Quotes of All Topics . Occasions . Authors
Mark Wahlberg, when I was in high school, people were like, 'You look like Marky Mark!' Then as I got older, they were like, 'You look like Donnie Wahlberg.' Now they're like, 'You look like Donnie Wahlberg's cousin from Massachusetts.'
I wanted pretty pictures of older women - women who are trying too hard but succeeding - pulling off an extreme look. What I didn't know would creep into the portraits was a vulnerability behind the strong facade that most of them wear.
I do make a good ragu pasta, which everyone seems to like. Or that could be just me talking; who knows what they really think. I actually stole the recipe from my older sister Vera, who also loves to cook. I took all my recipes from her.
My daughter's just going to be really hip! My goal is to be as eco-conscious as possible: There's so much out there for parents who want to do that. I plan to keep her eco-friendly as she gets older. I think we all sort of have to do it.
I think anybody over 30 plays parents because it happens in your thirties and so that's kind of a natural progression. But I'm definitely drawn to it. It's probably the most intense, passionate thing that happens to you as you get older.
Sometimes I can't believe I'm going to be 60. I always say there's no point moaning about getting older, when there's nothing you can do about it. But still, I do find it quite funny. I look at that number, 60, and I think, 'Really? Me?'
The documentaries are one thing - I was highlighting someone else's work, someone else's genius. Once I had to find my own voice, I'm glad I was a little bit older and had some confidence and had all these great inspirations to draw from.
As I grew older and got into the late teens and early 20s, I wanted to be a voice of the people. You know, getting locked up all the time and going through so much oppression and seeing it all around myself, I wanted to be a voice for it.
One of the nice things about getting older is that you come to understand that you can integrate multiple aspects of your life together. When you're young, you think everything has to be binary, as that's exactly how you feel at that age.
Even as a little girl, my mom never wanted me to watch BET, but when I was at my grandparents' house, and my older cousins were there and I could watch it, I was infatuated with the idea that I could one day be a DJ or the host of a show.
In the beginning, we might have been focused on totally just music and being famous, just wanting to have fame and make hot music, but as we got older, we had to understand that this is a business and that our moves need to be calculated.
We just need more father figures and more older people to come and school these youth, because there will be a lost generation. And that's what a gang's supposed to be, protecting family and doing what you've got to do for your loved ones.
I would never bet against Peyton Manning. You know about the age and the neck and the strength. But I had George Blanda, and as he got older, he got smarter, and he just got rid of the ball quicker. I watch Peyton, and I see George Blanda.
The older I get, the more of a recluse I turn into. I love the social aspect of my work. It's like a commune and gets very intense and very sociable. Then when I am not working, I shut myself away, so I can see myself living up a mountain.
Granted, I've changed internally as I've gotten older - I take it easy, I know when to stop and take care of myself, I laugh much more and with my belly and soul - but this comes from the confidence and acceptance that comes with maturity.
Love is like a friendship caught on fire. In the beginning a flame, very pretty, often hot and fierce, but still only light and flickering. As love grows older, our hearts mature and our love becomes as coals, deep-burning and unquenchable.
My role models in the business were the older guys on my team when I first got there: Gray Scott, Adrian Smith, Roland Taylor. These were the guys who took me under their wing, and really schooled me in terms of what the business was about.
I was the youngest of six kids, and my brothers and sisters were kind of a lot older than me. And the one sister that was, like, in a close age range - she was five years older than me. She was my closest sister in age, and she was a loser.
It would astonish if not amuse the older citizens to learn that I (a strange, friendless, uneducated, penniless boy, working at ten dollars per month) have been put down as the candidate of pride, wealth, and aristocratic family distinction.
Apparently, one in five people in the world are Chinese. And there are five people in my family, so it must be one of them. It's either my mum or my dad. Or my older brother, Colin. Or my younger brother, Ho-Chan-Chu. But I think it's Colin.
While the women of the older generation were thankful if only they succeeded in obtaining 'a work and a duty,' however monotonous and wearing it might be, the will of the younger generation for a pleasurable labour has fortunately increased.
My older brother was the person who got me interested in science in general. He used to tell me what he learned in school. My first memory of mathematics is probably the time that he told me about the problem of adding numbers from 1 to 100.
It's a funny thing because you look at the careers of other filmmakers, and you see them sort of slow down, and you realize, maybe this becomes harder to do as you get older. That's sort of a cautionary thing. I hope it doesn't happen to me.
I've become more introverted as I've got older. I used to be an outgoing person who joked around a lot, but as the amount of energy I expend by sharing my music has increased, I like to balance it by spending time by myself and recuperating.
