Quotes of All Topics . Occasions . Authors
The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another point of view.
I am called a legend, and people see me as one, but because of that, I don't think I should have to hide at home and only go on holidays, drink champagne, and watch TV. I am somebody that wants to impact onto people's lives.
I'm trying to conquer swimming. I'm getting there. I've gotta conquer it. I had a fear of drowning and tunnels and flying. I started flying and got my pilot's license, so I conquered that. Now, I'm onto swimming and tunnels.
I want everybody to worship the God of love instead of worshipping the God of hate and torture. But in the meantime, we don't want to force Jesus Christ on anybody and look that we are trying to force our beliefs onto others.
I think everybody does go in expecting they're making 'Gone With The Wind' on their first movie. But you know, that's just not going to be the case, everybody. Hold onto your hat. Buckle in. It's probably going to take a few.
'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.
I wouldn't have the life I have without television. I wouldn't be looking out my apartment window onto the East River; I wouldn't be able to afford to have my mother with me this summer. So television has been very good to me.
I loved the idea of Bowie as an artist, with his Burroughsian cut-up technique, creating these undecipherable, abstract songs, where we all projected our own meanings onto his jarring word choices and unexpected chord changes.
I wasn't the brightest button in the class at school, but I enjoyed cooking and baking. I wasn't clever enough at Maths O-level to get onto the cookery teaching course I really wanted to do, so I did a catering course instead.
If you hold onto stuff, it holds on to you. It just weighs you down, and it's a waste of energy. Why would I waste my energy on being bitter and hating when I could be using it to go out and do some really good stuff, you know?
I think too often you see parts being taken from one engine to go onto another... That's been too much of a theme over the whole hybrid era, and that must compromise dyno time, that must compromise endurance running, and so on.
I love collecting market stuff in Mexico. I have an etagere built onto the wall of my living room, which has cubicles that are lit and filled with super inexpensive pottery. You see them in a new way; they become museum pieces.
When you are thrown onto the stage at 17 in such an enormous way, it becomes living on the edge because every step you take, every word you speak, every action you do becomes headline news. And it became, for me, life or death.
We just feel so blessed, like God picked us two goobers to do this crazy thing and speak up for people that don't have a voice and give them something to hang onto. If we've done that for one person, I think we've done our job.
I definitely want to keep on doing Broadway. But maybe when I get tired of Broadway, I'll want to move onto some Disney shows or movies or being a pop star. In general, I think I'll stick with performing and acting and singing.
Grafted onto street clothes and removed from the field of play, jerseys don't even flatter men in their physical prime. Witness any baseball player wearing a uniform top over dress shirt and slacks at a press conference podium.
Some people fascinate me. They really worship at the altar of their careers, you know? And it's terrifying. It's sort of like setting a table and waiting for someone to come along and whoosh - push all the plates onto the floor.
I didn't really realize I was a woman director until I walked onto the set at Pinewood Studios when I did 'Mamma Mia!' and everybody was calling each other 'Governor' and 'Sir'... and then, looking at me, 'Well... good morning!'
It's the polar opposite of most people, but I absolutely hate carrying a ton of stuff onto a plane. I check in all my luggage and literally go through security with nothing other than my coat, in which I have my iPhone and iPad.
I'll often get obsessed with something for about three days, and I'll be utterly into it, and I'll read every single thing about it possible. And then three days later, I'll just forget about it, and I'll be onto something else.
Any New Yorker who even thinks of voting for Ted Cruz should have their head examined, Really, here's a guy who refused to sign onto the 9/11 health care act for the cops and firemen. Here's a guy who talks about New York values.
By the time I auditioned for 'Aliens in America,' the July 7 bombing had happened in London. So I'd had those experiences where I would get onto the Tube, and people would get off. So there was a lot about Raja that I understood.
The way that UCB taught us to improvise, you always start from an inspiration from your life, something that's happened to you or a friend. And then you put a comic game onto it. It always starts from a place of reality, of truth.
