members tell us what they think of us. Animals can't do that. They really are blank canvases, and we can project anything we want onto them. So the relationship is very pure and simple.
In science fiction, basic doubts featured prominently in the worlds of Philip K. Dick. I knew Phil for 25 years, and he was always getting onto me, a scientist. He was a great fan of quantum uncertainty, epistemology in science, the lot.
The great triumph of the Sixties was to dramatize just how arbitrary and constructed the seeming normality of the Fifties had been. We rose up from our maple-wood twin beds and fell onto the great squishy, heated water bed of the Sixties.
For the surf idol Duke Kahanamoku portrait, which I created for the Surfrider Foundation, I took a photo from a book cover and abstracted the photo image into a drawing. This drawing was laminated onto a surfboard and auctioned to a buyer.
I mean, what's great about touring is that's what you do. You're in a constant state of motion and then you stop to do a show and you move onto the next city. All you have to do is do the show. That's the only responsibility that you have.
Our beliefs create the kind of world we believe in. We project our feelings, thoughts and attitudes onto the world. I can create a different world by changing my belief about the world. Our inner state creates the outer and not vice versa.
I do one accent - my own. I can make it louder or quieter. That is the sum total of my vocal range. I thought I could do an American accent until I tried it in front of an American - the expression of horror is still burnt onto my retinas.
A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.
I often find out, once people have trained, you can never really re-train. When you get trained, you learn to lock up; you learn a wrist lock and, okay, onto the next thing, onto the next thing. You never really go back to the fundamentals.
Beginning with a trip out to Ellis Island, I saw for myself where thousands of European immigrants took their first steps onto American soil, bringing with them nothing but their ambition: people such as Erich von Stroheim and Adolph Zukor.
My parents were always supportive. They didn't say, 'Get a real job.' They believed in the arts, and they prepared me to be skilled. I'm lucky I can drop into these worlds - into a studio or onto a set or go on stage - and feel comfortable.
These designers have no reserve. They've chosen a path and thrown themselves onto it head first, regardless of everything. Whether or not their designs are sellable or vulgar. As long as it's new and people talk about it. That is the truth.
I was obsessed with 'The Velvet Rope' for a year straight, letting Janet Jackson's confessional lyrics lull me to sleep and comfort me when I felt lost. I felt that the album was the vehicle onto which Janet finally expressed her full self.
I was scared by social media - just scared of what I might attract. Once I broke onto that thing, because I needed it for my band to tell people about shows, I realized, 99 percent of the time, people are funny, clever, inventive, beautiful.
I don't think anyone's particularly conscious of thinking suits are the thing, but when you see a comedian on stage in jeans and a t-shirt it doesn't matter how good they are - it always looks like amateur hour when they walk onto the stage.
I was around nine when a babysitter snuck 'Who's Next' onto the turntable. The parents were gone. The windows shook. The shelves were rattling. Rock & roll. That began an exploration into music that had soul, rebellion, aggression, affection.
Klopp knows how to motivate players. He speaks to them individually, gets their confidence up, makes them believe and grow in quality. He makes his players feel happy. And they then take that happiness onto the field. He builds that into them.
Entrepreneurs are natural problem-solvers, which means that we always have ideas for new businesses popping into our heads. Having a lot of options is great, but sometimes it can be hard to focus on one when you are keen to move onto the next.
I start a lot of things and purposely leave them unfinished. When I have a bunch of really long emails, and I need time to think about the response, I'll actually start replying, leave them as drafts, and move onto something else mid-sentence.
You see, I have in my teaching - I always say I've done it for a hundred years and have had thousands of students - I have always spoken against just falling onto your knees for so-called accidents, I mean a result you are not responsible for.
I'm not terribly technological. I'm awfully backward about iPads and BlackBerries and suchlike; I still have a great fondness for Teletext, and I clung onto my fax machine for as long as I could, but eventually you have to move with the times.
You have to risk to get ahead The person whos always hugging the tree trunk and never walking out onto the skinny branches will never succeed. Sometimes you have to walk out onto the skinny branches, and that means having goals, taking a risk.
It's not like I was just dropped onto a snowboard and I was able to go 15 feet into the air. There was a lot of hard work that came with it. That's something that people don't really notice sometimes and the amount of sacrifice my family made.
Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.
When I first started making music, it was learning other people's songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
On my job I end up jumping out of planes. Last week I got in an 18-wheeler and drove down a runway onto a skid track. The week before that they put me in a car and sunk me to the bottom of a lake to see if I could escape without an oxygen tank.