As you get older and wiser you realize that when people are given anything without having to earn it (unless they are physically or mentally utterly incapable of earning anything), they become ungrateful and lazy. They also become less happy.
I played tennis. My older brother, Joseph, was a cello player, and I played the cello, but he was better than me at the cello, and he was also a better tennis player than me, so I was always like, 'I wish there was something that only I did!'
When I seemed to be irritable or sad, my father would quote the learned Dr. Knight, and then say, 'Just go to sleep.' Like all smart aleck kids, I thought the advice was silly. But as I've grown older, I've realized just how smart Knight was.
I have an older sister named Haley and she wanted to be an actress. So I wanted to be an actress. It's really funny the way that some people don't give kids enough credit for like really being driven, and really wanting to do things so badly.
I grew up with older brothers, adore them, can't imagine going through life without them, and I definitely think I draw on that love when I'm writing about siblings. It's so powerful, the jump-in-front-of-a-train-to-protect-them kind of love.
I was joked by a lot of older musicians because I was playing saxophone over trap beats or future bounce beats, and it just wasn't what you do. They were just like play some John Coltrane and get in the corner. But that's just not how I work.
I was born Pauline Matthews and grew up in Bradford as one of three children - I had an older brother, David, and an older sister, Betty. My father Fred worked in the mills as a textile weaving supervisor, and my mother, Mary, was a housewife.
I want to be Gary Barlow and peak when I'm 40. That's my plan - he's who I'm modeling myself on. Most people are completely beautiful when they're young, and then there's always a point when they get older where they say: 'Oh, what happened?!'
I had five brothers and sisters. Four of them older, and some of them played instruments, and we would get together and have family recitals and raise money for the church. I belonged to a wonderful church community that encouraged me to sing.
Since our society equates happiness with youth, we often assume that sorrow, quiet desperation, and hopelessness go hand in hand with getting older. They don't. Emotional pain or numbness are symptoms of living the wrong life, not a long life.
I have pushed the boat out as far as I should in terms of taking on too many things. I'm getting older and I just could not take it any more. I am now monitoring myself very closely and I'm just trying not to get into that sort of state again.
The older books were quite light-hearted. But I think most of my novels do end on a deep note of pessimism. Shadows seem to be closing in. The final conclusion isn't that life is wonderful and everything is bright and cheery and in the garden.
I once did a gig at an office Christmas party in the showroom floor of a friend's father's home appliance shop in the suburbs of Melbourne. It was to a much older crowd. Without a microphone. Or a stage. With the queue for the buffet behind me.
The older I get, the less I know. By that I mean the less I am sure of. I view people with strong opinions on the big stuff with distrust. I don't think we should have certain certainties on faith and politics; I think we should be open-minded.
When I was young and growing up in New York, my parents took me to children's theater quite often - elaborate presentations of 'Goldilocks' and 'Rapunzel' for Upper East Side kids. As I grew older, they took me to adult theater, mostly musicals.
Most people don't grow up. It's too damn difficult. What happens is most people get older. That's the truth of it. They honor their credit cards, they find parking spaces, they marry, they have the nerve to have children, but they don't grow up.
I was just very shy. I was never anxious to do talk shows, as I didn't know what to say. And I don't feel I have any inherent interest. But as I'm getting older, I feel I want to be able to share whatever I know if it means something to someone.
I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.
These days, as I am older and wiser, I realize that there is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don't fit with their preconceived idea of you.
One thus sees that a new kind of theory is needed which drops these basic commitments and at most recovers some essential features of the older theories as abstract forms derived from a deeper reality in which what prevails in unbroken wholeness.
My older brother went into another city for college, and I felt like I wanted to stay in my home town to be close to my parents. Looking back, that was the best decision. My father passed away in 2010 and I got to enjoy those four years with him.
My grandparents and my mom prayed the rosary a lot, and later in life, I had a priest friend of mine teach me centering prayer, based on Father Thomas Keating's work. That led to practicing different kinds of meditation off and on as I got older.
When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
A further point is that, little by little, in the current universe, everything is slowly being named; nor does this have anything to do with the older Aristotelian universals in which the idea of a chair subsumes all its individual manifestations.
The death of Churchill at 90 was one of those watershed moments in which the obituary rises to a special calling beyond the sharing of remembered times. It gave an older generation a rare opportunity to explain something of itself to its children.
I learned to play football in the streets. Every day of school, everyone came and played football. The street is a good school, and you learn many things there - resiliency, how to play against older players, and how to put up with or dodge kicks.