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I tend to lean toward a more minimal aesthetic, so when I use wallpapers in my interiors, I like for one or two prints to be the star of the show. I would recommend being careful in your use of strong prints so the room doesn't get too busy. Use one print that dominates and one as an accent.
You find a lot of junk when you're searching through lost and tossed photo ephemera, but every so often you'll find a gem, a wallet-sized masterpiece you're certain could hang on the wall of a gallery if only someone with a name had taken it. Find one or two of those and you're hooked for life.
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
It's fairness to say those who work hard, get up in the morning, cut their cloth - in other words 'we can only afford to have one or two children because we don't earn enough'. They pay their taxes and they want to know that the same kind of decision-making is taking place for those on benefits.
Filibusters have proliferated because under current rules just one or two determined senators can stop the Senate from functioning. Today, the mere threat of a filibuster is enough to stop a vote; senators are rarely asked to pull all-nighters like Jimmy Stewart in 'Mr. Smith Goes to Washington.'
It's certainly true that I was brought up in that British amateur tradition, the one which always held that if you were reasonably good at cricket, knew one or two Latin texts and a few zingy Oscar Wilde quotes for dinner parties, you were pretty much ready to go and run some outpost in Hindustan.
Until Eleanor Roosevelt, there was only one or two First Ladies in all of American history who made an impact, who people could even have recognized or identified. And it's really only been since Jackie Kennedy that there's been this idea that the family life of the president is such a central thing.
I didn't plan to be a politician. The founder of our country, David Ben-Gurion, called me from the kibbutz to serve in the underground. We were short of manpower, short of arms. I was 24 years old. I was supposed to serve my country for one or two years. I am 89 years old this year, and I keep going.
Sharks don't particularly have a great interest in divers. It seemed that in a normal dive, I would jump in the water, and one or two gray reef sharks would swim in and kind of check me out - and then they would keep their distance. So they weren't particularly threatening or anything to be afraid of.
We moved to a town that's predominately Caucasian, some Hispanic and one or two black families, and they do shrimping for a living. Here come hundreds of Vietnamese doing the same occupation. So there was a lot of tension because people were saying we were taking money, shrimp, fish or whatever it is.
I started by writing short stories, but they weren't very good; I tried them on various magazines, and none of them was published. People were nicer then about turning you down, and so I didn't lose heart - I kept on writing and wrote a lot of books, one or two of which I finished, and others I didn't.
Our economics are not baseball's economics. Our game is not baseball's game. Our owners are not baseball's owners, with one or two exceptions. Our union is not baseball's union. What we do has to be crafted and suited to address hockey, to address the NHL, to address our 30 teams and our 700-plus players.
Whenever you play against Fred - we certainly did it - you let him get it because he has to take three or four touches. He doesn't know how to do one or two touches. Anyone that watches his game, he gets it facing the wrong way, turns, turns, chops, chops and he'll give you the ball three or four times a game.
For the most part, since the time I was in EliteXC fighting, maybe there were one or two fights here and there that they had me to win, but for the most part I've been an underdog. I'm not a kickboxer so I'm going to lose to a kickboxer. I'm not a wrestler, my wrestling sucks, so I'm going to lose to a wrestler.
For years and hundreds of thousands of miles, I drove with one knee, with the eight-track and the light dome on in the car, and a yellow pad, just writing down random ideas. I had notebooks and notebooks. The next morning, I'd go, 'Whoa, what was I thinking?' But there'd be one or two ideas that weren't that bad.
I would have thought that if you're going to try to punish the Syrians and prevent them from using chemical weapons again, the thing to do is a one-time strike. Maybe a cruise missile strike at one or two of their air bases just so they know what they're going to gain from using chemical weapons on the battlefield.
When I made the UFC, everyone said, 'You need to go overseas.' I thought I had to go as well, and I went to Tristar Gym, and I was there for one or two years. But changes were needed. I'd come off back-to-back losses - Court McGee and Stephen Thompson - and I needed to look at my roots and go back to the drawing board.
The natural thing in Africa is to start playing soccer at 8 or 9. You go outside and you play like kids play basketball here, and you grow a feel for the game. In Africa, the kids start playing basketball at 16 or 17 or 18, and when they get an opportunity to come here, they have been playing for only one or two years.
The picture of Mother Teresa that I remember from my childhood is of a short, sari-wearing woman scurrying down a red gravel path between manicured lawns. She would have in tow one or two slower-footed, sari-clad young Indian nuns. We thought her a freak. Probably we'd picked up on unvoiced opinions of our Loreto nuns.
Language just gradually came in, one or two stressed words a time. Before then, I would just scream. I couldn't talk. I couldn't get my words out. So the only way I could tell someone what I wanted was to scream. If I didn't want to wear a hat, the only way I knew to communicate was screaming and throwing it on the floor.
If they're trying to get high school kids to go to the D-League, I will be shouting from mountaintops saying, 'What is this going to do to a generation of kids who say, 'All right, I'm going to do this,' you get one or two years to make it, and now you're out without any opportunities. Who's taking care of those kids now?'
I've stopped going to see art films because every critic gives them four stars and say things like 'masterpiece,' 'spellbinding' and 'mesmerizing.' I mean, they're doing that with my film, but I don't want to use those blurbs. Critical reviews aren't worth too much anymore because just about every film can get one or two of them.
I'm a fantasy writer, called a fantasy writer. But there's very little, apart from one or two basic concepts in 'I Shall Wear Midnight,' which are in fact fantasy. You have sticks that fly, but they're practical broomsticks, with a bloody great strap that you can hold on to so you don't fall off. And you try not to use them too often.
I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.
I'd say three years ago we played in my hometown of San Antonio for 55,000 people at the Alamodome and walking out there with a crowd like that is just, you're excited, you're scared. There are just so many emotions going on. I still get nervous for things like that until after I sing about the first one or two songs, then I settle down.