I think, in general, as a writer, you can't really hide your values. They're always going to fall out onto the page, and I tend to trust that I don't have to force my ideals into the expression of what's going to happen naturally.
In many cases, contemporary materialisms map uncannily well onto Pre-Socratic ideas such that instead of Anaximander, we have the physicist David Bohm and his idea of an underlying 'implicate order' that transcends time and space.
Soccer fans spend almost as much time outdoors as we do! Whether you're heading out onto the field for practice or cheering from the sidelines, throw a broad spectrum sunscreen into your bag to help protect your skin from the sun.
When I was coming onto 'Thrones,' I was looking for, 'What's the formula here?' There was a very David Lean kind of approach to it. It was traditional, in a way, and it was naturalistic in some respects, even though it was fantasy.
The stuff I write about doesn't, like, necessarily leave people feeling warm and fuzzy. I'm writing in a territory that's, like, contested and full of prickliness. And I find that people project their problems onto me or something.
In most of the European countries - France stands out in its resistance to this particular form of American cultural imperialism - the national film industries were forced onto the defensive after the war by such binding agreements.
The Republican Party is bringing out here onto the floor of Congress an all-out assault on the protection of the rights of people who work in the fields of our country, in the factories of our country, in the offices of our country.
We think we have the best matching algorithm, we think we have the best members. So why wouldn't we want to just shine the light onto just how our processes work, what the real data are, and let people come to their own conclusions.
The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.
I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there.
Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
Well, what I try to do is throw as much mud on the wall as I possibly can and just see what sticks, what shines as quirky or more interesting that the others, and I try to cling onto that one, somehow join a link from there to there.
When I was younger, I went through the windshield of a car ,and my hair didn't grow back right. I had been wearing scarves occasionally, and I decided that I didn't want to deal with wigs and things, so I just stumbled onto my thing.
Let me tell you about a place where technology won't work. When you walk onto a farm and are standing on soil, there is no technology that is going to take that soil and transform it into something that is five times more productive.
I have a feeling that being in love sometimes means the projection of your desires onto another person. The important thing is that you like the other person, respect the other person and want to raise children with the other person.
In my family, growing up, the women were always the ones who were powerful, and they exuded this charisma of empowerment that I hold onto and always remember. I had some difficult times, but these strong women were always a constant.
People get on a show and they fought tooth and nail. Almost 95% of the actors out there want to be on a television series. Then as soon as they get onto one, no, no, I want to be a movie star. This television series stuff, no, no no.
Liverpool is a great fit for me as a club. It's a huge club, and there is a lot of pressure every time you step out onto that field. I've played in front of the Anfield crowd, and it'll be nice to be on the other side of the fans now.
What works for me in 'Indiana Jones' is the fact that I can project myself onto the character. Maybe if I was cool enough, I could do what he does. But I can't do that if the story breaks the rules of reality in too large of a degree.
Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.
I have a collection of vintage sundresses, and I've never worn them because for some reason I always opt for shorts and a t-shirt. I wish I could commit to them. I will. I have a few really great pieces I've been holding onto for years.
I'd say there's more of a difference between a play and movie to TV than there is between TV and movies. But there's something involved in the repetition of things that require something different from me in order to sign onto a script.
Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
I remember turning onto the street. I saw barricades and police officers and, just, people everywhere. When I saw all of that, I immediately thought that it was Mardi Gras. I had no idea that they were here to keep me out of the school.
I used to think that most published writers, the ones I admired, had a muse, or a special connection to the universe, to nature, or to aliens - something inaccessible to me that caused their prose to flow onto the page, already perfect.
I am, as are most writers, just hugely obsessive, and so are many of my closest friends, who tend to be writers or scientists. It's a trait of human nature that I'm particularly in touch with. So I tend to project it onto my characters.
Sunday is a likely day to write a poem. Because poetry is a piece of language flying around: you'll find notebooks, something on your phone. It's about finding them and getting them off that crumpled piece of paper and onto my computer.