There's a lot of information that has been in peoples' heads and hasn't gotten onto the Internet. Even as the Web has gotten really big, there's just been this gap. So we made Quora as a general place for people to share knowledge of all kinds.
Beyond that, I seem to be compelled to write science fiction, rather than fantasy or mysteries or some other genre more likely to climb onto bestseller lists even though I enjoy reading a wide variety of literature, both fiction and nonfiction.
It's much easier to get your material out to the public now than it was in 1988, when you basically had to get onto cable to have a joke heard across the country. Now all you need is an iPhone, and you can get your joke heard across the country.
There's different types of strikers: Harry Kane is a wonderful finisher, Jamie Vardy has great pace and has come onto the scene exceptionally well and is playing consistently, and Wayne Rooney is a player I have admired during all of his career.
There are still times when I am walking up, and I look at the Capitol, and I think, 'Oh my goodness.' Right now, I am kind of scared to go onto the floor and speak. Once I get used to it, though, they probably won't be able to keep me off there.
I can't tell you how scary it can be walking onto a movie and suddenly joining this family, it's like going to somebody else's Christmas dinner, everyone knows everyone, and you're there and you're not quite sure what you're supposed to be doing.
In life,you're going to have risk, so you have to say, 'My attitude going forward is how to I fix the problem.' And it's not trying to cling onto the past. When I look around, most problems happen because people are trying to cling onto the past.
I catch an old 'Morse' on ITV3. I've never thought I looked particularly like my son. He's taller than me and blond. But when I see Lewis walk into a room with John Thaw, it's like my son has just come onto the screen. That's very strange indeed!
The fact that we see some people doing what appears to be good civic-minded deeds may be because that is their true intention, and it may be that that is their best way to hold onto power in a setting where they have to depend on a lot of people.
I am not disputing the need for this money. What I am disputing and calling attention to is the fact that we are taking the tab for defense in our time against terrorists in the Middle East and elsewhere and shoving this tab off onto our children.
I was totally into cartoon babes when I was a little dude. Cheetara from the 'Thundercats,' then Jessica Rabbit, and finally I moved onto a real-life human being and was into Punky Brewster, and then Christina Applegate on 'Married with Children.'
Robb Stark was a young man not expecting anything, thinking his life is going to be on one path, and then he's pushed. More weight and responsibility get put onto him; more demands are made of him. For me, as an actor, there are parallels to that.
I'm an artist with a message, and my message is more for society, casting the mirror onto them and saying, 'Hey, this is what we look like, what are we going to do about it, how are we going to use what we've been through to aid where we're going.'
In fiction, when you paint yourself into a corner, you can write a pair of suction cups onto the bottoms of your shoes and walk up the wall and out the skylight and see the sun breaking through the clouds. In nonfiction, you don't have that luxury.
Like a lot of films at the end of 2008, they hit a wall with financing, which is why I moved back onto 'Stone.' In doing so, I had to let go of 'The Beautiful and the Damned,' to at least give them an opportunity to move forward with somebody else.
Personally as an actress, when I work on something, that's it and then I move onto the next thing. I'm not someone who sits and watches my stuff. I like to go onto the next thing that I'm working on, and the thing that's been completed is completed.
Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
The most interesting biofuel efforts avoid using land that's expensive and has high opportunity costs. They do this by getting onto other types of land, or taking advantage of byproducts that aren't used in the food chain today, or by intercropping.
People have told me, 'You shouldn't bring your daughter onto the podium, 'cause it's the workplace,' and things like that. But I'm not gonna really listen to that. I'm gonna do what I think is fun for me and my family, and everything'll be all right.
Being traditional is a choice for me. South Indian families bring up their children with a sense of freedom, self-respect and self-value. We do whatever we have to with earnestness and honesty, including being uninhibited. Yet we hold onto our roots.
In the acting world, you can really only become good by practicing and doing it, and I just think every time you walk onto a set you just become better and better. I think I'm in a totally different space than I was back then on that first movie set.
I suspect millions of people from my generation probably have comparable stories to tell: if not of sports simulations then of Dungeons & Dragons, or the geopolitical strategy of games like Diplomacy, a kind of chess superimposed onto actual history.
It has been, after all, 11 years, more than a decade now, of defiance of U.N. resolutions by Saddam Hussein. Every obligation that he signed onto after the Gulf War, so that he would not be a threat to peace and security, he has ignored and flaunted.